Blues is both some of the simplest and hardest music to play: I don’t care if it’s played on a Les Paul pumped through a stack of Marshalls or a beat down acoustic guitar from an old ’78—it isn’t the notes, it’s the feeling, the tone and rhythm that convey the emotion, not pyrotechnics. Josh White is somewhat of an enigma to me- he was around in the earliest days of the rural blues, learning his chops from street performers in the South where he grew up. White helped popularize a regional style of “Piedmont blues,” known for its distinctive fingerpicking and alternating... Read More
Dead Can Dance’s INTO THE LABYRINTH: A COMPARISON OF PRESSINGS
Into the Labyrinth: Comparing Three Vinyl Pressings Dead Can Dance’s Into the Labyrinth is probably the most accessible and well-known album by the group/duo of Lisa Gerrard and Brendan Perry. For those familiar with the album, it is a striking blend of aboriginal polyrhythms, Celtic spiritualism, with mid-Eastern influences, medieval chants and powerful electronica/ rock, all pulled together and made coherent by the haunting sing song of Gerrard’s ethereal voice and the contrasts of Brendan Perry’s more conventional, but distinctive, vocal style. For those unfamiliar with Dead... Read More
Featured Book Review: The Godfather of the Music Business: Morris Levy
This book—an in-depth biography of Morris Levy, a legendary music business figure with reputed “mob ties” —is long overdue. We seem to have a collective fascination for scoundrels, thugs and gangsters. But Levy was no mere thug: from his Birdland, a midtown jazz club where Charlie Parker, Coltrane, Monk, Miles, Bud Powell and Count Basie played, to his mass marketing of pop music in the decades that followed, Levy had a keen sense of where the business was headed and capitalized on it. Yet Levy always remained a shadowy figure, even decades after his death.... Read More
Ageless Troubadour: A Chat with Ian Anderson
Few popular artists have remained as relevant or inventive as Ian Anderson over the course of nearly fifty years. Best known as the flamboyant front man of Jethro Tull, Anderson is a gifted songwriter, showman and performer. He is also someone who has repeatedly redefined himself throughout his professional career. Transitioning from electric blues to minstrel-tinged rock, Anderson established an identifiable sound that became uniquely associated with Tull: drawing on medieval motifs, hard rock, folk and other elements, Anderson and the band invested the troubadour’s ballad... Read More
One Year of TheVinylPress
One Year of TheVinylPress.com Self-congratulatory pieces are usually distasteful to me. But, I wanted to mark the first anniversary of TheVinylPress.com for several reasons. This all started rather innocuously- and for entirely selfish reasons. I got serious about hunting for the best sounding vinyl LPs- “ordinary” records, not necessarily “audiophile” releases — of hard rock, folk, psychedelia and offbeat stuff that didn’t always make “best of” lists, wasn’t necessarily reissued or remastered and in many cases, might prove... Read More
The Art of Recording: A Conversation with Brooks Arthur
The Art of Recording: A Conversation with Brooks Arthur Janis and Brooks at the board-Between the Lines sessions, courtesy Peter Cunningham Brooks Arthur still dreams of the little studio he owned in Blauvelt, New York in the early ‘70s; a converted gas station on a suburban highway next to an all-night diner in “upstate” New York. 914 Studios (pronounced: “nine-one–four,” the telephone area code there at the time) may have been one of the best sounding rooms Arthur recorded in. He ought to know: a songwriter and performer with ties to the Brill Building era, Arthur... Read More
LYNYRD SKYNYRD: Revisited
Given the current cultural antipathy toward symbols of the “old South,” I admit to a moment’s pause before diving into a piece about Lynyrd Skynyrd. In popular culture, the band is often associated with the glory of the South and, perhaps unfairly, some of the pejoratives. Is it possible to enjoy the band without endorsing any negative symbolism? I don’t know about others, but I can. I’m not making any sort of cultural statement here. I just really dig their music– they were originals – superb players and well worth exploring beyond the stereotypes. Back in the... Read More
Essential “Heat”: Canned Heat: Four Albums; Conversation with Skip Taylor; Sidebar: Rediscovering the Blues
Introduction I’m fascinated by that “turning point” in popular music in the mid- ‘60s, when mainstream music was transformed from sonic pablum to electric rock, folk and blues. Of course, the Beatles (and others from the first British invasion) had a huge, irreversible influence, but other things were stirring Stateside, including a reconnection with rural blues. No band had more involvement in this transformation than Canned Heat. Members of Canned Heat were deep blues enthusiasts involved directly or indirectly in the rediscovery, with others, of such legendary, forgotten... Read More
SIDEBAR- Rediscovering the Blues
The history of the blues revival is just as fascinating and almost as confusing as the history of some of the early blues players. There were a number of key figures involved in the effort to locate the surviving players and their pursuits were often beset by misdirection, sometimes inadvertent, sometimes deliberate and occasionally hilarious. Dick Waterman, Phil Spiro and Nick Perls finally located Son House in Rochester, New York after searching fruitlessly in the South. House, who influenced Muddy Waters and Robert Johnson, apparently had no idea that his early work was so... Read More
Going Up the Country: A Look at Classic Canned Heat
I knew as much about Canned Heat as the average listener back in the day; I was familiar with their “hits” and had some sense of their serious devotion to historical blues. I always enjoyed their filmed performances, including their appearance at Woodstock. But, digging deeper into their catalog of records released during their heyday proved to be a revelation. These guys were an odd mix of highly talented blues aficionados fluent in all the varieties of blues, from delta and rural stuff, to the more eclectic jazz-based “traditional” blues to the harder, grittier urban sounds; but... Read More
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