home

The Vinyl Press

  • Features
  • Records
  • Cleaning – Care
  • Editorials
  • Compendia
  • Ephemera
  • Phono
  • About
You are here: Home / Editorial / Letters / Editorials / From the Editor

From the Editor

February 4, 2015 by Site Support

Although this website is designed along the lines of a traditional newspaper rather than an Internet chat board, thoughtful comment and criticism are not just welcomed-they are essential its purpose: a better understanding of music available on LP that doesn’t enjoy wide recognition.  We are fortunate to live in an era where a number of record companies and third parties have released (or re-released) many important recordings on vinyl. But there are just as many, perhaps more, which, for various reasons, have not benefitted from high quality reissues, or were released and  largely forgotten or simply missed a larger audience for a multitude of reasons.

Those are the records that most interest me- mining the past (and occasionally, the present) for those jewels that deserve to be heard. Some of these records are well known to collectors, but the price of admission is steep and no quality reissue exists. (I will endeavor to find a less dear pressing made at around the same time and where possible, compare them to the uber-pressing).  In other cases, the record is simply overlooked- easy enough to find cheaply if you know what to look for. In many cases we are dealing with used vinyl which inevitably leads to record cleaning, one of the other areas of interest here.

I am hardly an arbiter of taste- some of what I’m sharing in these pages was re-discovered by me years after I bypassed or ignored a particular artist or record. I’m not adverse to the wealth of remasters now available from a number of sources, but, for the most part, these are already well-covered in the audio press and typically, are records that already enjoy recognition and an established market.  I see little need to tread over well-tilled ground. Likewise, you won’t find traditional equipment or accessory reviews here because readers are already well served on that front.

 I hope you find something here that makes it worth your while. Your thoughts, comments and criticism can be addressed to me via the Letters to the Editor button at the top of this section.

Filed Under: Editorials

In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

Terms of Use ·  Copyright © 2025 The Vinyl Press.com ·  Privacy Policy
A service of Flying Reptile Media Group ·  Contact


Register | Login to Comment | Comments FAQ

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in