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You are here: Home / Archives for Bill Hart

Randy Holden- Guitar God (Interview)

September 6, 2018 by Bill Hart 1 Comment

Randy Holden- Guitar God   For those of you with an appreciation for hard, heavy guitar-centric rock from the period, it doesn’t get any better than Randy Holden. His solo album, Population II, is now a highly collectible rarity for good reason: it’s a monster album. If you only have passing knowledge of the man, or look him up on the Internet, the accepted wisdom recites that Holden is “best known for” his work on Blue Cheer’s New, Improved! But that album doesn’t even scratch the surface. In fact, it is partly a Blue Cheer album and partly a Randy Holden album; the dividing... Read More

Filed Under: Features, Records

The Curious Case Of Record Cleaning In The Quest For Sonic Perfection

September 5, 2018 by Bill Hart 1 Comment

  The Curious Case Of Record Cleaning In The Quest For Sonic Perfection  Michael Bodell, September 1, 2018   “If there exists a more effective, easy, reliable, and utterly transformative way of cleaning LPs, I have yet to hear it.”  Art Dudley, Stereophile March 2015   In 1952, Bendix Corporation of Davenport, Iowa took ultrasonic cleaning from the laboratory and into production for the first time.  The company experimented with ultrasonic applications through the 1950s to find tank cleaning in a fluid an optimal use, especially in industrial applications. ... Read More

Filed Under: Cleaning - Care, Features, Stickies

A History of Ultrasonic Record Cleaning

September 4, 2018 by Bill Hart Leave a Comment

A History of Ultrasonic Record Cleaning   Despite the attention paid to ultrasonic record cleaning in the last few years, including the various DIY efforts that have broadened its appeal due to lower cost (as well as providing a more flexible feature set than some of the commercial entries), little has been said about the history of ultrasonic cleaning for records. Mike Bodell changes that with a paper entitled  “The Curious Case Of Record Cleaning In The Quest For Sonic Perfection” which is being published here for the first time. Mike, who has both a science and business... Read More

Filed Under: In Brief

Peter Green: A Love That Burns- Definitive Reference Guide by Richard Orlando (3 volumes, Smiling Corgi Press 2017).

September 4, 2018 by Bill Hart Leave a Comment

Peter Green: A Love That Burns- Definitive Reference Guide by Richard Orlando (3 volumes, Smiling Corgi Press 2017). To call this exhaustive study of Peter Green’s performances an ambitious undertaking would be damning by faint praise: over 1,900 pages, cataloging and commenting on the history and attributes of 1,000 recorded performances by the legendary guitarist Peter Green spread among three volumes.  These volumes took author Richard Orlando more than 15 years to assemble. Green is a relatively modern artist who composed and performed within our lifetimes—and within a fairly... Read More

Filed Under: Ephemera, Stickies

Atomic Rooster- Death Walks Behind You– Two Pressings

August 13, 2018 by Bill Hart 5 Comments

Atomic Rooster- Death Walks Behind You Two pressings: US and UK   An interesting heavy rock record by an oft-overlooked band, this album—which was probably their best and most commercially successful– has gotten some play here lately. I decided to buy both early US and UK pressings—the price difference can be considerable for those of us in the States—to see how they compared. The UK clearly wins on artwork, with its disturbing William Blake image (above).   The band grew out of The Crazy World of Arthur Brown—a strange piece of wackiness that resulted in a radio... Read More

Filed Under: Records

Fixing Certain Features on the Site

August 8, 2018 by Bill Hart Leave a Comment

Fixing Certain Features on the Site UPDATE: August, 2018  IF YOU ARE REGISTERING TO GET UPDATES AND/OR TO COMMENT AND DO NOT RECEIVE AN EMAIL FROM WORDPRESS TO VALIDATE YOUR REGISTRATION, PLEASE CHECK YOUR SPAM/JUNK MAIL. BREAKING NEWS: As of Friday, August 10, 2018, it looks like all functionality to the site, including Letter to the Editor and Comments, is fully operational. My thanks to Tom Ossa and his team. BH.   As this site has grown, I have tried to improve it, and add certain features. Alas, some of them don’t perform as intended and need to be reprogrammed. Some of... Read More

Filed Under: Editorials

The National Reserve- Motel La Grange

August 8, 2018 by Bill Hart Leave a Comment

The National Reserve- Motel La Grange   You can listen to Sean Walsh and The National Reserve’s Motel La Grange and be reminded of so many different strands of music from the past without being quite able to put your finger on what memories are being tickled. There are elements of the old Bob Seger in the vocal parts, of The Band in their roots Americana vibe, of Little Feat in sheer funk but it’s nowise derivative of any of these; it stands on its own, even if it does bring back memories of something else.   If I were a musician, I’d hate to be compared to someone else, even if... Read More

Filed Under: Records

Comus: First Utterance- Part II: Interview with Members of Comus About the Album

August 8, 2018 by Bill Hart Leave a Comment

Comus: First Utterance– Part II: Interview with Members of Comus About the Album   Following the publication here last week of Comus- First Utterance (consisting of an overview of the LP, its reissue and legacy), An Interview with Members of Comus has now been published. It is integrated into the first article as Part II and can be accessed directly (if you already read Part I and want to go directly to the interview(s)) by clicking on the hyperlinked text in the preceding sentence.  The interview is really a series of viewpoints from different band members and, like the album... Read More

Filed Under: In Brief

Comus: First Utterance + Interview with Members of Comus

August 8, 2018 by Bill Hart Leave a Comment

  Comus: First Utterance    The folk music revival of the ‘60s not only revitalized interest in traditional music but also sparked the creation of more contemporary sounds that were influenced by the cultural tides and musical shifts of a turbulent decade. Although it was not released until 1971, First Utterance stands today as a “Ur” album of the psychedelic folk movement; it is a wild ride even by “modern” standards, inured to a post-punk, industrial, hip-hop, noise rock sensibility. It must have been shattering to listen to at the time of its release.   Roger Wootton... Read More

Filed Under: Features, Records

More Tima- More In-Depth Knowledge on Ultrasonic Record Cleaning

July 31, 2018 by Bill Hart Leave a Comment

More Tima- More In-Depth Knowledge on Ultrasonic Record Cleaning     Readers are probably familiar with the contributions of Tim Aucremann a/k/a Tima on the subject of DIY ultrasonic record cleaning. Tima’s latest installment reflects considerable hands-on evaluation of methods and in-depth research on matters such as water purity and filtering. The latest installment, follow-up #2, is published here. It’s a worthy addition to the knowledge base. A lot of LP owners have jumped on board the DIY RCM approach, but questions abound. If you haven’t read Tima’s earlier installments, I... Read More

Filed Under: Cleaning - Care, In Brief

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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