Gary Bartz and Maisha-Direct to Disc Gary Bartz and Maisha eloquently answer the question about the direction of modern jazz today. Bartz is a heavyweight player whose credentials take us back to the roots of post-war modern jazz; the list of notables with whom he performed as a sideman is long and impressive, from Blakey and Miles to Eric Dolphy, Max Roach and McCoy Tyner. His album, Another Earth, with Strata-East co-founders Charles Tolliver and Stanley Cowell and the great Pharaoh Sanders, is a classic. Bartz has kept moving through the years, exploring jazz, funk and fusion. As I was... Read More

Collocutor-Continuation  Collocutor’s Continuation is a modern jazz album in the same sense that King Crimson is a “rock group”—the elements are there but it’s put together in a way that makes the experience altogether unique. The brainchild of Tamar Osborn, who composed all the tracks and plays various saxophones and flute, the album is highly atmospheric and charged with a different energy than most modern jazz— it seeks out the dark corners and brings light to unexpected places. Osborn’s interests seem eclectic—from African to classical to soul and pop; she has her... Read More

Nate Morgan- Retribution, Reparation Nate Morgan’s Retribution, Reparation follows his Journey Into Nigritia (covered here) and should be regarded in some ways a part of a continuum—Morgan was exploring a world that still remains undiscovered today—driven by love, not tyranny and inspired by the voices of the past to lead new generations toward a brighter future. The God of the Old Testament is called upon, and the archaic term for the land of blacks in Africa- “Nigritia” still figures into the liner notes, which are inspired by Marcus Garvey. Both albums were released on Nimbus... Read More

Pharoah Sanders Live at the East Pharoah Sanders Live at the East was released after Sanders had already come into his own with the album Karma, released on Impulse in 1969. Sanders was well recognized within the modern jazz community, having been mentored by the likes of  Coltrane and Sun Ra. Sanders appears on one of my favorite Alice Coltrane records, Ptah, the El Daoud, released in 1970. In 1972, Sanders released this live album, which can be found at reasonable prices despite the increasing market value of the older Impulse pressings. The line up on this album is stellar, from Cecil... Read More

Azar Lawrence- Prayer for My Ancestors Azar Lawrence, whose work as a sideman (including with McCoy Tyner after Coltrane’s death) is well recognized, has been enjoying a recent resurgence -two of his albums from the mid-‘70s as a featured performer have been reissued by the Jazz Dispensary. This album seems to have been neglected so far and is worth seeking out, though I have only found it on CD (and even that has not been so easy to find). Released in 2008, Prayer for my Ancestors has a killer roster of players: Nate Morgan on piano, Henry Franklin (whose album, “The Skipper,” is... Read More

Two Rarities Reissued- Far Out and Stonewall You’ll be forgiven if neither of these albums– Far Out and Stonewall– was on your “pre-buy” list; both are somewhat obscure and highly collectible for different reasons. There is serious market for obscure psych and early hard rock that never made a commercial impact- the more obscure the better. Some of it is good, but the tariff is high, leading to all sorts of unlicensed reissues over the years. These two releases cover two important albums that, for the first time, purport to be licensed, authorized product.  Far... Read More

Peace & Quiet-self-titled Peace & Quiet is a period hard rock album that is not, as far as know, on anybody’s radar. It’s got great vocals, a guitar driven, heavy sound soaked with organ and is the perfect alternative to those classic hard rock favorites. The vocal parts here are just outstanding—think about how big the band Three Dog Night was back in the day; they cranked out a huge number of hits based on the strength of their harmonies. Today, almost nobody knows the band, let alone the musicians that played with them, but those harmonies? Ask somebody who qualifies for... Read More

Almanac- Nock-Maupin-McBee-Marshall Almanac, featuring Mike Nock, Bennie Maupin, Cecil McBee and Eddie Marshall is a stunning album that draws its power from the strength of its performers, compositions that are melodic but adventurous and a recording that is so good that it qualifies as “demo” material. This is not “safe” jazz, but it isn’t aimless either: it works because the compositions are strong and the players are up to the task.  The recording, made at Columbia University, was mixed by David Baker and it’s wonderful, chock full of goodies that aren’t there for sonic... Read More

Boomerang featuring Mark Stein  Boomerang- by definition, something that returns to the originator. Mark Stein may have been ahead of his time. As a founding member of Vanilla Fudge, largely remembered for the hit “You Keep Me Hangin’ On,” Stein cultivated an organ rich sound that influenced other heavy organ rock bands, most notably, Deep Purple; Stein is credited as an originator of sounds that bridged psychedelia with what eventually became heavy metal. I’m not sure that is an entirely accurate picture of the music at the time; there were lots of “heavy rock” bands in the... Read More

Kent Glenn- Good for the Garden Kent Glenn’s Good for the Garden initially lured me in because the cover art was the antithesis of the music on the record. Glorious jazz from an L.A. composer who was, even at the time the album was released, “considered one of the most overlooked, underrated composers on the L.A. jazz scene.” (liner notes by Gary G. Vercelli, KPFK, L.A; Down Beat). The record starts with the title track — a harmonious horn section and some great drumming. “Ambivilance” -slows it down with a plaintive wail and some even/odd notes held in background- the... Read More