Summary of Articles: Warner Records-The “Green Label” Era (and Beyond)

November 10, 2016

This contains a summary of links to various articles, reviews and other pieces concerning the Warner “Green Label” Era (and Beyond). Affiliated labels, like Reprise and Asylum, are also included. Atlantic will probably be covered separately at some point.

The Doobie Brothers- Toulouse Street

Tull-Aqualung: Shoot-Out of Vinyl Pressings

Warren Zevon- Excitable Boy

Rickie Lee Jones- Self Titled

Tull, Aqualung: A Shoot-Out (Forthcoming)

Early Neil on Reprise

Joni Mitchell-Reprise, Asylum

Eagles-First Album and Desperado

Jackson Browne- the first three albums

Little Feat- The Lowell George Era

Van Morrison- The Early Albums

Bonnie Raitt- The Early Albums

Alice Cooper-Love it to Death (re the Straight Label pressing with the “thumb” but distributed by Warners, and quickly reissued as a Warner “green label,” sans thumb).

Warner Records: The “Green Label” Era (and Beyond)

The Analog Relax Record Brush

The Analog Relax Record Brush I have had an unhappy relationship with “dry” record brushes over the many years I used them. Such brushes don’t seem to do an effective job of removing surface detritus and despite the “anti-static” moniker applied to some, I have found that dry brushing can generate, rather than mitigate, a static charge. Some also shed fibers. As explained below, I eventually abandoned dry brushing altogether, instead using an “air puffer” to address any surface lint that was introduced after the records had been thoroughly cleaned using a combination of wet cleaning, vacuum and ultrasonic record cleaning. Background I cannot remember my first brush, but over the years, I’ve used the Decca (which has been copied many times with less success) and its clones, the Hunt (which consists of a plush pad between two brushes) and various other … [Read More...]

Good Things Come in Big Packages- Sammy Miller and the Congregation

Good Things Come in Big Packages- Sammy Miller and the Congregation Big band style jazz probably reached its peak in popularity before WWII.[1]Sammy Miller and the Congregation aim to bring it back, with a few surprises, a laugh and an impressive, tuneful display of musicianship. If Sammy & Company prove anything, it’s that what we think of as “big band” music is an archetype and does not represent the music itself: vibrant, full of soul, life, blues and joy, with lots of space between the different instruments, offering an interplay of sounds that are immensely satisfying. I used to catch myself sitting in Broadway shows in New York back in the day (my wife worked for a number of noted producers on Broadway), hearing all those seasoned players in the pit, just wishing they could let go and rock, rather than stick to the often schmaltzy “show tune” music to which they were … [Read More...]

A History of Ultrasonic Record Cleaning

A History of Ultrasonic Record Cleaning Despite the attention paid to ultrasonic record cleaning in the last few years, including the various DIY efforts that have broadened its appeal due to lower cost (as well as providing a more flexible feature set than some of the commercial entries), little has been said about the history of ultrasonic cleaning for records. Mike Bodell changes that with a paper entitled “The Curious Case Of Record Cleaning In The Quest For Sonic Perfection” which is being published here for the first time. Mike, who has both a science and business background, came to the subject with an open mind, a curiosity borne out of strong interest (including self-interest: he wanted clean records) and a technical background that caused him to dig deep. “The Curious Case…” is a fascinating read on several fronts: first, we learn that there were early efforts to … [Read More...]

Comus: First Utterance- Part II: Interview with Members of Comus About the Album

Comus: First Utterance- Part II: Interview with Members of Comus About the Album Following the publication here last week of Comus- First Utterance (consisting of an overview of the LP, its reissue and legacy), An Interview with Members of Comus has now been published. It is integrated into the first article as Part II and can be accessed directly (if you already read Part I and want to go directly to the interview(s)) by clicking on the hyperlinked text in the preceding sentence. The interview is really a series of viewpoints from different band members and, like the album itself, offers some starkly different perspectives that ultimately cohere into a larger narrative; about the band, the making of the record and the creators’ individual views of its importance, then and now. This is a fascinating look behind a recording that stands as a milestone in the recorded … [Read More...]

More Tima- More In-Depth Knowledge on Ultrasonic Record Cleaning

More Tima- More In-Depth Knowledge on Ultrasonic Record Cleaning Readers are probably familiar with the contributions of Tim Aucremann a/k/a Tima on the subject of DIY ultrasonic record cleaning. Tima’s latest installment reflects considerable hands-on evaluation of methods and in-depth research on matters such as water purity and filtering. The latest installment, follow-up #2, is published here. It’s a worthy addition to the knowledge base. A lot of LP owners have jumped on board the DIY RCM approach, but questions abound. If you haven’t read Tima’s earlier installments, I suggest you start there (they are linked within his follow-up #2 article). This latest article advances the game--better results as a function of better processes, including water filtration methods. You can tell Tima was a philosophy major—his reflections on the “why?” of things led him to seek … [Read More...]