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Fixing Certain Features on the Site

August 11, 2018 Leave a Comment

Fixing Certain Features on the Site UPDATE: August, 2018  IF YOU ARE REGISTERING TO GET UPDATES AND/OR TO COMMENT AND DO NOT RECEIVE AN EMAIL FROM WORDPRESS TO VALIDATE YOUR REGISTRATION, PLEASE CHECK YOUR SPAM/JUNK MAIL. BREAKING NEWS: As of Friday, August 10, 2018, it looks like all functionality to the site, including Letter to the Editor and Comments, is fully operational. My thanks to Tom Ossa and his team. BH.   As this site has grown, I have tried to improve it, and add certain features. Alas, some of them don’t perform as intended and need to be reprogrammed. Some of... Read More

Filed Under: Editorials

Taking a Wider View On Your Listening Choices

March 19, 2018 Leave a Comment

Taking a Wider View On Your Listening Choices If you take music seriously (and I’m not talking about pinky lifting pretension here)- you can take garage bands or punk as seriously as original Blue Notes, you know your taste. It is seldom dictated by the mainstream trends, marketing, or popular culture of the moment. Sometimes, popular music isn’t just fluff either and can prove enduring as well, see, e.g. “The Letter”. Chances are, you had some epiphany at some point- probably as a teenager—and recognized that there were certain things you liked, in preference to the music that... Read More

Filed Under: Editorials, In Brief

Sonics vs. Music on LPs

August 29, 2017 Leave a Comment

Sonics vs. Music on LPs     With apologies for the “click bait” title, I had an epiphany the other day playing the main system for a visitor. I usually try to find music that is both interesting and well recorded. There is no shortage of such records, but as I find myself plunging deeper down the rabbit hole of obscurities, lost bands and forgotten albums, I realized how much of a gap there in sound quality between some of these musical gems and the spectacular sound you get on the great audiophile quality records. Ideally, you’d get both— interesting music and lifelike... Read More

Filed Under: Editorials, In Brief

Opening the Door to Comments!

December 1, 2016 2 Comments

Opening the Door to Comments!   When this site launched, it did not include any facility for user comments. I didn’t want to bother moderating comments, and had enough work just assembling content. But now, almost two years into publishing TheVinylPress, I’m willing to experiment a bit, so some articles will now include a comments feature. If you want to post a comment, you will have to register. (Registration and login links are at the bottom of the page in the “black bar”).  Initial comments may be put into a queue until you are validated as a user. And, at least... Read More

Filed Under: Editorials, In Brief

From the Editor- Ian Anderson Interview

November 10, 2016

  I’m thrilled to publish an interview with Ian Anderson of Jethro Tull on TheVinylPress. Anderson is a deeply reflective, articulate man who was willing to share some of his thoughts on his extraordinary style of music-making- particularly the early, seminal albums during a period of dramatic change in popular music– a transformation in which Anderson played a vital role. Anderson gives us a first hand perspective on this watershed period that reshaped popular music forever. We owe a debt of gratitude to this gifted and deservedly legendary composer and artist.  Here is the... Read More

Filed Under: Editorials

Canned Heat: In Depth

November 10, 2016

  I’m very pleased to publish three interrelated articles about Canned Heat, a blues band with a roster of incredible talent, and deep and significant roots in the rediscovery of the blues in the early ‘60s: a band that played the Monterey Pop Festival, Woodstock and is still “on the road” after 50 years. So much of what the band did in the late ‘60s is now taken for granted: driving rock boogie, the mix of country or rural blues with rock, a serious effort to preserve the elements of long forgotten blues motifs (including many eclectic and more obscure blues styles that were... Read More

Filed Under: Editorials, In Brief

LISTENING TO RECORDED MUSIC: A RUMINATION

November 10, 2016

The Internet has democratized many things, including the ready availability of music and information about it. It has also changed how we listen to music: from hardware to software to new formats and delivery platforms. Despite my preference for things analog, I support these changes if only because they give artists (performers and songwriters) the ability to reach more audiences and hopefully, in the process, to make some return on their work.   One of the chief complaints about mass-market music delivery is that as technology has improved, sound quality (and consumer’s... Read More

Filed Under: Editorials, Features

From the U.K. to L.A.

