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You are here: Home / Archives for Editorial / Letters / Editorials

From the U.K. to L.A.

June 1, 2015 by Bill Hart

  I’ve been dwelling on records made in the UK in the 60’s and early 70’s- especially the Vertigo Swirls and Island “pink labels.”  (Additional pieces on Island and Vertigo will be added along the way). But, given the “label” approach I’ve been taking here for some of the features, related reviews and essays, I thought it might be interesting to shift focus, from the UK to LA. This shift parallels what I perceive to be a shift in epicenter of the music business that took place from the late 60’s to the 70’s and beyond, as popular musical styles changed. And no... Read More

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An Astute Reader Named “Stephen”

April 25, 2015 by Bill Hart

Sent me a note regarding the Buddy Guy recording mentioned in footnote 14 here to the following effect: “The soundtrack to the film “Chicago Blues” is on vinyl Red Lightnin RL0055 (1985)”   Thanks for that, Stephen! (and for reading the footnotes)…. ... Read More

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From the Editor:

April 20, 2015 by Bill Hart

This site started as a small, non-commercial site, with no advertising and no mission other than to provide readers with insightful articles, reviews of older records, the “back-story” behind some of the great recordings, including interviews with producers and people behind the scenes. We also provide those just entering the world of vinyl records, as well as more seasoned collectors, with practical advice on such things as record cleaning, buying and the like. The site is now gaining momentum and we thought it would be appropriate to spell out our policies on matters of privacy and... Read More

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Some Additional Vertigo Swirl Reviews Just Posted; Buying Used Records- A Primer (Soon)

April 1, 2015 by Bill Hart

Lest you think this site is all Vertigo, all the time, well, it’s not. But given the significance of the label, I added a few more reviews- records that are in my estimation, some of the best of the catalog. These reviews are intended to be read together with the interview of Olav Wyper, the man Philips sought out to get them into the rock/psych/folk genre, posted here earlier this month. In addition, I am close to publishing a piece called “Buying Used Records-A Primer” which attempts to capture in one place, the basics: the significance of different pressings, deadwax... Read More

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From the Editor

March 20, 2015 by Bill Hart

Mel Brooks was once asked what the hardest part was to film making: “Punching all those little holes on the sides,” was his answer.  Putting a fresh round of material together for this site is easier and more fun than you’d imagine, but it requires time (and some hole punching).  Although my original intention was to do constant updates to the content here, I’m now on pace to publish at more leisurely intervals with periodic updates in between. The latest issue features: an interview with Olav Wyper, the creator of Vertigo Records. This label fascinates me for a variety of... Read More

Filed Under: Editorials

From the Editor

February 4, 2015 by Site Support

Although this website is designed along the lines of a traditional newspaper rather than an Internet chat board, thoughtful comment and criticism are not just welcomed-they are essential its purpose: a better understanding of music available on LP that doesn’t enjoy wide recognition.  We are fortunate to live in an era where a number of record companies and third parties have released (or re-released) many important recordings on vinyl. But there are just as many, perhaps more, which, for various reasons, have not benefitted from high quality reissues, or were released and  largely... Read More

Filed Under: Editorials

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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