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You are here: Home / Archives for Phono

“phono”- is a new section I’ve added to the archival categories here, meant to capture articles that deal with the business of phono cartridges, styli and associated machinery of playback, including set-up, stylus wear, retipping and other matters concerning the first point of contact with the record. Some of those pieces may appear on the homepage but at a certain point, need a home when new content displaces them. That’s here.

A Running Experiment on Stylus Wear

September 30, 2019 by Bill Hart Leave a Comment

A Running Experiment on Stylus Wear The Finish Line article by Mike Bodell has generated a fair amount of attention on various audio chat boards, including the Hoffman forum where I posted the article.  One outgrowth of that thread was Ray Parkhurst’s decision to do a bit of informal testing, using a fresh stylus and examining wear at different time intervals.  (Ray, as you may remember, helped Mike with the macrophotography in his piece). Here’s where that part of the discussion and Ray’s reports begin:... Read More

Filed Under: In Brief, Phono

Stylus Wear – Mike Bodell’s “The Finish Line for Your Phonograph Stylus”

May 23, 2019 by Bill Hart Leave a Comment

Stylus Wear in Vinyl LP Playback- Mike Bodell’s “The Finish Line for Your Phonograph Stylus”    One thing all of us who play vinyl LPs share, no matter how basic or esoteric the turntable/tonearm and phono stage, is our reliance on the phono cartridge. These intriguing little devices not only make a significant contribution to the sound quality we experience, but are the first interface with the record, functioning as a transducer to convert tiny inscriptions in the groove into an electrical signal that eventually gets equalized, amplified and re-transduced from an... Read More

Filed Under: In Brief, Phono

A Legend Confirmed- The Koetsu Jade Platinum

April 15, 2019 by Bill Hart Leave a Comment

A Legend Confirmed- The Koetsu Jade Platinum Though this site is devoted to the medium and the music rather than the machinery it is played on, I have had to reckon with cartridge aging recently. I tried an inexpensive stop-gap in the form of an older, rebuilt cartridge while my Airtight Supreme goes off for surgery. In the meantime, I finally got my hands on a Koetsu stone bodied cartridge, a Jade Platinum. Much has already been written about these newer Koetsus, which take the legendary midrange sound of the old Sugano-made Koetsu and extends the frequency range through some changes in... Read More

Filed Under: In Brief, Phono

In Brief:

Incoming! (More Interesting Records)

Incoming! (More Interesting Records)  An "interesting record" to me offers something unexpected, whether it is a fresh take on a recognized genre, or something that opens a new way of experiencing instruments in combination. It does not have to be "strange" or challenging to listen to; in fact, I'm a sucker for a good melodic hook and enjoy technical prowess as much as anybody, but there has got to be something "more"-- an intangible that differentiates the record from the millions of others to which we all have access.   As mentioned in a recent editorial, a lot of records come in and not all get written up. It’s not an editorial decision or any reflection of the music or sonics; I only have so much time, and I tend not to write short blurbs, but longer (some may say ‘too long’) reviews. My “incoming” piles continue to grow as I publish. This series of short capsules is meant to … [Read More...]

More on Milt Ward and Virgo Spectrum

More on Milt Ward and Virgo Spectrum Courtesy of Bill Pierce, the former Chair of Woodwinds at Berklee. Pierce worked with Milt Ward in the late ‘60s, including a stint as part of the horn section for Stevie Wonder. Pierce figures prominently on the album, Milt Ward and Virgo Spectrum; I have added his recollections to the feature article.   (Scroll down to the bottom of the article). My thanks to Bill Pierce, whose band, the Ralph Peterson Messenger Legacy, is currently active and touring.     … [Read More...]

A Phono Bargain or Three

A Phono Bargain or Three The ever-resourceful Steve Leung (VAS) built me a Franken-Denon 103, repotted in a wooden body with a micro-ridge stylus. In my estimation, it's a phono bargain, given its performance. Wonderful tone and an advanced stylus shape. I have zero experience with stock Denon 103 cartridges, a perennial favorite among budgeteers and tweakers. This Franken-cartridge took advantage of various tweaks that have been performed by DIY'ers and retipping shops over the years-- rebodying the cartridge, using elastomers to 'pot' the cartridge motor assembly into a new body and retipping the old school conical stylus with a more modern profile. Steve did it all in one swoop for me. I didn't even have to supply the stock Denon- he sourced it and did his thing. Set up on a Kuzma 4 Point 9, which is  currently mounted on my vintage Technics SP-10, I’ve now got the vintage Quad ESL … [Read More...]

A Running Experiment on Stylus Wear

A Running Experiment on Stylus Wear The Finish Line article by Mike Bodell has generated a fair amount of attention on various audio chat boards, including the Hoffman forum where I posted the article.  One outgrowth of that thread was Ray Parkhurst’s decision to do a bit of informal testing, using a fresh stylus and examining wear at different time intervals.  (Ray, as you may remember, helped Mike with the macrophotography in his piece). Here’s where that part of the discussion and Ray’s reports begin: https://forums.stevehoffman.tv/threads/the-finish-line-for-your-phono-cartridge-stylus-wear-by-mike-bodell.842572/page-17#post-21738520   For the purposes of Ray’s experiment, he’s using the following set up: Empire 480LT Cartridge 0.2mil x 0.7mil Elliptical Stylus Tracking force 1.25g Technics SL-10 Turntable   Obviously, there are a number of factors at play. Tracking force is pretty … [Read More...]

Change is Good- From Proto-Metal to Spiritual Jazz

Change is Good- From Proto-Metal to Spiritual Jazz Spiritual jazz is something I started to focus on in just the last couple years. More recently, I’ve been writing pieces about obscure private or small label offbeat jazz- the material fits under various genre headings, including soul jazz, free jazz and other categories that aren't always fully descriptive of the music.  This isn’t as much an editorial choice as it is a reflection of my recent listening interests: the level of musicianship is high, and the production quality is often good, in part because the performances depend on non-electrified instruments and more straightforward recording techniques. This is also about the process of discovery—I had largely abandoned listening to jazz records until a few years ago when Ken Golden prompted me to start exploring ‘spiritual jazz’- a journey that took me from the Strata-East catalog … [Read More...]

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