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You are here: Home / Archives for Bill Hart

Taste, On the Boards

February 3, 2015 by Bill Hart

Rory Gallagher is another legendary guitarist whose playing is recognized not just for his skill, but for his ability to play inside of the song: – no boring, self- indulgent solos, or mind-bending exercises of guitar wizardry, this guy was musical! The album, from his band Taste, captures one of many high points in Gallagher’s career. Songs range from beefy rockers, like “What’s Going On” to lilting folk ballads (“If the Day Was Any Longer”). The tunes stay with you; the musicianship is something you can go back to again and again and hear... Read More

Filed Under: Records

Cleaning and Archival Standards of Care

February 3, 2015 by Bill Hart 4 Comments

  My visit to the Audiovisual Conservation facilities of the U.S. Library of Congress was prompted by a desire to learn about the steps a first class archival facility uses to preserve and store recorded media, in particular, vinyl records. There is a wealth of products available to the consumer for record care and cleaning, but very little concrete information about the processes or their effectiveness, apart from what is supplied by the various product manufacturers; most of what I learned was based on personal experience, experimenting with different cleaning methods, machines and... Read More

Filed Under: Cleaning - Care, In Brief

Free, Tons of Sobs- Island ILPS 9089

February 2, 2015 by Bill Hart

The band “Free” now has legendary status, in good part because of the deft guitar work of Paul Kossoff, another giant talent who died young. This album, their first, is a heady mix of blues and psychedelia, with the distinctive voice of Paul Rodgers- the band achieved fame with their later hit, “All Right Now,” and eventually morphed into Bad Company, which was a driving hard rock act immediately identifiable by Rodger’s voice. But, in this early incarnation, the elements of rock, psych and blues are more evenly balanced. Kossoff’s playing is lyrical and... Read More

Filed Under: Records

The Turning Point (Piermont, New York)

February 2, 2015 by Bill Hart

  This place is a throwback in time and musical history. Located about 30 miles north of Manhattan, in the quaint and quirky village of Piermont, the club has been a draw for musicians old and new, for decades. Hubert Sumlin played here, as did Junior Wells (with Buddy Guy), along with Dave Mason, Janis Ian and Arlo Guthrie. The list of serious players that have graced the stage in just the last couple years includes David Lindley, Jim Messina, Terry Reid, Johnny Winter and James Hunter. I’ve discovered talent here that was new to me: Alexis P. Sutter, an unbelievable gospel... Read More

Filed Under: Ephemera, In Brief

Record Cleaning- An Introduction

February 2, 2015 by Bill Hart

Introduction: For decades, I had a pretty casual relationship with record cleaning.   I own a lot of records, bought my first vacuum record cleaning machine in the mid-80’s and didn’t give record cleaning much thought:  I’d use one brand or another of commercially available fluid (there were fewer options in those days and occasionally I’d mix up some home brew), apply it, vacuum it using the “cleaning machine” and done. Clean is clean, right? What started me down the path of exploring vinyl record cleaning in more depth over the past couple years was... Read More

Filed Under: Cleaning - Care

Entering the World of the Vertigo Swirl

February 3, 2014 by Bill Hart

I will be devoting some attention to the records released on this label during its heyday- starting in late 1969 and ending in 1973. Some are extremely expensive now owing to their rarity, but others can be had for a reasonable price if you are willing to do a little digging. Rather than start in sequence, with the first release, or pick a well-known record, it makes sense to take  advantage of the Vertigo sampler that was released in 1970 as an introduction to the label. It contains a number of noteworthy tracks, including some that appear on the extremely collectible records; as this two... Read More

Filed Under: Features

Trixie Whitley- I’d Rather Go Blind 45rpm 10″ single- Belgian pressing

February 3, 2014 by Bill Hart

Not to be confused with the famous Etta James song, Trixie Whitley (daughter of legendary  Texas blueman, Chris Whitley) cut this track early on in her career. Produced by Daniel Lanois, with Brian Blade on drums, the opening drum beats suck you in immediately. Ms. Whitley has the same quality that her father did- an utterly authentic, very musical voice that is the opposite of stylized;  instead there is a ‘rip’ in her voice that just grabs you.  Do not confuse this with her EP that contains several tracks including this song- find the 45 containing just this one track- it... Read More

