Vertigo Records, in the era of the ‘Vertigo Swirl,’ is legendary- from its unique ‘swirl’ label, to its eclectic mix of artists, strong musical talent and extremely high production values, to the ‘art’ of the album jackets and the clever album packaging. My introduction to the label came late-this UK label carried the work of some famed artists, like Black Sabbath, but so many of its records- and some of the most desirable ones in my estimation, musically, were recorded by bands like Cressida, May Blitz, Patto, Affinity and Gracious, which are hardly household names. Even fewer... Read More

I’m listening to Les Paul in 1948. His tone is big, rich, and woody- with added percussive accents when he slaps the body of the guitar. What I’m hearing is vivid, real and alive- in a room thousands of miles and more than half a century away from the garage where these recordings were made. We sit in a studio that looks like a cross between an old time record mastering suite and something from the bridge of the Starship Enterprise. There is nobody else in the room but the preservation engineer. Nearby stands a library cart full of old discs, each one holding a single track, or... Read More

I will be devoting some attention to the records released on this label during its heyday- starting in late 1969 and ending in 1973. Some are extremely expensive now owing to their rarity, but others can be had for a reasonable price if you are willing to do a little digging. Rather than start in sequence, with the first release, or pick a well-known record, it makes sense to take  advantage of the Vertigo sampler that was released in 1970 as an introduction to the label. It contains a number of noteworthy tracks, including some that appear on the extremely collectible records; as this two... Read More