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You are here: Home / Archives for Bill Hart

Blues Creation ‎– Demon & Eleven Children

January 8, 2018 by Bill Hart Leave a Comment

Blues Creation ‎– Demon & Eleven Children   This album is no secret to aficionados of the early Japanese psych rock scene—it is usually on “best of” lists for that genre and era. The band followed the typical evolution of the late ‘60s UK blues-rock sound, but broke ground with this album in 1971. It owes much of its power to guitarist Kazuo Takeda who, as of this writing, is still revered as major influence in the sound of the era and has enjoyed a long career as a session player, both in the United States and Japan. Interestingly, subsequent to the release of Demon... Read More

Filed Under: Records

Atlantis Philharmonic-s/t

January 8, 2018 by Bill Hart Leave a Comment

Atlantis Philharmonic-s/t     Here’s another one that completely escaped my notice at the time. In fact, I hadn’t heard (of) it until it came in a box of records from the East Coast- Ken was already texting me- “did you listen to Atlantis Philharmonic yet?” “Uh, no, the box got here like five minutes ago.”   Well, it took me a couple days to get around to it for reasons that aren’t worth explaining. Whoa!   Heavy, prog, hard rock with the drive and brutality of early Sabbath, mellowed by keyboards and those “soundscapes” characteristic of period prog. But,... Read More

Filed Under: Records

John Fahey- Blind Joe Death

January 8, 2018 by Bill Hart Leave a Comment

John Fahey- Blind Joe Death     John Fahey is remembered as seminal figure in the original blues revival movement that flourished in the early-mid ‘60s. His efforts, along with those of others, led to seismic change in popular music, when more traditional rock and roll was replaced by blues-driven harder rock in the later ‘60s. (I think the impact on folk/acoustic scene was more limited, commercially, for a variety of reasons). Fahey was part of the effort to locate still living rural blues performers – including Skip James–who had been all but forgotten in the era from the... Read More

Filed Under: Records

Steep Canyon Rangers- Out in the Open

January 8, 2018 by Bill Hart Leave a Comment

Steep Canyon Rangers- Out in the Open There is something very satisfying about the new album Out In The Open by the Steep Canyon Rangers. Whether it is ease with which they harmonize or their mastery of traditional bluegrass instruments including the mandolin and fiddle, these gentlemen cast a spell of homespun warmth that is both authentic and fresh. The band was an unknown quantity to me, though they’ve won a Grammy and have collaborated with Steve Martin over the years. When I saw an announcement from Ramseur Records about Out In The Open, I was intrigued and asked for a copy. I’m... Read More

Filed Under: Features, Records

Too Much-s/t

December 1, 2017 by Bill Hart Leave a Comment

TOO MUCH- s/t     Too Much, by the band of the same name, is a pretty rare Japanese psych record with English lyrics issued in Japan by Atlantic in 1971. Critics have rightly dismissed it because it contains some tracks that should never have been included: a cover of Dylan’s “I Shall Be Released” and some long form prog that winds up the end of side two. But for heavy rock fans, the other tracks, including “Grease it Out” more than make up for those transgressions.   Original pressings are scarce; Warner Japan reissued the album in 2011, and again in 2016. I recently... Read More

Filed Under: Records

Winter in America- Gil Scott-Heron (Strata-East)

November 30, 2017 by Bill Hart Leave a Comment

Winter in America- Gil Scott-Heron (Strata-East)   Exploring the Strata-East catalog, you’ll no doubt see Winter in America by Gil Scott-Heron (and Brian Jackson). Even if you aren’t hunting down Strata-East records, you inevitably see older copies in stores and online because it was the most popular of the original Strata-East records. And for good reason—it’s a killer.   Most people know of Gil Scott-Heron (“GSH”) through his famous “The Revolution will not Be Televised.” That piece- a spoken word poem capturing the domestic turmoil and... Read More

Filed Under: Records

Record Cleaning: Tima’s DIY (Ultrasonic) RCM – followup #1

November 30, 2017 by Bill Hart Leave a Comment

Record Cleaning: Tima’s DIY (Ultrasonic) RCM – followup #1 I am very pleased with tima’s DIY RCM thus far.  See Tima’s DIY RCM.  The USC tank and filter system continue to operate nominally. I’ve settled on a cycle that clean five or six records at a time. That includes: i) warming up the tank water to 34° C (93.2° F) which takes about 40 minutes, ii) running a stack of records through the cleaner for 15 minutes at roughly 60% power, then running for 6 minutes at roughly 80% power, iii) and lastly letting the records air dry. The Beijing Ultrasonics 10L unit is much... Read More

Filed Under: Cleaning - Care, In Brief

Strata-East Reissues from Pure Pleasure

November 20, 2017 by Bill Hart Leave a Comment

Strata-East Pure Pleasure Reissues     It’s no coincidence that my renewed interest in jazz came with my recent discovery of “spiritual jazz,” a form of avant-garde music that blossomed in the late ‘60s and early ‘70s. This was a period when, like other creators of music, jazz players and composers sought to push beyond the conventions of established genres. This shift also coincided with the emergence of Afro-centric music, the “Black Power movement” and a deeper exploration of the roots of the black experience in America. One of the most diverse and (at the time)... Read More

Filed Under: Features, Records

SIDEBAR ON DIY ULTRASONIC LP CLEANING

September 11, 2017 by Bill Hart Leave a Comment

SIDEBAR ON DIY ULTRASONIC LP CLEANING    I’m delighted that a “pro” reviewer, Tim Aucremann, (better known as “Tima” in audio circles) agreed to address the topic of DIY ultrasonic LP cleaning in a new featured article on TheVinylPress.com.   For those of you with long memories, I had published an introduction to DIY ultrasonic cleaning some time ago, with the promise of a more in-depth look. Although I had done a fair amount of research preparing to set up a DIY ultrasonic cleaning system here at TheVinylPress, the project was waylaid by our move to Austin. Tim’s piece... Read More

Filed Under: Cleaning - Care, In Brief

Tima’s DIY RCM

September 11, 2017 by Bill Hart Leave a Comment

Tima’s DIY RCM As a dedicated vinylista, I’ve been cleaning records for over thirty years. Sound familiar? Cleaning techniques and technologies evolved across that time and my approach changed with the times. I’ve been using a Loricraft RC3 point nozzle machine and more recently an Audio Desk System. After reading multiple threads on various audio forums about home made record cleaning kits built around larger volume ultrasonic cleaners, I decided to give that a try. Thanks to all who have gone before me, and especially to Bill at The Vinyl Press and Rob at Audionirvana.org, for... Read More

Filed Under: Cleaning - Care, Features, Stickies

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In Brief:

Retipper Redux

  Retipping phono cartridges seems to be even more popular today than when I published a list of retippers several years ago. It may be that the cost of better moving coil cartridges has gotten astronomical, that some great cartridges are no longer made or that enthusiasts are generally more value conscious even at the pricier end of the spectrum. I've always thought there was value in retipping, as long as it doesn't alter the fundamental character of the cartridge.  My list, linked above, is somewhat out of date. At some point, I will update it. In the meantime, a few additions:    Le Son - Shanghai, China   Worldwide send-in service   https://www.leson.org/moving-coil-cartridge-retipping/   This outfit, which wrote to me, does inspections, claims quick turn around time, and has a dedicated process for Denon 103 upgrades. (Long time readers will know that I use one such Franken-Denon … [Read More...]

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

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