home

The Vinyl Press

  • Features
  • Records
  • Cleaning – Care
  • Editorials
  • Compendia
  • Ephemera
  • Phono
  • About
You are here: Home / In Brief / The Grizzly Works Record Tote-Bespoke Luxury for Bin Divers

The Grizzly Works Record Tote-Bespoke Luxury for Bin Divers

April 15, 2019 by Bill Hart 1 Comment

The Grizzly Works Record Tote

I don’t do vinyl as a “lifestyle” and usually don’t offer fashion advice. But this luxe quality record tote–from “Grizzly Works”– is the sort of thing you’ll want if you attend record shows, take records with you for listening purposes to someone else’s home, a store or hi-fi show or you simply want an easy, well-made way to carry some albums. It comes from a vendor in Australia, Anthony Sawyer, a very nice guy whose specialty is custom hi-fi racks and speaker stands. According to Anthony, the conception, fabrication and marketing of the record tote was not something he planned as a product:

For a number of years, I’ve been making custom hi-fi racks and speaker stands as a very part time affair and outside of my 9-5 job (metalwork is my background) and thoroughly enjoy everything about designing and creating something unique from scratch. I had the idea of a nice bag to carry records to friends’ houses floating around my head for ages but never acted on it as I assumed it would be too costly. Plus, I frequently forgot….
Anyway, serendipitously I had it in mind when I was in the vicinity of a leather craftsman so asked and was pleasantly surprised so had it done. While we were talking about the design it occurred to me that maybe others might be interested. So, I asked whether he might be able to emboss my business logo on the flap which turned out to be easier than I expected.
I threw a picture of it on my Facebook page to see what sort of reaction it would create. Very shortly after that a guy here in Australia (Marc Rushton), who runs a similar forum to Myles[1]called Stereo.net (AU) , contacted me and ordered two then asked if he could do a write up on it. That snowballed to quite a few guys from that site ordering their own and the rest seems to have taken a slow burning life of its own.  I’ve done a few custom variations as well- different sizes for folks to use as laptop bags and one in purple leather too! 

The bags are made to Anthony’s specification by a second generation Balinese leather craftsman:

All of the leather is marked and cut by hand and sewn using specialized waxed heavy-duty cotton on purpose designed leather sewing machinery (very similar process to a conventional home sewing machine so hand fed). There is no automation in the process. Brass fittings are used for adjustment. Sandy, the leather artisan, also takes care of the logo embossing by hand. The closure system consists of 4 small magnets hidden between the leather and lining so there is nothing visible about the closure mechanism. Each tote is individually wrapped in tissue paper and shipped in a perfect sized carton with certificate of authenticity on 176gsm paper, filled out and signed by me. We offer a 12-month replacement warranty, provided no signs of misuse are obvious. 

I am informed that the capacity is up to 20 of the older style 12-inch LPs but Anthony said one customer squeezed 28 albums in to one and his shoulder gave out rather than the bag. Sizing is 350x350x50mm or approximately 14x14x2 inches. Anthony has updated the design to include 2 internal pockets for wallet and phone and is willing to do custom orders as well, with dividers or other internal partitions more suitable for a laptop or business bag. 

I know several people in the States who ordered and received their bags pretty quickly. Shipping charges aren’t crazy either. You can reach Anthony through his website at https://grizzlyworksracks.wixsite.com/home for a quote. 

Certainly, beats the hell out of a canvas tote bag (which doesn’t protect your records very well) or the recycled plastic bags you almost have to scrounge for at record shows. Vendor: “Oh, that album- it’s a thousand dollars. No, I don’t have a bag.” Now you don’t even have to ask. 

Bill Hart

Austin, TX

April, 2019


[1]Myles Astor, a long-time hi-fi guy in New York who, among other things, is a senior editor at Positive Feedback and has a forum on the net, audionirvana.org that is a refreshingly information-rich community of professional engineers, long-time audiophiles and music hounds where I first spotted the bag. 

Filed Under: In Brief

Comments

  1. Grizzly says

    April 17, 2019 at 5:20 am

    Thank you Bill!!

    Log in to Reply

Leave a Reply Cancel reply

You must be logged in to post a comment.

In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

Terms of Use ·  Copyright © 2025 The Vinyl Press.com ·  Privacy Policy
A service of Flying Reptile Media Group ·  Contact


Register | Login to Comment | Comments FAQ

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in