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AIR-AIR Revisited; Comparison of Pressings; Interview with Tom Coppola

December 20, 2018 by Bill Hart Leave a Comment

AIR-AIR Revisited: Comparison of Be With Records Vinyl Reissue to Original Embryo Pressing; Interview with Tom Coppola Tom Coppola, Googie Coppola and Dave Johnson (photo by Fred Ahlert, courtesy Tom Coppola) When I reviewed the 2016 Be With Records reissue of AIR on vinyl,  I promised to compare it to an original pressing; I thought the reissue was quite good, even though derived from a digital transfer. The original, on the Embryo label, although not exactly rare, does command a price these days.   I borrowed a copy of the original... Read More

Filed Under: Features

KEN GOLDEN: TOP PICKS FOR 2018- A LIST

December 20, 2018 by Bill Hart Leave a Comment

KEN GOLDEN: TOP PICKS FOR 2018- A LIST : Ken Golden, who contributed a piece on “Prog Rock Obscurities” here in 2016, has been a tireless guide to the less well known, the obscure rock, jazz and hard to “genre-fy” music that has become a staple of my musical diet, gives us a holiday present in the form of his most interesting “picks” for 2018:  I’m often asked to compile a year-end top 10 list and I always refrain.  My memory is short and there is so much music pouring through the threshold of my business that it becomes too much work v. fun.  Plus I... Read More

Filed Under: Features, Stickies

Mark Weber on the West Coast Experimental Jazz Scene and the Shape of Things to Come

December 4, 2018 by Bill Hart Leave a Comment

Mark Weber on the West Coast Experimental Jazz Scene and the Shape of Things to Come Sun Ra Arkestra – April 2, 1981 Los Angeles – photo by Mark Weber I first got onto Mark Weber when I was researching Horace Tapscott and landed on Mark’s webpage, which included a photo essay of the Pan Afrikan Peoples Arkestra.   Mark spent the first 32 years of his life in LA, and was the CODA jazz magazine LA columnist for the better part of a decade, spending a total of 18 years reporting for CODA from Cleveland, New Orleans, San Francisco, New York, Detroit and Salt Lake City. His... Read More

Filed Under: Features, Stickies

SPIN CYCLE-Rare, Overlooked and Worthwhile Records to Explore

November 21, 2018 by Bill Hart Leave a Comment

SPIN CYCLE- Rare, Overlooked and Worthwhile Records to Explore  I cycle through a lot of records here—some are rare or obscure and many are deserving of further attention, but most don’t get covered simply due to time constraints. Many are overlooked and all are worthwhile, depending on your taste and sense of adventure.  Thus, this piece, highlighting records worthy of further exploration; some will get more in-depth reviews as time permits.   Nate Morgan- Journey into Nigritia This comes from Nimbus West, another great label with an interesting mix of spiritual jazz... Read More

Filed Under: Features, Records

A MESSAGE FROM THE TRIBE- WENDELL HARRISON

September 26, 2018 by Bill Hart Leave a Comment

A MESSAGE FROM THE TRIBE- WENDELL HARRISON  Wendell Harrison, Image by Noah Morrison, courtesy The Kresge Foundation. Talking with Wendell Harrison is like jazz itself—a free flow of information, filled with nuance and detail, marked by contrasts and the occasional surprise, all connected when you stand back and get the shape of things.  Wendell is a kind, warm man whose joy of life is evident in his words, music and all that he does: now an elder statesman of the Detroit jazz scene, Wendell is a teacher, a keeper of the legacy and an active musician and producer.   The years have... Read More

Filed Under: Features

The Talking Blues-Doug MacLeod’s Break the Chain

September 18, 2018 by Bill Hart Leave a Comment

  The Talking Blues-Doug MacLeod’s Break the Chain I’ve always liked the blues. In some ways the simplest, yet often the most difficult music to play: the changes are easy, and while many players stun with instrumental virtuosity, what really sticks (for me) is the raw, emotional outpouring, not the flashiness. Sometimes it just falls flat because it seems like you’ve heard it a million times, and it is being played by rote. Doug MacLeod’s Break the Chain, recently released on the audiophile label, Reference Recordings (more about the label and production below), is in some... Read More

Filed Under: Features, Records

Randy Holden- Guitar God (Interview)

September 6, 2018 by Bill Hart 1 Comment

Randy Holden- Guitar God   For those of you with an appreciation for hard, heavy guitar-centric rock from the period, it doesn’t get any better than Randy Holden. His solo album, Population II, is now a highly collectible rarity for good reason: it’s a monster album. If you only have passing knowledge of the man, or look him up on the Internet, the accepted wisdom recites that Holden is “best known for” his work on Blue Cheer’s New, Improved! But that album doesn’t even scratch the surface. In fact, it is partly a Blue Cheer album and partly a Randy Holden album; the dividing... Read More

Filed Under: Features, Records

The Curious Case Of Record Cleaning In The Quest For Sonic Perfection

September 5, 2018 by Bill Hart 1 Comment

  The Curious Case Of Record Cleaning In The Quest For Sonic Perfection  Michael Bodell, September 1, 2018   “If there exists a more effective, easy, reliable, and utterly transformative way of cleaning LPs, I have yet to hear it.”  Art Dudley, Stereophile March 2015   In 1952, Bendix Corporation of Davenport, Iowa took ultrasonic cleaning from the laboratory and into production for the first time.  The company experimented with ultrasonic applications through the 1950s to find tank cleaning in a fluid an optimal use, especially in industrial applications. ... Read More