Filed Under: Records

James Gang, Best of-

February 2, 2014 by Bill Hart

This old ABC Dunhill compilation (look for the ‘children’s blocks’ logo on the label)  sounds great, gives you the hits from the first three albums; some copies even contain the Ravel Bolero passage (in the song ‘The Bomber’) that was excised from later pressings although it is not easy to tell whether it is included in a given copy based on the deadwax or other indicia.  Pretty low-rent album art that just adds to the gestalt.  Start your Harleys! ... Read More

Filed Under: Records

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In Brief:

There Is No “Magic Bullet” in Hi-Fi

There Is No “Magic Bullet” in Hi-Fi No Magic Solutions I’ve spent some time on the audio chat fora over the years. Many popular threads these days are devoted to cheap improvements that can be made using audiophile “tweaks” or repurposed non-audiophile products. These can be applied to isolate gear, enhance the signals or connections or otherwise address some perceived problem that, once solved, offers to raise the level of music reproduction. It’s like a cheap solution to upgrade your system: from audiophile fuses, special wires (beyond simply having a high-quality interconnect, speaker wire or power cable) and other tweaks, to contact fluids and other things that you can attach to power sources, equipment, or place in the room (bowls, various harmonizers or active resonators, noise harvesters, etc.) This is apart from room treatment, which is sui generis; that is, every situation is … [Read More...]

Milt Ward Reissue-release date May 6, 2022

Milt Ward Reissue-release date May 6, 2022  Andreas Vingaard, of Frederiksberg Records, dropped me a note that the Milt Ward & Virgo Spectrum record about which much has been written here will be available on vinyl beginning on May 9, 2022. However, several promo emails today, Friday, May 6, 2022 say the record is available NOW via Bandcamp (see link below). The reissue was done with the participation of Milt Ward’s family and includes comprehensive notes in a booklet. Given the price of original pressings, this should be worthwhile even if not taken from the master tape. I plan to get a copy and we’ll do a shoot-out with my “OG” pressing. I’m sure some of you are willing to brook a little sonic compromise to get access to an otherwise very hard to find, expensive spiritual jazz rarity. At the time of this writing there is one copy on Discogs in NM condition for media for over … [Read More...]

Milt Ward Virgo Reissue Coming from Frederiksberg

Although I don't have all the details yet, I have learned that Frederiksberg Records, a small, eclectic label from New York, is in the process of reissuing the hard to find (and even harder to pay for) jazz obscurity, Milt Ward and Virgo Spectrum. You can find out more by keeping tabs on Frederiksberg's Bandcamp page, https://frederiksbergrecords.bandcamp.com   I'm told there is a bootleg out there so be careful. Frederiksberg is doing this project with the participation of the family of Milt Ward, which is to be applauded. Hopefully, this will give more access to a great jazz record at a reasonable price. The Roots album reissue from Frederiksberg (which is sold out on vinyl on the Frederiksberg Records bandcamp site) still appears to be available through some online retailers as a pre-order, so that's another one to jump on now if you can find it-- the original is extremely pricey and … [Read More...]

Clem Snide- Forever Just Beyond

Clem Snide- Forever Just Beyond With a name derived from a character in the same literary work as the band name so famously identified with the Walter Becker-Donald Fagen duo, Clem Snide has an extensive discography, typically cataloged as “alt country.” This latest release is the work of one of its founding members, Eef Barzelay, who was responsible for much of the songwriting and singing. According to his bio, Barzelay suffered some serious bumps in the road during the last decade, including a failing marriage and financial ruin. At the same time, he learned that Scott Avett was a fan and they found inspiration in each other, leading to this album- a collaboration of artistry where Avett and Barzelay share some writing credits and Avett produces. The result is a fresh, upbeat set of tunes that are appealing in their simplicity and refreshing in their sincerity. The band is first tier … [Read More...]

Muriel Grossmann- Reverence

Muriel Grossmann- Reverence Muriel Grossmann continues her quest for musical ascension on Reverence, which was released on vinyl in early December, 2019 on the RR Gems label as a 2 LP set. The compositions are Grossmann’s, and the band is much the same as the group of seasoned musicians with whom she has worked for some time (and detailed in the review of her Golden Rule), but for one notable exception: the addition of a keyboard player who brings that rich, woody Hammond B-3 sound to a series of compositions devoted to Africa. In some ways, Ms. Grossmann’s exploration of the roots of jazz deliberately eschews any superficial attempt to make African music. Instead, she draws inspiration from its influences, which are wide ranging and deep—you can hear rhythm and blues sounds mixed with more traditional African instrumentation and polyrhythms and come away with something that is both … [Read More...]

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