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You are here: Home / Archives for Bill Hart

John Martyn- Solid Air

July 13, 2015 by Bill Hart

  Long associated with Chris Blackwell’s Island Records, John Martyn’s most enduring album, Solid Air, is now considered a classic representation of British folk-jazz fusion by a troubadour raised in Scotland who did not consider himself a folk artist. A troubled and mercurial character, Martyn worked with some of the best musicians and behind the scenes talent in the business—including Levon Helm and Stevie Winwood– but never seemed to achieve his due. By the time of this album, Martyn had parted ways with Joe Boyd, the preeminent producer of the English folk movement at the... Read More

Filed Under: Records

TRUTH- Jeff Beck (Group)

July 13, 2015 by Bill Hart

  There’s a lot of controversy, if not fallacy about this, an album (somewhat ironically) entitled “Truth”: often credited as the first heavy metal album; the record that Jimmy Page allegedly used as a template for Led Zeppelin 1, released a short time later; a “who is the better guitarist/innovator” meme that continues to polarize today, almost five decades later. It seems that you cannot approach Jeff Beck’s Truth without veering into Led Zeppelin 1 territory.   For the record, I don’t regard either album as “heavy metal.” It’s blues, cranked up, distorted,... Read More

Filed Under: Records

Fleetwood Mac- The Peter Green Era

July 9, 2015 by Bill Hart

  Any catalog of the Warner-related labels during their golden years would necessarily include the early Fleetwood Mac albums on Reprise- self-titled and Rumours, which sold in staggering quantities. Those albums, released on Reprise in 1975 and 1977, brought a level of international recognition to the band that endures today. But of far greater interest to me is the early Fleetwood Mac, a different band, with a darker, bluesy sound that featured the brilliant Peter Green. Those records did not make much of a dent in the U.S. market, even though one of the songs- “Black Magic... Read More

Filed Under: Records

Repo Man-Soundtrack

July 8, 2015 by Bill Hart

  “There ain’t no difference between a flying saucer and a time machine…. People get so hung up on specifics they miss out on seeing the whole thing.” Miller, from Repo Man   Where to start? This is a decidedly “lo-fi” album of a soundtrack to a quirky “cult” film that featured aliens, punk rockers and the great Harry Dean Stanton as a deadpan “repo man.” Want more? Otto, played by Emilio Estevez, learns that his stoned-out parents have donated all their money to a televangelist, and hits the streets, only to be enlisted by “Bud” (Stanton), to “repo” a car.... Read More

Filed Under: Records

Warren Zevon- Excitable Boy

July 7, 2015 by Bill Hart

Warren Zevon wasn’t exactly a household name before Excitable Boy was released, but his recognition factor went through the roof thanks to this, his third album. Yes, it had the hit, “Werewolves of London”, but it also included a host of other noteworthy tracks including “Lawyers, Guns and Money, and “Roland the Headless Thompson Gunner.” His first album, on Asylum, was produced by Jackson Browne, who was on his way to becoming a multi-platinum selling singer-songwriter. Excitable Boy was also produced by Jackson Browne (and Waddy Wachtel) and is darkly humorous in what I think... Read More

Filed Under: Records

Summary of Articles: Warner Records-The “Green Label” Era (and Beyond)

July 6, 2015 by Bill Hart

  This contains a summary of links to various articles, reviews and other pieces concerning the Warner “Green Label” Era (and Beyond). Affiliated labels, like Reprise and Asylum, are also included. Atlantic will probably be covered separately at some point.

Filed Under: Compendia

Vinyl LP Cleaning- A Photo Essay

July 6, 2015 by Bill Hart

  Readers new to vinyl LP cleaning might benefit from this quick photo essay. Having just posted a capsule review of The Doobie Brothers- Toulouse Street on the site, I happened to notice another early copy in my “to be cleaned” pile.  It was a cheap bin find from some record store in Texas that was shipped back to NY with several hundred other records of mine: It looks like I paid $4.99 for this one and it is a pretty early pressing from the Columbia Santa Maria plant.   Under “normal” light, and in the kinds of photos you’ll often see on the web,... Read More

Filed Under: Cleaning - Care, In Brief

Summary of Articles Re: Island Records- The “Pink Label” Era

July 6, 2015 by Bill Hart

This collects in one place, the various articles, essays and interviews on the Island “pink label” and early “pink rim” era. It will be updated as additional, related pieces are posted, to make it easy for readers to find all articles on the subject in one place on the site.

Filed Under: Compendia

Shuggie Otis- Freedom Flight

July 6, 2015 by Bill Hart

  I’ve been meaning to write about this album for a while. It’s a seminal album, but doesn’t fit neatly into one genre; the artist deserves far greater public recognition, both as a writer and performer; the record, which led to one huge radio hit at the time (as covered by The Brothers Johnson), is not on most people’s radar today, though it is a classic. Part of this may be due to the fact that Otis chose to effectively withdraw from the music business for decades (though he did limited session work). Otis came from R&B “royalty”- his father, Johnny Otis, credited with... Read More

Filed Under: Records

The Doobie Brothers- Toulouse Street

July 6, 2015 by Bill Hart

  I’m not breaking any new ground here by saying that this album stands the test of time- it was a hugely successful record when it was released and still sounds fresh more than 40 years later. It was, for most people, their first introduction to the band, which went through personnel and stylistic changes over the years (and is, as of this writing, out on tour); but Toulouse Street captures the band at their best: thick, textured guitar riffs, two drummers, a mix of great songs, including two radio hits, “Listen to the Music” and “Jesus is Just Alright with Me.” It is also a... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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