Filed Under: Cleaning - Care, Features, Stickies

Comus: First Utterance + Interview with Members of Comus

August 8, 2018 by Bill Hart Leave a Comment

  Comus: First Utterance    The folk music revival of the ‘60s not only revitalized interest in traditional music but also sparked the creation of more contemporary sounds that were influenced by the cultural tides and musical shifts of a turbulent decade. Although it was not released until 1971, First Utterance stands today as a “Ur” album of the psychedelic folk movement; it is a wild ride even by “modern” standards, inured to a post-punk, industrial, hip-hop, noise rock sensibility. It must have been shattering to listen to at the time of its release.   Roger Wootton... Read More

Filed Under: Features, Records

Sabbath’s Heaven and Hell: Your Choice

July 31, 2018 by Bill Hart Leave a Comment

Sabbath’s Heaven and Hell: Your Choice   One of the greatest Black Sabbath albums was delivered after the early albums on Vertigo Swirland subsequent to Ozzy Osbourne’s departure: Heaven and Hell, released in 1980, featuring Ronnie James Dio as vocalist. This album represents a high water mark in the band’s recorded performances, not only for its two sides chockful of rhythmic, driving songs with the heavy riffage characteristic of the best of Sabbath; the album was a fresh take on the classic Sabbath sound that breathed new life into the band. Dio’s involvement didn’t... Read More

Filed Under: Features, Records

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In Brief:

Milt Ward Virgo Reissue Coming from Frederiksberg

Although I don't have all the details yet, I have learned that Frederiksberg Records, a small, eclectic label from New York, is in the process of reissuing the hard to find (and even harder to pay for) jazz obscurity, Milt Ward and Virgo Spectrum. You can find out more by keeping tabs on Frederiksberg's Bandcamp page, https://frederiksbergrecords.bandcamp.com   I'm told there is a bootleg out there so be careful. Frederiksberg is doing this project with the participation of the family of Milt Ward, which is to be applauded. Hopefully, this will give more access to a great jazz record at a reasonable price. The Roots album reissue from Frederiksberg (which is sold out on vinyl on the Frederiksberg Records bandcamp site) still appears to be available through some online retailers as a pre-order, so that's another one to jump on now if you can find it-- the original is extremely pricey and … [Read More...]

Clem Snide- Forever Just Beyond

Clem Snide- Forever Just Beyond With a name derived from a character in the same literary work as the band name so famously identified with the Walter Becker-Donald Fagen duo, Clem Snide has an extensive discography, typically cataloged as “alt country.” This latest release is the work of one of its founding members, Eef Barzelay, who was responsible for much of the songwriting and singing. According to his bio, Barzelay suffered some serious bumps in the road during the last decade, including a failing marriage and financial ruin. At the same time, he learned that Scott Avett was a fan and they found inspiration in each other, leading to this album- a collaboration of artistry where Avett and Barzelay share some writing credits and Avett produces. The result is a fresh, upbeat set of tunes that are appealing in their simplicity and refreshing in their sincerity. The band is first tier … [Read More...]

Muriel Grossmann- Reverence

Muriel Grossmann- Reverence Muriel Grossmann continues her quest for musical ascension on Reverence, which was released on vinyl in early December, 2019 on the RR Gems label as a 2 LP set. The compositions are Grossmann’s, and the band is much the same as the group of seasoned musicians with whom she has worked for some time (and detailed in the review of her Golden Rule), but for one notable exception: the addition of a keyboard player who brings that rich, woody Hammond B-3 sound to a series of compositions devoted to Africa. In some ways, Ms. Grossmann’s exploration of the roots of jazz deliberately eschews any superficial attempt to make African music. Instead, she draws inspiration from its influences, which are wide ranging and deep—you can hear rhythm and blues sounds mixed with more traditional African instrumentation and polyrhythms and come away with something that is both … [Read More...]

Stylus Life- StylusTimer

Stylus Life- StylusTimer Stylus life is a recurring question in audio discussions. Some serious attention was devoted to the subject here, in Mike Bodell’s “The Finish Line for Your Phono Stylus.” That article examined the issue from a number of perspectives, including early studies, claims by cartridge manufacturers and real-life experiences by users. It also generated a long, interesting thread on the Steve Hoffman forum that is worthwhile to read. The Hoffman thread also generated an experiment by Ray Parkhurst who documented the wear of a new stylus under certain controlled conditions, which included a microscopic examination of the stylus at various time intervals over long hours of repeated play. See https://forums.stevehoffman.tv/threads/the-finish-line-for-your-phono-cartridge-stylus-wear-by-mike-bodell.842572/#post-21292730.   Whether you lean toward more optimistic … [Read More...]

Incoming! (More Interesting Records)

Incoming! (More Interesting Records)  An "interesting record" to me offers something unexpected, whether it is a fresh take on a recognized genre, or something that opens a new way of experiencing instruments in combination. It does not have to be "strange" or challenging to listen to; in fact, I'm a sucker for a good melodic hook and enjoy technical prowess as much as anybody, but there has got to be something "more"-- an intangible that differentiates the record from the millions of others to which we all have access.   As mentioned in a recent editorial, a lot of records come in and not all get written up. It’s not an editorial decision or any reflection of the music or sonics; I only have so much time, and I tend not to write short blurbs, but longer (some may say ‘too long’) reviews. My “incoming” piles continue to grow as I publish. This series of short capsules is meant to … [Read More...]

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