Introduction I’m fascinated by that “turning point” in popular music in the mid- ‘60s, when mainstream music was transformed from sonic pablum to electric rock, folk and blues. Of course, the Beatles (and others from the first British invasion) had a huge, irreversible influence, but other things were stirring Stateside, including a reconnection with rural blues. No band had more involvement in this transformation than Canned Heat. Members of Canned Heat were deep blues enthusiasts involved directly or indirectly in the rediscovery, with others, of such legendary, forgotten... Read More

  The history of the blues revival is just as fascinating and almost as confusing as the history of some of the early blues players. There were a number of key figures involved in the effort to locate the surviving players and their pursuits were often beset by misdirection, sometimes inadvertent, sometimes deliberate and occasionally hilarious.   Dick Waterman, Phil Spiro and Nick Perls finally located Son House in Rochester, New York after searching fruitlessly in the South. House, who influenced Muddy Waters and Robert Johnson, apparently had no idea that his early work was so... Read More

I knew as much about Canned Heat as the average listener back in the day; I was familiar with their “hits” and had some sense of their serious devotion to historical blues. I always enjoyed their filmed performances, including their appearance at Woodstock. But, digging deeper into their catalog of records released during their heyday proved to be a revelation. These guys were an odd mix of highly talented blues aficionados fluent in all the varieties of blues, from delta and rural stuff, to the more eclectic jazz-based “traditional” blues to the harder, grittier urban sounds; but... Read More

    “Sunnyland,” by Elmore James, is a blues track that has been part of my DNA since I first heard it in around 1970. What I didn’t know, until quite recently, is that this song –that I’ve known and loved for 45 years –wasn’t the original “Sunnyland” recorded by Elmore James, but a later cut, recorded in New Orleans in 1961. This version, which is far more distorted and raw sounding than the original, remained unreleased until the end of that decade. It first appeared on a compilation released in 1969 in the UK by Blue Horizon entitled To Know a Man.... Read More

    I had the privilege of writing an essay on Hoodoo Man Blues for the National Recording Registry of the U.S. Library of Congress. (You can find the text of the essay here, along with a link to the National Registry where it is officially published). Bob Koester, the founder of Delmark Records (which released Hoodoo Man Blues) and producer of the album, was gracious enough to provide a first-hand account in that essay. (His views lent a far more authentic and interesting voice than any third-hand account I could write fifty years after the fact). Koester is a virtual encyclopedia of... Read More

I originally reached out to Jeff Gold, the owner of Recordmecca, to talk about label histories; Jeff began his career as the first employee at the legendary Rhino Records store in Los Angeles, was at A&M from 1981 through 1990 and later, at Warner Brothers for nine years. He’s also had more than a few moments of fame: he’s the guy who found t­hose early Bob Dylan acetates from the late ‘60s- a discovery that not only proved to be of enormous value as artifacts, but provided an inside look at Dylan’s creative process during one of the artist’s many “transitional” periods-... Read More