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You are here: Home / Archives for Bill Hart

Hooker ‘n Heat by Rebecca Davis

October 15, 2015 by Bill Hart

  Hooker ‘n Heat by Rebecca Davis Known for their musical dedication to primal electric blues, 1960s stalwarts Canned Heat are also noteworthy for their support of actual blues men. In various settings, they frequently provided musical backing – and commercial connections – for the elders who had inspired them artistically. Canned Heat founder Alan “Blind Owl” Wilson had started his recording career this way, accompanying Delta legend Son House on his 1965 “comeback” for Columbia. Guitarist Henry Vestine had been involved in the rediscovery of Skip James, and... Read More

Filed Under: Stickies

LYNYRD SKYNYRD: Revisited

October 12, 2015 by Bill Hart

  Given the current cultural antipathy toward symbols of the “old South,” I admit to a moment’s pause before diving into a piece about Lynyrd Skynyrd. In popular culture, the band is often associated with the glory of the South and, perhaps unfairly, some of the pejoratives. Is it possible to enjoy the band without endorsing any negative symbolism? I don’t know about others, but I can. I’m not making any sort of cultural statement here. I just really dig their music– they were originals – superb players and well worth exploring beyond the stereotypes. Back in the... Read More

Filed Under: Features

Canned Heat: In Depth

September 28, 2015 by Bill Hart

  I’m very pleased to publish three interrelated articles about Canned Heat, a blues band with a roster of incredible talent, and deep and significant roots in the rediscovery of the blues in the early ‘60s: a band that played the Monterey Pop Festival, Woodstock and is still “on the road” after 50 years. So much of what the band did in the late ‘60s is now taken for granted: driving rock boogie, the mix of country or rural blues with rock, a serious effort to preserve the elements of long forgotten blues motifs (including many eclectic and more obscure blues styles that were... Read More

Filed Under: Editorials, In Brief

Essential “Heat”: Canned Heat: Four Albums; Conversation with Skip Taylor; Sidebar: Rediscovering the Blues

September 28, 2015 by Bill Hart

Introduction I’m fascinated by that “turning point” in popular music in the mid- ‘60s, when mainstream music was transformed from sonic pablum to electric rock, folk and blues. Of course, the Beatles (and others from the first British invasion) had a huge, irreversible influence, but other things were stirring Stateside, including a reconnection with rural blues. No band had more involvement in this transformation than Canned Heat. Members of Canned Heat were deep blues enthusiasts involved directly or indirectly in the rediscovery, with others, of such legendary, forgotten... Read More

Filed Under: Features

Interview with Skip Taylor

September 28, 2015 by Bill Hart

  Skip Taylor, who managed Canned Heat during the band’s classic era, produced the albums discussed here and is still working with them today, was gracious enough to share some insights. Skip’s story is itself the stuff of legend, as you will see:   How did you get involved with Canned Heat?   Skip: When I joined the band as manager, and eventually got involved in producing their records, I knew nothing about the blues; I was a rock music guy; the band was really detached from the modern rock scene for the most part, except for Bob Hite, who worked in a record store,... Read More

Filed Under: Stickies

SIDEBAR- Rediscovering the Blues

September 28, 2015 by Bill Hart

  The history of the blues revival is just as fascinating and almost as confusing as the history of some of the early blues players. There were a number of key figures involved in the effort to locate the surviving players and their pursuits were often beset by misdirection, sometimes inadvertent, sometimes deliberate and occasionally hilarious.   Dick Waterman, Phil Spiro and Nick Perls finally located Son House in Rochester, New York after searching fruitlessly in the South. House, who influenced Muddy Waters and Robert Johnson, apparently had no idea that his early work was so... Read More

Filed Under: Features

A Tale of Two Masterings-

September 21, 2015 by Bill Hart

  Last weekend, some younger friends, both very involved in music and starting to collect vinyl, brought over a “pile.” One record they were interested in playing was an old lime green Capitol of The Band’s “brown” album. I cleaned it for them; though they believed it was mastered by Bob Ludwig (“RL”), I found no such inscription in the deadwax. We fired it up- nice sounding. I pulled out my copy- an “RL” which I hadn’t heard in a while. The difference between the two records was immediate and obvious, from the depth and impact of the bass to the overall... Read More

Filed Under: Records

A Glimpse of Greatness: Curtis Mayfield

September 21, 2015 by Bill Hart

I keep being reminded of Curtis Mayfield’s genius in the music of others: Jimi Hendrix’s broken chord stylings, the soul beat of the great Stevie Wonder, the funk of Sly Stone and the spirituality of Bob Marley. I don’t have a clear picture of the man, but only fragments: his early material, including the powerful “People Get Ready” (see note 2, below) when he was recording with the Impressions, the huge success of Superfly, his long-enduring activism and tragic last years. Trying to get a handle on his music in a couple of records isn’t easy; I have a few compilations on vinyl... Read More

Filed Under: Records

Terry Reid- Seed of Memory

September 21, 2015 by Bill Hart

  In spite of his considerable talents, Terry Reid is often best remembered as the guy who passed up an invitation from Jimmy Page to become the singer of a new group Page was forming out of the ashes of the Yardbirds. This bit of lore may be as legendary as the story of the Decca executives who passed on signing The Beatles. But Reid takes credit for referring Page to Robert Plant, who with John Bonham, formed the core of Page’s new band, with fellow session man, John Paul Jones. The “what if’s” are, in my estimation, irrelevant, and seemed to have affected Reid’s artistry not... Read More

Filed Under: Records

Garnet Mimms

September 14, 2015 by Bill Hart

  Garnet Mimms is another example of the Brits helping us tap into our own musical legacy. Often classified as “Northern Soul,” Mimms was actually a black man from West Virginia who had a few hits with his group, The Enchanters, including the song “Cry Baby,” written by Bert Berns and Jerry Ragavoy. (It’s the same song that Janis Joplin made far more famous a few years later). As a solo artist, Mimms recorded a number of good songs, but few are better than “As Long As I Have You.” That song took hold in the UK and was covered by Led Zeppelin in early tours. Mimms was... Read More

Filed Under: Records

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In Brief:

Retipper Redux

  Retipping phono cartridges seems to be even more popular today than when I published a list of retippers several years ago. It may be that the cost of better moving coil cartridges has gotten astronomical, that some great cartridges are no longer made or that enthusiasts are generally more value conscious even at the pricier end of the spectrum. I've always thought there was value in retipping, as long as it doesn't alter the fundamental character of the cartridge.  My list, linked above, is somewhat out of date. At some point, I will update it. In the meantime, a few additions:    Le Son - Shanghai, China   Worldwide send-in service   https://www.leson.org/moving-coil-cartridge-retipping/   This outfit, which wrote to me, does inspections, claims quick turn around time, and has a dedicated process for Denon 103 upgrades. (Long time readers will know that I use one such Franken-Denon … [Read More...]

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

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