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Comments FAQ

  

How do I comment on an article, review or essay?

 

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ALERT: ONCE YOU HAVE REGISTERED (see details below), YOU SHOULD RECEIVE AN EMAIL FROM WORDPRESS TO VALIDATE YOUR REGISTRATION AND CHANGE YOUR PASSWORD. CHECK YOUR JUNK/SPAM — THE WORDPRESS VALIDATION EMAIL MAY BE LODGED THERE.

 

If you are already subscribed to TheVinylPress.com (by having entered an email address in the box at the bottom of the page to get email updates of new content), you are subscribed to receive emails alerts when new articles are posted to TheVinylPress. Being subscribed does not enable you to comment. To comment, you must register, like so:

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Update: As of 2018 we have eliminated the “subscribe” feature and the “letterbox” slot shown above (which appeared at the bottom of the page). To get regular updates (and to comment), you must now register. “Legacy subscribers,” (i.e., those who subscribed before we eliminated that feature), should still receive updates, but cannot comment without registration, as described  in this FAQ.

 

Why two different ways to subscribe or register with TheVinylPress?

 

We only recently decided to add the “comments” feature. When launched, we only offered the ability to receive email alerts of new articles through subscription, a feature that we have now eliminated. We have now simplified the subscription/registration procedure to a single method–registration.  See Update above.

 

 

What happens once I register?

 

Once you register, you will receive a confirmatory email to set your password. Please check your “spam” box if you don’t receive the email in your inbox. The email will provide a link to enable you to validate your registration and set a password. Once you have done so, you will have the ability to comment. You also will receive email updates of new articles when they appear on TheVinylPress. You also can enable the settings to receive email updates to a comments section in which you have commented. More about these settings, below.

 

What are the rules/parameters of commenting?

 

The “rules” generally are set forth in the Terms of Use (“TOU”). Their spirit (apart from complying with the law and other niceties), is to:

  • Foster the exchange of information while keeping things civil;
  • Remain “on topic”;
  • Prevent irrelevant comments or those that “thread crap” (e.g., “CD is better than vinyl”);
  • Not inflame each other.

Discussion of politics is prohibited, though there may be some limited instances where it is directly relevant to music history.

 

Are there other rules for comments?

 

Your first post as a commenter will have to be approved by TheVinylPress, just to make sure you are “real.” After that, you should be able to post without waiting for moderator approval subject to your continued compliance with the TOU.

Use of hyperlinks will put the comment into a moderation queue to minimize spam.

 

What about User Settings for Comments? Do I Get an Email Notification Every Time Someone Else Comments?

 

You can receive email notifications of new comments posted by other users once you have commented on an article. If you do not want to receive such alerts, you have the option to change email notification settings for comments as a registered user. You do this in the comments section of a particular article, see below example, where it gives you the option to check a box for notifications of new comments.

 

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Note: If you were already a subscriber and now register as well, you may receive two email alerts for any new article. To prevent that, you can disable the email alerts for new articles as follows: First, click on “The Vinyl Press” at the top left of your screen. That will give you access to the Dashboard. Click on Subscribe2 on the left menu. By default, you will be subscribed to all categories. Click the box that reads “Select/Unselect All” under Subscribed Categories so that your Dashboard looks like the one below.

 

user-dashboard2

 

 

Is there a way to report an inappropriate comment?

 

Yes, there is a feature that enables you to flag a comment by another user that you believe is inappropriate, amounts to spam or violates the TOU. Community moderation is very helpful, but don’t use it to thwart comments critical of your position. Users can reduce the likelihood of being flagged by avoiding personal attacks in comments.

 

Will comments be open indefinitely for an article?

 

No. There is a limited time window from the date of first publication of a piece within which to comment on it. After that, the comments for that piece will be closed. (This may vary, from 14 to 30 days after first publication of the piece in question). If there is an older piece that you wish to comment on, or one for which you’d like to re-open comments, contact us. Note also: not all articles, essays and reviews will have a comments box, but if you wish to comment on such a piece, you can request that we activate the comments function. To make any such request, contact us at: [email protected]

 

 

 

 

In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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