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You are here: Home / Archives for Bill Hart

From the Vault-a Chat with EIL, a Top Rare Record Dealer in the UK

March 29, 2015 by Bill Hart

I recently got the chance to talk with Robert Croydon, one of the founders of EIL-Esprit, a well known UK-based purveyor of rare records, memorabilia and older vinyl pressings that, while not necessarily “rare,” are often hard to come by in pristine condition. I thought readers might appreciate the insights of a long-established dealer:       Q: You’ve been in business since 1987- that seems to coincide with the death of vinyl as a mainstream audio medium. Can you tell us a little about how the business started? And what was the core inventory at the outset?   I... Read More

Filed Under: Features, In Brief

Cleaning Vinyl Records- My Personal Odyssey

March 20, 2015 by Bill Hart

  My current approach to record cleaning grew from the casual use of a basic vacuum record cleaning machine (a VPI) to more studied efforts to improve the sound quality of older vinyl records that suffered from various forms of contamination. See Record Cleaning- An Introduction.  I was cognizant of basic “good practices,” including those described by the U.S. Library of Congress website, which is a reasonable starting place, see Cleaning and Archival Standards of Care. But, in many ways, my more recent experience went beyond these basic practices. An Oversimplified History of... Read More

Filed Under: Cleaning - Care, In Brief

A Sidebar: Black Sabbath on Vertigo

March 20, 2015 by Bill Hart

  Any discussion of the Vertigo Swirl label would be incomplete without some mention of the early Black Sabbath albums since they are, from today’s vantage point, probably the best known band to have signed with the label and are often the entry point for many who are buying Vertigo Swirls today. Sabbath’s first four albums, including Paranoid and Master of Reality, were first issued on Vertigo in the UK and a number of other countries (but notably, not the United States, where the band had signed to Warner Bros.).   For those venturing into the sometimes deep... Read More

Filed Under: Stickies

Patto- self-titled-Vertigo Swirl

March 20, 2015 by Bill Hart

This band was never on my radar until I started to dig into the Vertigo Swirl catalog. They recorded two albums on Vertigo, both of which were produced by Muff Winwood. The first, self-titled album is a strong rocker with a front and center vocalist, Mike Patto, and stunning guitar work by Ollie Halsall, who brought a vibraphonist’s touch and sensibility to his stringed instrument playing. The tracks don’t necessarily light up listening to them over a digital stream but the vinyl can be marvelous. And, there is a relative bargain to be had here. Unlike many of the Vertigo Swirls... Read More

Filed Under: Records

May Blitz-self titled Vertigo Swirl

March 20, 2015 by Bill Hart

I’m going to bite the bullet here and suggest that there are few records that can put a guitar power trio into the room with the immediacy of the second track on side one, entitled “I Don’t Know.” This was power rock at its best, and the guitar work is only part of the story; the band was held together by Tony Newman, a well-known drummer who went on to work with Jeff Beck and a long list of name-brand talent. I think the original UK Vertigo is the one to buy, and you may find one on the cheaper side of expensive if you are willing to suffer a tatty cover, a missing... Read More

Filed Under: Records

Cressida- self titled Vertigo Swirl

March 20, 2015 by Bill Hart

I never thought of myself as a fan of “progressive” music, although I certainly listened to some of the bands (Crimson, Tull and early ELP, along with YES and a few others, back in the day) . More than 40 years later, the concept seems dated, and the term seems to apply to a range of music that didn’t fit neatly into one easy to define genre. At its best, it reflected music that followed an almost “classical” form, but drew from jazz, pop and more contemporary influences, including the use of Mellotron, synthesizers and other keyboard instruments, along with... Read More

Filed Under: Records

A Conversation with Olav Wyper – Creator of the Vertigo Swirl Records

March 20, 2015 by Bill Hart

Vertigo Records, in the era of the ‘Vertigo Swirl,’ is legendary- from its unique ‘swirl’ label, to its eclectic mix of artists, strong musical talent and extremely high production values, to the ‘art’ of the album jackets and the clever album packaging. My introduction to the label came late-this UK label carried the work of some famed artists, like Black Sabbath, but so many of its records- and some of the most desirable ones in my estimation, musically, were recorded by bands like Cressida, May Blitz, Patto, Affinity and Gracious, which are hardly household names. Even fewer... Read More

Filed Under: Features

From the Editor

March 20, 2015 by Bill Hart

Mel Brooks was once asked what the hardest part was to film making: “Punching all those little holes on the sides,” was his answer.  Putting a fresh round of material together for this site is easier and more fun than you’d imagine, but it requires time (and some hole punching).  Although my original intention was to do constant updates to the content here, I’m now on pace to publish at more leisurely intervals with periodic updates in between. The latest issue features: an interview with Olav Wyper, the creator of Vertigo Records. This label fascinates me for a variety of... Read More

Filed Under: Editorials

Sir Doug and the Genuine Texas Cosmic Groove

March 19, 2015 by Bill Hart

Doug Sahm is one of those unheralded musicians whose public recognition is generally based on a few old pop hits, but whose range of talent mixed Beatle-esque tunefulness with Tex-Mex sensibility. He was a child when he played with Hank Williams, Sr. and did the rhythm and blues circuit in the 1950’s.  As the Sir Douglas Quintet, he joined the British Invasion to chart with “She’s About a Mover,” with a band that was more south of the border than Liverpool and later, struck again with the hit “Mendocino.” You’ve probably heard these songs at some point in your life, but Sahm... Read More

Filed Under: Ephemera, In Brief

Forgotten and Worth Finding

February 5, 2015 by Bill Hart

__________________________________ SPIRIT TWELVE DREAMS OF DR. SARDONICUS, Epic E 30267 or KE 30267  (yellow or orange ‘target’ label) A time capsule of brilliant psychedelia, short tuneful tracks, including “Nature’s Way” and “StreetWorm” featuring Randy California. California, so nicknamed by Jimi Hendrix, was invited by Hendrix to travel to England to start a new band. Randy’s mom nixed that plan (Randy was only 15 at the time). Hendrix formed the Experience, and the rest is history. California formed Spirit with his stepfather, Ed... Read More

Filed Under: Records

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In Brief:

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

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