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Amina Claudia Meyers, Salutes Bessie Smith

February 3, 2015 by Bill Hart

When I heard this record by jazz pianist, composer and singer Amina Claudine Meyers on the radio back in the early 80’s in NY,  I wrote down the title and went to Tower Records on Broadway and bought it.  It is not something I play often but I do come back to it when I want to hear what a real piano sounds like. The record has a spare, underproduced quality, Ms. Meyers can wail with the best of them, but her piano work is superb; she captures a sort of forgotten sound- of a big instrument being played at full tilt with majesty and power, but singing in a mournful voice. The vocals... Read More

Filed Under: Records

Taste, On the Boards

February 3, 2015 by Bill Hart

Rory Gallagher is another legendary guitarist whose playing is recognized not just for his skill, but for his ability to play inside of the song: – no boring, self- indulgent solos, or mind-bending exercises of guitar wizardry, this guy was musical! The album, from his band Taste, captures one of many high points in Gallagher’s career. Songs range from beefy rockers, like “What’s Going On” to lilting folk ballads (“If the Day Was Any Longer”). The tunes stay with you; the musicianship is something you can go back to again and again and hear... Read More

Filed Under: Records

Free, Tons of Sobs- Island ILPS 9089

February 2, 2015 by Bill Hart

The band “Free” now has legendary status, in good part because of the deft guitar work of Paul Kossoff, another giant talent who died young. This album, their first, is a heady mix of blues and psychedelia, with the distinctive voice of Paul Rodgers- the band achieved fame with their later hit, “All Right Now,” and eventually morphed into Bad Company, which was a driving hard rock act immediately identifiable by Rodger’s voice. But, in this early incarnation, the elements of rock, psych and blues are more evenly balanced. Kossoff’s playing is lyrical and... Read More

Filed Under: Records

Trixie Whitley- I’d Rather Go Blind 45rpm 10″ single- Belgian pressing

February 3, 2014 by Bill Hart

Not to be confused with the famous Etta James song, Trixie Whitley (daughter of legendary  Texas blueman, Chris Whitley) cut this track early on in her career. Produced by Daniel Lanois, with Brian Blade on drums, the opening drum beats suck you in immediately. Ms. Whitley has the same quality that her father did- an utterly authentic, very musical voice that is the opposite of stylized;  instead there is a ‘rip’ in her voice that just grabs you.  Do not confuse this with her EP that contains several tracks including this song- find the 45 containing just this one track- it... Read More

Filed Under: Records

James Gang, Best of-

February 2, 2014 by Bill Hart

This old ABC Dunhill compilation (look for the ‘children’s blocks’ logo on the label)  sounds great, gives you the hits from the first three albums; some copies even contain the Ravel Bolero passage (in the song ‘The Bomber’) that was excised from later pressings although it is not easy to tell whether it is included in a given copy based on the deadwax or other indicia.  Pretty low-rent album art that just adds to the gestalt.  Start your Harleys! ... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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