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You are here: Home / Archives for Bill Hart

Buying Older Records- Guides, Interviews, References

August 11, 2015 by Bill Hart

Buying Older Records- Guides, Interviews, References Buying older records can be challenging, even for the well-informed collector. This will serve as an index collecting links to various articles on the site about buying older records, including guides, interviews and references. In addition to identifying noteworthy used and collectible records on the site at large,  TheVinylPress […]

Filed Under: Compendia

Janis Ian- Between the Lines

August 11, 2015 by Bill Hart

  I love Janis Ian. She’s a great songwriter, a terrific performer and this record, which contained the hit “At Seventeen” put her on the map. I had the opportunity to see her perform in 1975, the year the album Between the Lines was released. Though hard-pressed to remember what I did last week, let alone details of a concert that occurred 40 years ago, I recall being spellbound at the time. This record brings that kind of magic to you via the medium of vinyl. For that reason, it also remains an “audiophile” demonstration disc that is still used as a reference by gear... Read More

Filed Under: Records

LP Sleeves, Jackets and Care

August 11, 2015 by Bill Hart

    Veteran LP collectors might regard what follows as overkill, or even contrary to their practice or experience. So I offer this photo-essay of various ways to handle, package and manage LPs after they have been properly cleaned, along with some cautionary notes and guidelines, recognizing that there are many ways to approach the subject and a few “absolutes,” mainly having to do with the fact that some plastics used for outer jacket and inner sleeves, particularly PVC, are known to interact with vinyl records, and should be avoided. You can pick and choose your own method... Read More

Filed Under: Cleaning - Care, Features

The Sacred Mushroom

August 3, 2015 by Bill Hart

  Any album that starts with a track entitled “I Don’t Like You” is bound to be interesting. This is a collectible piece of early blues-pysch from Cincinnati, featuring the talents of the Goshorn brothers. If you didn’t know that Larry Goshorn went on to Pure Prairie League, you might not hear the slight twang in his playing. Overall, the “‘Shroom” sounds more like a rust-belt version of The Cream. It’s a cool record, and as far as I know, a one and done for this band. It was originally released on the Parallax label, which was distributed by the (old) Audio Fidelity.... Read More

Filed Under: Records

Bluegrass-Jazz Virtuosos

August 3, 2015 by Bill Hart

  This record, mixing bluegrass with jazz, is a revelation. It features Norman Blake, Dave Holland, Vassar Clements and a cast of other virtuosos. The track “Sauerkraut ‘N Solar Energy” is a high energy landmark of superb musicianship -the tempo whips the musicians into a frenzy –and playing flat-out, not a note is misplaced. It’s an absolutely stunning display of artistry. Given the renewed interest in “Americana” and roots music, I’m surprised this record hasn’t been rediscovered, though it was an audiophile favorite back in the day.   The album was... Read More

Filed Under: Records

Chris Whitley- A Brief Retrospective

July 27, 2015 by Bill Hart

I’m haunted by Chris Whitley. We’ve had our share of gifted musicians— far too many to recount here– who died young, leaving a legacy of recordings that are honored today through reissues, deluxe boxed sets and retrospectives (in word and film). Labels can effectively mine a catalog, make a profit where little was had at the time of original release and in the process, keep the music alive for new generations of fans. For various reasons, Chris Whitley doesn’t yet benefit from that kind of visibility. His work really deserves greater recognition and a revival. There have been... Read More

Filed Under: Features, Records

Collecting “Essential” Rock LPs

July 22, 2015 by Bill Hart

I had a ball working on this piece with Jeff Gold, the owner of Recordmecca. He is known for offering the rare and desirable:  rock records and memorabilia. Jeff’s book, 101 Essential Rock Records, ranging from the Beatles, to early psych, electric blues, prog, glam and punk, not only covers some of the most coveted pressings, […]

Filed Under: In Brief

Collectability, Sonics and “Essential” Records- Comparing Notes with Jeff Gold, Owner of Recordmecca

July 22, 2015 by Bill Hart

I originally reached out to Jeff Gold, the owner of Recordmecca, to talk about label histories; Jeff began his career as the first employee at the legendary Rhino Records store in Los Angeles, was at A&M from 1981 through 1990 and later, at Warner Brothers for nine years. He’s also had more than a few moments of fame: he’s the guy who found t­hose early Bob Dylan acetates from the late ‘60s- a discovery that not only proved to be of enormous value as artifacts, but provided an inside look at Dylan’s creative process during one of the artist’s many “transitional” periods-... Read More

Filed Under: Features

National Recording Registry -Are You Experienced

July 17, 2015 by Bill Hart

I recently received an invitation to contribute an essay to the National Recording Registry. The Registry, maintained by the National Recording Preservation Board of the U.S. Library of Congress, chooses certain recordings each year that reflect the richness of the American recorded sound heritage, to preserve that legacy for future generations. There were many great […]

Filed Under: Features, In Brief

“Are You Experienced”—The Jimi Hendrix Experience (1967)

July 17, 2015 by Bill Hart

“Are You Experienced”—The Jimi Hendrix Experience (1967) Added to the National Registry: 2005 Essay by Bill Hart (Text of Essay Published in National Recording Registry of the Library of Congress)* Link to Essay as it appears in the National Recording Registry   Some reviewers of “Are You Experienced” at the time of its release recognized that Jimi Hendrix was changing the very language of popular music. But the significance of this album is probably even greater today, almost 50 years after its original release: the record and its individual tracks are enormously... Read More

Filed Under: Records, Stickies

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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