Editor’s Note: Turntable Set Up Issues and a Forum? Turntable Set-Up Issues With the arrival of a new tonearm and tone arm pod, I’ve been juggling two tone arms, with the added mass of the arm support pods (each of which weighs about 30 lbs). Balancing this weight on the Minus K isolation platform is a little tricky. One basic step is optimizing arm position for ease of use and pivot to spindle distance. Other, more routine set up steps—alignment, null points, and anti-skate are par for the course. However, the lateral tracker doesn’t involve null points or anti-skate... Read More
Fixing Certain Features on the Site
Fixing Certain Features on the Site UPDATE: August, 2018 IF YOU ARE REGISTERING TO GET UPDATES AND/OR TO COMMENT AND DO NOT RECEIVE AN EMAIL FROM WORDPRESS TO VALIDATE YOUR REGISTRATION, PLEASE CHECK YOUR SPAM/JUNK MAIL. BREAKING NEWS: As of Friday, August 10, 2018, it looks like all functionality to the site, including Letter to the Editor and Comments, is fully operational. My thanks to Tom Ossa and his team. BH. As this site has grown, I have tried to improve it, and add certain features. Alas, some of them don’t perform as intended and need to be reprogrammed. Some of... Read More
Taking a Wider View On Your Listening Choices
Taking a Wider View On Your Listening Choices If you take music seriously (and I’m not talking about pinky lifting pretension here)- you can take garage bands or punk as seriously as original Blue Notes, you know your taste. It is seldom dictated by the mainstream trends, marketing, or popular culture of the moment. Sometimes, popular music isn’t just fluff either and can prove enduring as well, see, e.g. “The Letter”. Chances are, you had some epiphany at some point- probably as a teenager—and recognized that there were certain things you liked, in preference to the music that... Read More
Sonics vs. Music on LPs
Sonics vs. Music on LPs With apologies for the “click bait” title, I had an epiphany the other day playing the main system for a visitor. I usually try to find music that is both interesting and well recorded. There is no shortage of such records, but as I find myself plunging deeper down the rabbit hole of obscurities, lost bands and forgotten albums, I realized how much of a gap there in sound quality between some of these musical gems and the spectacular sound you get on the great audiophile quality records. Ideally, you’d get both— interesting music and lifelike... Read More
Opening the Door to Comments!
Opening the Door to Comments! When this site launched, it did not include any facility for user comments. I didn’t want to bother moderating comments, and had enough work just assembling content. But now, almost two years into publishing TheVinylPress, I’m willing to experiment a bit, so some articles will now include a comments feature. If you want to post a comment, you will have to register. (Registration and login links are at the bottom of the page in the “black bar”). Initial comments may be put into a queue until you are validated as a user. And, at least... Read More
From the Editor- Ian Anderson Interview
I’m thrilled to publish an interview with Ian Anderson of Jethro Tull on TheVinylPress. Anderson is a deeply reflective, articulate man who was willing to share some of his thoughts on his extraordinary style of music-making- particularly the early, seminal albums during a period of dramatic change in popular music– a transformation in which Anderson played a vital role. Anderson gives us a first hand perspective on this watershed period that reshaped popular music forever. We owe a debt of gratitude to this gifted and deservedly legendary composer and artist. Here is the... Read More
Canned Heat: In Depth
I’m very pleased to publish three interrelated articles about Canned Heat, a blues band with a roster of incredible talent, and deep and significant roots in the rediscovery of the blues in the early ‘60s: a band that played the Monterey Pop Festival, Woodstock and is still “on the road” after 50 years. So much of what the band did in the late ‘60s is now taken for granted: driving rock boogie, the mix of country or rural blues with rock, a serious effort to preserve the elements of long forgotten blues motifs (including many eclectic and more obscure blues styles that were... Read More
LISTENING TO RECORDED MUSIC: A RUMINATION
The Internet has democratized many things, including the ready availability of music and information about it. It has also changed how we listen to music: from hardware to software to new formats and delivery platforms. Despite my preference for things analog, I support these changes if only because they give artists (performers and songwriters) the ability to reach more audiences and hopefully, in the process, to make some return on their work. One of the chief complaints about mass-market music delivery is that as technology has improved, sound quality (and consumer’s... Read More
From the U.K. to L.A.
I’ve been dwelling on records made in the UK in the 60’s and early 70’s- especially the Vertigo Swirls and Island “pink labels.” (Additional pieces on Island and Vertigo will be added along the way). But, given the “label” approach I’ve been taking here for some of the features, related reviews and essays, I thought it might be interesting to shift focus, from the UK to LA. This shift parallels what I perceive to be a shift in epicenter of the music business that took place from the late 60’s to the 70’s and beyond, as popular musical styles changed. And no... Read More
An Astute Reader Named “Stephen”
Sent me a note regarding the Buddy Guy recording mentioned in footnote 14 here to the following effect: “The soundtrack to the film “Chicago Blues” is on vinyl Red Lightnin RL0055 (1985)” Thanks for that, Stephen! (and for reading the footnotes)…. ... Read More