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Canned Heat: In Depth

September 28, 2015 by Bill Hart

  I’m very pleased to publish three interrelated articles about Canned Heat, a blues band with a roster of incredible talent, and deep and significant roots in the rediscovery of the blues in the early ‘60s: a band that played the Monterey Pop Festival, Woodstock and is still “on the road” after 50 years. So much of what the band did in the late ‘60s is now taken for granted: driving rock boogie, the mix of country or rural blues with rock, a serious effort to preserve the elements of long forgotten blues motifs (including many eclectic and more obscure blues styles that were... Read More

Filed Under: Editorials, In Brief

Hoodoo Man Blues Essay and Interview with Bob Koester

August 14, 2015 by Bill Hart

  The second in a series of essays I have contributed to the National Recording Registry of the U.S. Library of Congress, this piece focuses on a blues recording from the mid-‘60s that is almost always on lists of “essential” blues records. And for good reason: Hoodoo Man Blues captures, like almost no other, the sound and feel of what real electric blues, played live, sounds like. It features Junior Wells and a young Buddy Guy (who was un-credited on original issues of the record).The essay is brought to life by the insights of Bob Koester, the founder of Delmark Records, who... Read More

Filed Under: In Brief

Collecting “Essential” Rock LPs

July 22, 2015 by Bill Hart

I had a ball working on this piece with Jeff Gold, the owner of Recordmecca. He is known for offering the rare and desirable:  rock records and memorabilia. Jeff’s book, 101 Essential Rock Records, ranging from the Beatles, to early psych, electric blues, prog, glam and punk, not only covers some of the most coveted pressings, […]

Filed Under: In Brief

National Recording Registry -Are You Experienced

July 17, 2015 by Bill Hart

I recently received an invitation to contribute an essay to the National Recording Registry. The Registry, maintained by the National Recording Preservation Board of the U.S. Library of Congress, chooses certain recordings each year that reflect the richness of the American recorded sound heritage, to preserve that legacy for future generations. There were many great […]

Filed Under: Features, In Brief

Vinyl LP Cleaning- A Photo Essay

July 6, 2015 by Bill Hart

  Readers new to vinyl LP cleaning might benefit from this quick photo essay. Having just posted a capsule review of The Doobie Brothers- Toulouse Street on the site, I happened to notice another early copy in my “to be cleaned” pile.  It was a cheap bin find from some record store in Texas that was shipped back to NY with several hundred other records of mine: It looks like I paid $4.99 for this one and it is a pretty early pressing from the Columbia Santa Maria plant.   Under “normal” light, and in the kinds of photos you’ll often see on the web,... Read More

Filed Under: Cleaning - Care, In Brief

Joni, Neil and Tull, plus more….

June 15, 2015 by Bill Hart

Joni, Neil and Tull, plus more; continuing to explore the golden era of the Warner catalog The exploration of Warner during the early 70’s continues- we are going to look at Joni Mitchell (briefly) during this era, with one under-rated “pick” from me. We are also going to pay some attention to a few of the early Neil Young recordings that are hardly obscure, but are great musically, along with a few notes on pressings.   Finally, and as part of a more elaborate write-up, we will be doing a “shoot-out” among the various pressings of Tull’s Aqualung in my possession. (I... Read More

Filed Under: In Brief

Further Reading and Reference Materials: Island Pink Label (and early pink rim) Era

June 1, 2015 by Bill Hart

The story of Island Records extends far back, and well beyond, the “pink label” era addressed here. Even within the “pink label” era there were soul, blues, and Caribbean records that I have not mentioned. I have not attempted to cover the breadth of the Island catalog within even this limited time period (roughly 1967- 1970). Instead, the focus is on Island’s tectonic shift to the “new” music emerging out of the UK: psych/folk rock/blues rock/progressive and other genres in which Island Records was at the vanguard. I have thus used the “pink label era” as synonymous... Read More

Filed Under: In Brief

Vertigo Swirl-Summary of Articles on TheVinylPress.com

May 23, 2015 by Bill Hart

As more material is published to this site,[1] I thought it would help readers to have ready access-with links- to those pieces that are part of the series of related articles on Vertigo Swirl. Thus:  

Filed Under: Compendia, In Brief

Buying Used Records-A Primer

April 1, 2015 by Bill Hart

My interview with Robert Croydon of EIL-Esprit, a well-known UK record dealer inspired me to create a set of tips for buying used records. Some of this is common sense, basic knowledge to anybody who collects, so please accept this as nothing more than “blithering insights into the obvious” if you are already an experienced buyer of used vinyl. Consider The Source: Are you buying from a dealer or an individual? The level of knowledge among record sellers varies widely, regardless of whether they are established dealers, individuals trying to unload vinyl that they accumulated or... Read More

Filed Under: Features, In Brief

From the Vault-a Chat with EIL, a Top Rare Record Dealer in the UK

March 29, 2015 by Bill Hart

I recently got the chance to talk with Robert Croydon, one of the founders of EIL-Esprit, a well known UK-based purveyor of rare records, memorabilia and older vinyl pressings that, while not necessarily “rare,” are often hard to come by in pristine condition. I thought readers might appreciate the insights of a long-established dealer:       Q: You’ve been in business since 1987- that seems to coincide with the death of vinyl as a mainstream audio medium. Can you tell us a little about how the business started? And what was the core inventory at the outset?   I... Read More

Filed Under: Features, In Brief

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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