Opening the Door to Comments! When this site launched, it did not include any facility for user comments. I didn’t want to bother moderating comments, and had enough work just assembling content. But now, almost two years into publishing TheVinylPress, I’m willing to experiment a bit, so some articles will now include a comments feature. If you want to post a comment, you will have to register. (Registration and login links are at the bottom of the page in the “black bar”). Initial comments may be put into a queue until you are validated as a user. And, at least... Read More
Incoming! (More Interesting Records)
Incoming! (More Interesting Records) An “interesting record” to me offers something unexpected, whether it is a fresh take on a recognized genre, or something that opens a new way of experiencing instruments in combination. It does not have to be “strange” or challenging to listen to; in fact, I’m a sucker for a good melodic hook and enjoy technical prowess as much as anybody, but there has got to be something “more”– an intangible that differentiates the record from the millions of others to which we all have access. As mentioned in a... Read More
More on Milt Ward and Virgo Spectrum
More on Milt Ward and Virgo Spectrum Courtesy of Bill Pierce, the former Chair of Woodwinds at Berklee. Pierce worked with Milt Ward in the late ‘60s, including a stint as part of the horn section for Stevie Wonder. Pierce figures prominently on the album, Milt Ward and Virgo Spectrum; I have added his recollections to the feature article. (Scroll down to the bottom of the article). My thanks to Bill Pierce, whose band, the Ralph Peterson Messenger Legacy, is currently active and touring. ... Read More
A Phono Bargain or Three
A Phono Bargain or Three The ever-resourceful Steve Leung (VAS) built me a Franken-Denon 103, repotted in a wooden body with a micro-ridge stylus. In my estimation, it’s a phono bargain, given its performance. Wonderful tone and an advanced stylus shape. I have zero experience with stock Denon 103 cartridges, a perennial favorite among budgeteers and tweakers. This Franken-cartridge took advantage of various tweaks that have been performed by DIY’ers and retipping shops over the years– rebodying the cartridge, using elastomers to ‘pot’ the cartridge motor... Read More
A Running Experiment on Stylus Wear
A Running Experiment on Stylus Wear The Finish Line article by Mike Bodell has generated a fair amount of attention on various audio chat boards, including the Hoffman forum where I posted the article. One outgrowth of that thread was Ray Parkhurst’s decision to do a bit of informal testing, using a fresh stylus and examining wear at different time intervals. (Ray, as you may remember, helped Mike with the macrophotography in his piece). Here’s where that part of the discussion and Ray’s reports begin:... Read More
Change is Good- From Proto-Metal to Spiritual Jazz
Change is Good- From Proto-Metal to Spiritual Jazz Spiritual jazz is something I started to focus on in just the last couple years. More recently, I’ve been writing pieces about obscure private or small label offbeat jazz- the material fits under various genre headings, including soul jazz, free jazz and other categories that aren’t always fully descriptive of the music. This isn’t as much an editorial choice as it is a reflection of my recent listening interests: the level of musicianship is high, and the production quality is often good, in part because the performances... Read More
Stylus Wear – Mike Bodell’s “The Finish Line for Your Phonograph Stylus”
Stylus Wear in Vinyl LP Playback- Mike Bodell’s “The Finish Line for Your Phonograph Stylus” One thing all of us who play vinyl LPs share, no matter how basic or esoteric the turntable/tonearm and phono stage, is our reliance on the phono cartridge. These intriguing little devices not only make a significant contribution to the sound quality we experience, but are the first interface with the record, functioning as a transducer to convert tiny inscriptions in the groove into an electrical signal that eventually gets equalized, amplified and re-transduced from an... Read More
The Biggest Record Show in Texas (and the United States)- The Austin Record Convention 2019
The Biggest Record Show in Texas (and the United States)- The Austin Record Convention 2019 Yep, stuff is big here- trucks, some people (fit, not fat), buildings, hair, BBQ, hell the entire state is big. And the Austin Record Convention, which has been operating since 1981, was pretty great this year. Lots of dealers (over 300, according to the website) occupying 40,000 sq feet of clean, well air-conditioned modern space. The show takes place in South Austin, just a stone’s throw from the river in the middle of downtown Austin. It claims to be the biggest record show in the United... Read More
Editor’s Note: Turntable Set Up Issues and a Forum?
Editor’s Note: Turntable Set Up Issues and a Forum? Turntable Set-Up Issues With the arrival of a new tonearm and tone arm pod, I’ve been juggling two tone arms, with the added mass of the arm support pods (each of which weighs about 30 lbs). Balancing this weight on the Minus K isolation platform is a little tricky. One basic step is optimizing arm position for ease of use and pivot to spindle distance. Other, more routine set up steps—alignment, null points, and anti-skate are par for the course. However, the lateral tracker doesn’t involve null points or anti-skate... Read More
The Grizzly Works Record Tote-Bespoke Luxury for Bin Divers
The Grizzly Works Record Tote I don’t do vinyl as a “lifestyle” and usually don’t offer fashion advice. But this luxe quality record tote–from “Grizzly Works”– is the sort of thing you’ll want if you attend record shows, take records with you for listening purposes to someone else’s home, a store or hi-fi show or you simply want an easy, well-made way to carry some albums. It comes from a vendor in Australia, Anthony Sawyer, a very nice guy whose specialty is custom hi-fi racks and speaker stands. According to Anthony, the conception, fabrication and... Read More
A Legend Confirmed- The Koetsu Jade Platinum
A Legend Confirmed- The Koetsu Jade Platinum Though this site is devoted to the medium and the music rather than the machinery it is played on, I have had to reckon with cartridge aging recently. I tried an inexpensive stop-gap in the form of an older, rebuilt cartridge while my Airtight Supreme goes off for surgery. In the meantime, I finally got my hands on a Koetsu stone bodied cartridge, a Jade Platinum. Much has already been written about these newer Koetsus, which take the legendary midrange sound of the old Sugano-made Koetsu and extends the frequency range through some changes in... Read More
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