November 10, 2016

  I’ve been dwelling on records made in the UK in the 60’s and early 70’s- especially the Vertigo Swirls and Island “pink labels.”  (Additional pieces on Island and Vertigo will be added along the way). But, given the “label” approach I’ve been taking here for some of the features, related reviews and essays, I thought it might be interesting to shift focus, from the UK to LA. This shift parallels what I perceive to be a shift in epicenter of the music business that took place from the late 60’s to the 70’s and beyond, as popular musical styles changed. And no... Read More

Filed Under: Editorials

An Astute Reader Named “Stephen”

November 10, 2016

Sent me a note regarding the Buddy Guy recording mentioned in footnote 14 here to the following effect: “The soundtrack to the film “Chicago Blues” is on vinyl Red Lightnin RL0055 (1985)”   Thanks for that, Stephen! (and for reading the footnotes)…. ... Read More

Filed Under: Editorials

From the Editor:

November 10, 2016

This site started as a small, non-commercial site, with no advertising and no mission other than to provide readers with insightful articles, reviews of older records, the “back-story” behind some of the great recordings, including interviews with producers and people behind the scenes. We also provide those just entering the world of vinyl records, as well as more seasoned collectors, with practical advice on such things as record cleaning, buying and the like. The site is now gaining momentum and we thought it would be appropriate to spell out our policies on matters of privacy and... Read More

Filed Under: Editorials

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In Brief:

Airtight Supreme v Monster Alpha Genesis 1000 (WuT?) Or the Path to Older Phono Cartridges….

Airtight Supreme v Monster Alpha Genesis 1000 (WuT?) Or the Path to Older Phono Cartridges…. I know, this seems like a stupid comparison, but bear with me. My Airtight Supreme phono cartridge is aging and I'm looking to replace it.  The price of the top tier cartridges, like Airgtight’s Opus, their current flagship, is just prohibitive when you consider that it is a consumable. Much as I’ve winced at cartridge pricing in the past, I’ve just bitten the bullet—when I upgraded from my original Airtight PC-1 to the Supreme some years ago, the improvement was considerable. And, like NOS tubes, and early sought- after pressings of some LPs, that’s the market for high end phono cartridges these days. (I’m not going to engage in class warfare here, or suggest that the mark up is hideous, though I know in the case of phono cartridges from Japan, they must pass through a few hands … [Read More...]

The Analog Relax Record Brush

The Analog Relax Record Brush I have had an unhappy relationship with “dry” record brushes over the many years I used them. Such brushes don’t seem to do an effective job of removing surface detritus and despite the “anti-static” moniker applied to some, I have found that dry brushing can generate, rather than mitigate, a static charge. Some also shed fibers. As explained below, I eventually abandoned dry brushing altogether, instead using an “air puffer” to address any surface lint that was introduced after the records had been thoroughly cleaned using a combination of wet cleaning, vacuum and ultrasonic record cleaning.  Background I cannot remember my first brush, but over the years, I’ve used the Decca (which has been copied many times with less success) and its clones, the Hunt (which consists of a plush pad between two brushes) and various other … [Read More...]

Good Things Come in Big Packages- Sammy Miller and the Congregation

Good Things Come in Big Packages- Sammy Miller and the Congregation Big band style jazz probably reached its peak in popularity before WWII.[1]Sammy Miller and the Congregation aim to bring it back, with a few surprises, a laugh and an impressive, tuneful display of musicianship. If Sammy & Company prove anything, it’s that what we think of as “big band” music is an archetype and does not represent the music itself: vibrant, full of soul, life, blues and joy, with lots of space between the different instruments, offering an interplay of sounds that are immensely satisfying. I used to catch myself sitting in Broadway shows in New York back in the day (my wife worked for a number of noted producers on Broadway), hearing all those seasoned players in the pit, just wishing they could let go and rock, rather than stick to the often schmaltzy “show tune” music to which they were … [Read More...]

A History of Ultrasonic Record Cleaning

A History of Ultrasonic Record Cleaning   Despite the attention paid to ultrasonic record cleaning in the last few years, including the various DIY efforts that have broadened its appeal due to lower cost (as well as providing a more flexible feature set than some of the commercial entries), little has been said about the history of ultrasonic cleaning for records. Mike Bodell changes that with a paper entitled  “The Curious Case Of Record Cleaning In The Quest For Sonic Perfection” which is being published here for the first time. Mike, who has both a science and business background, came to the subject with an open mind, a curiosity borne out of strong interest (including self-interest: he wanted clean records) and a technical background that caused him to dig deep. “The Curious Case…” is a fascinating read on several fronts: first, we learn that there were early efforts to … [Read More...]

Comus: First Utterance- Part II: Interview with Members of Comus About the Album

Comus: First Utterance- Part II: Interview with Members of Comus About the Album   Following the publication here last week of Comus- First Utterance (consisting of an overview of the LP, its reissue and legacy), An Interview with Members of Comus has now been published. It is integrated into the first article as Part II and can be accessed directly (if you already read Part I and want to go directly to the interview(s)) by clicking on the hyperlinked text in the preceding sentence.  The interview is really a series of viewpoints from different band members and, like the album itself, offers some starkly different perspectives that ultimately cohere into a larger narrative; about the band, the making of the record and the creators’ individual views of its importance, then and now. This is a fascinating look behind a recording that stands as a milestone in the recorded … [Read More...]

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