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Alice Coltrane, Ptah, the El Daoud and the Coltrane Home Studio (Part I)

June 16, 2020 by Bill Hart Leave a Comment

Alice Coltrane, Ptah, the El Daoud and the Coltrane Home Studio (Part I) Alice Coltrane’s Ptah, the El Daoud, has an inner luminosity that transcends its performances and composition; it is the rare album that captures not just brief moments of brilliance, but entire passages that transport the listener. The album is all the more remarkable for being out of print on vinyl since 1974. It was recorded in a studio built by the Coltranes in their Dix Hills home that was slated for demolition until a group of preservationists and family members stepped in to rescue it. This is the story of an... Read More

Filed Under: Features

In the Court- Steve Wilson’s 50th Anniversary Remix on Vinyl

November 16, 2019 by Bill Hart Leave a Comment

 In the Court- Steve Wilson’s 50th Anniversary Remix on Vinyl  In the Court of the Crimson King was not just foundational to the emergence of “prog rock” but has endured long after many other influential and important early bands who tapped that vein fell into disfavor. I’ve had a number of copies of this record over the years, and settled on an early UK pink label (A3/B3) and a somewhat later UK pink rim (4u). The 2010 reissue of In the Court on vinyl, which drew from newly discovered source material was fine as far as it went but sounded a little clinical to my ears compared... Read More

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El Donut Shoppe— “Inspirational” Rare Jazz Records

October 16, 2019 by Bill Hart Leave a Comment

El Donut Shoppe— “Inspirational” Rare Jazz Records Rare jazz records have gotten pricey. I’ve patronized a number of dealers in the last few years, but there are a few that stand out. One is Uncle Tony’s El Donut Shoppe. It is not your “normal” record shop—think of it as a place of first or last resort when looking for hard to source, offbeat and rare jazz records: private or small label records and other rarities that seldom show up for sale in the marketplace (either at record stores or on the Internet) but are highly sought after by those looking for something a... Read More

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Milt Ward and Virgo Spectrum- Obscure Grail

September 30, 2019 by Bill Hart Leave a Comment

Milt Ward and Virgo Spectrum- Obscure Grail  This album, with Milt Ward as band leader and featuring Carlos Garnett on tenor sax and Cecil McBee on bass is fairly rare- it comes up occasionally for sale, but it took me time to get a copy. Released in 1977 (according to the copyright notices on the labels) on the utterly obscure Twin Quest label, little seems to be known about Ward or the sessions. He did appear as a trumpet player on a few other albums. Given the album’s rep as a “grail” it is surprising how little is known about it, particularly given the line... Read More

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The Finish Line for Your Phonograph Stylus…

May 23, 2019 by Bill Hart 3 Comments

The Finish Line for Your Phonograph Stylus… By Mike Bodell, May 23, 2019  Based on an informal survey of friends who predominately play vinyl records, I believe the most neglected part of their audio system is the stylus on their phonograph cartridge. The stylus is a key component in an audio system and is subjected to the most wear. Yet when I asked folks in my network how many hours of play their cartridges have seen, they could not tell me with any accuracy; all ventured educated guesses. I’ve been there too. Given the value of records today, particularly rare and collectible jazz... Read More

Filed Under: Features, Phono, Stickies

Leaf Hound- Growers of Mushroom; Famous Obscurity; Interview with Peter French

February 19, 2019 by Bill Hart Leave a Comment

Leaf Hound- Growers of Mushroom; Famous Obscurity; Interview with Peter French Some albums develop a mythology based on rarity, the relative lack of commercial impact at the time of release and later recognition as an influence to other, more well known records by other bands. Leaf Hound’s “Growers of Mushroom” is one such album. It’s a famously “obscure” album, with original copies easily fetching well over $3,000 US. Apart from its desirability as a collectible, it’s actually a great hard rock album, its members drawn from Black Cat Bones,... Read More

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Muriel Grossmann and The Golden Rule

February 6, 2019 by Bill Hart Leave a Comment

Muriel Grossmann and The Golden Rule There is something very alluring about the sounds Muriel Grossmann evokes on Golden Rule, her latest album, the first she has released on vinyl, and the third in a trilogy with a band consisting of Gina Schwarz on bass, Uros Stamenkovic on drums, and Radomir Milojkovic on guitar. Grossmann, born in Paris but living in Ibiza, has been able to capture the melodic style of, say, a Lester Young with the more ethereal sounds of Coltrane, who is often credited as an originator of the “spiritual jazz” movement.  What you hear is a muscular tenor... Read More

Filed Under: Features

AIR-AIR Revisited; Comparison of Pressings; Interview with Tom Coppola

December 20, 2018 by Bill Hart Leave a Comment

AIR-AIR Revisited: Comparison of Be With Records Vinyl Reissue to Original Embryo Pressing; Interview with Tom Coppola Tom Coppola, Googie Coppola and Dave Johnson (photo by Fred Ahlert, courtesy Tom Coppola) When I reviewed the 2016 Be With Records reissue of AIR on vinyl,  I promised to compare it to an original pressing; I thought the reissue was quite good, even though derived from a digital transfer. The original, on the Embryo label, although not exactly rare, does command a price these days.   I borrowed a copy of the original... Read More

Filed Under: Features

KEN GOLDEN: TOP PICKS FOR 2018- A LIST

December 20, 2018 by Bill Hart Leave a Comment

KEN GOLDEN: TOP PICKS FOR 2018- A LIST : Ken Golden, who contributed a piece on “Prog Rock Obscurities” here in 2016, has been a tireless guide to the less well known, the obscure rock, jazz and hard to “genre-fy” music that has become a staple of my musical diet, gives us a holiday present in the form of his most interesting “picks” for 2018:  I’m often asked to compile a year-end top 10 list and I always refrain.  My memory is short and there is so much music pouring through the threshold of my business that it becomes too much work v. fun.  Plus I... Read More

Filed Under: Features, Stickies

Mark Weber on the West Coast Experimental Jazz Scene and the Shape of Things to Come

December 4, 2018 by Bill Hart Leave a Comment

Mark Weber on the West Coast Experimental Jazz Scene and the Shape of Things to Come Sun Ra Arkestra – April 2, 1981 Los Angeles – photo by Mark Weber I first got onto Mark Weber when I was researching Horace Tapscott and landed on Mark’s webpage, which included a photo essay of the Pan Afrikan Peoples Arkestra.   Mark spent the first 32 years of his life in LA, and was the CODA jazz magazine LA columnist for the better part of a decade, spending a total of 18 years reporting for CODA from Cleveland, New Orleans, San Francisco, New York, Detroit and Salt Lake City. His... Read More

Filed Under: Features, Stickies

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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