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JOSH WHITE: JOSH AT MIDNIGHT REMASTERED (Ramseur Records Ram 1-811)

August 10, 2016 by Bill Hart

  Blues is both some of the simplest and hardest music to play: I don’t care if it’s played on a Les Paul pumped through a stack of Marshalls or a beat down acoustic guitar from an old ’78—it isn’t the notes, it’s the feeling, the tone and rhythm that convey the emotion, not pyrotechnics. Josh White is somewhat of an enigma to me- he was around in the earliest days of the rural blues, learning his chops from street performers in the South where he grew up. White helped popularize a regional style of “Piedmont blues,” known for its distinctive fingerpicking and alternating... Read More

Filed Under: Features, Records

Dead Can Dance’s INTO THE LABYRINTH: A COMPARISON OF PRESSINGS

July 14, 2016 by Bill Hart

  Into the Labyrinth: Comparing Three Vinyl Pressings Dead Can Dance’s Into the Labyrinth is probably the most accessible and well-known album by the group/duo of Lisa Gerrard and Brendan Perry. For those familiar with the album, it is a striking blend of aboriginal polyrhythms, Celtic spiritualism, with mid-Eastern influences, medieval chants and powerful electronica/ rock, all pulled together and made coherent by the haunting sing song of Gerrard’s ethereal voice and the contrasts of Brendan Perry’s more conventional, but distinctive, vocal style. For those unfamiliar with Dead... Read More

Filed Under: Features, Records

Featured Book Review: The Godfather of the Music Business: Morris Levy

April 27, 2016 by Bill Hart

        This book—an in-depth biography of Morris Levy, a legendary music business figure with reputed “mob ties” —is long overdue. We seem to have a collective fascination for scoundrels, thugs and gangsters. But Levy was no mere thug: from his Birdland, a midtown jazz club where Charlie Parker, Coltrane, Monk, Miles, Bud Powell and Count Basie played, to his mass marketing of pop music in the decades that followed, Levy had a keen sense of where the business was headed and capitalized on it. Yet Levy always remained a shadowy figure, even decades after his death.... Read More

Filed Under: Ephemera, Features

Ageless Troubadour: A Chat with Ian Anderson

February 4, 2016 by Bill Hart

    Few popular artists have remained as relevant or inventive as Ian Anderson over the course of nearly fifty years. Best known as the flamboyant front man of Jethro Tull, Anderson is a gifted songwriter, showman and performer. He is also someone who has repeatedly redefined himself throughout his professional career. Transitioning from electric blues to minstrel-tinged rock, Anderson established an identifiable sound that became uniquely associated with Tull: drawing on medieval motifs, hard rock, folk and other elements, Anderson and the band invested the troubadour’s ballad... Read More

Filed Under: Features

One Year of TheVinylPress

February 2, 2016 by Bill Hart

  One Year of TheVinylPress.com Self-congratulatory pieces are usually distasteful to me. But, I wanted to mark the first anniversary of TheVinylPress.com for several reasons. This all started rather innocuously- and for entirely selfish reasons. I got serious about hunting for the best sounding vinyl LPs-    “ordinary” records, not necessarily “audiophile” releases — of hard rock, folk, psychedelia and offbeat stuff that didn’t always make “best of” lists, wasn’t necessarily reissued or remastered and in many cases, might prove... Read More

Filed Under: Features

The Art of Recording: A Conversation with Brooks Arthur

November 16, 2015 by Bill Hart

The Art of Recording: A Conversation with Brooks Arthur   Janis and Brooks at the board-Between the Lines sessions, courtesy Peter Cunningham   Brooks Arthur still dreams of the little studio he owned in Blauvelt, New York in the early ‘70s; a converted gas station on a suburban highway next to an all-night diner in “upstate” New York. 914 Studios (pronounced: “nine-one–four,” the telephone area code there at the time) may have been one of the best sounding rooms Arthur recorded in. He ought to know: a songwriter and performer with ties to the Brill Building era, Arthur... Read More

Filed Under: Features

LYNYRD SKYNYRD: Revisited

October 12, 2015 by Bill Hart

  Given the current cultural antipathy toward symbols of the “old South,” I admit to a moment’s pause before diving into a piece about Lynyrd Skynyrd. In popular culture, the band is often associated with the glory of the South and, perhaps unfairly, some of the pejoratives. Is it possible to enjoy the band without endorsing any negative symbolism? I don’t know about others, but I can. I’m not making any sort of cultural statement here. I just really dig their music– they were originals – superb players and well worth exploring beyond the stereotypes. Back in the... Read More

Filed Under: Features

Essential “Heat”: Canned Heat: Four Albums; Conversation with Skip Taylor; Sidebar: Rediscovering the Blues

September 28, 2015 by Bill Hart

Introduction I’m fascinated by that “turning point” in popular music in the mid- ‘60s, when mainstream music was transformed from sonic pablum to electric rock, folk and blues. Of course, the Beatles (and others from the first British invasion) had a huge, irreversible influence, but other things were stirring Stateside, including a reconnection with rural blues. No band had more involvement in this transformation than Canned Heat. Members of Canned Heat were deep blues enthusiasts involved directly or indirectly in the rediscovery, with others, of such legendary, forgotten... Read More

Filed Under: Features

SIDEBAR- Rediscovering the Blues

September 28, 2015 by Bill Hart

  The history of the blues revival is just as fascinating and almost as confusing as the history of some of the early blues players. There were a number of key figures involved in the effort to locate the surviving players and their pursuits were often beset by misdirection, sometimes inadvertent, sometimes deliberate and occasionally hilarious.   Dick Waterman, Phil Spiro and Nick Perls finally located Son House in Rochester, New York after searching fruitlessly in the South. House, who influenced Muddy Waters and Robert Johnson, apparently had no idea that his early work was so... Read More

Filed Under: Features

Going Up the Country: A Look at Classic Canned Heat

August 31, 2015 by Bill Hart

I knew as much about Canned Heat as the average listener back in the day; I was familiar with their “hits” and had some sense of their serious devotion to historical blues. I always enjoyed their filmed performances, including their appearance at Woodstock. But, digging deeper into their catalog of records released during their heyday proved to be a revelation. These guys were an odd mix of highly talented blues aficionados fluent in all the varieties of blues, from delta and rural stuff, to the more eclectic jazz-based “traditional” blues to the harder, grittier urban sounds; but... Read More

Filed Under: Features

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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