We’re Back!

We’re Back!

Photo credit: EAVONE Jazzman

Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end.

I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it.

It offers some great insight into a period when this band was inventing new sounds in the post-punk era- the gorgeous voice of Lisa Gerrard, and the multi-instrumental talent of Brendan Perry. This was a great read and fun project to write about—it gave me insight into what was happening in the UK and Europe during a period when the music industry was once again trying to find its footing, apart from the big arena acts.

I also posted a review of Abdul Wadud’s By Myself, a solo cello record of free jazz by an accomplished master of the instrument. Original pressings are scarce and costly. The reissue is easily available at relatively low cost.

More to come. As you could guess, quite a few records have come in the door in the past year.

I have a couple of shoot-outs to do, which I hope to post soon. And a new album from our spiritual jazz maestro, Muriel Grossmann.

More as it happens.

Bill Hart

Austin Tx.

March, 2024.