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You are here: Home / Archives for Bill Hart

BLIND MELON Self-Titled

July 13, 2016 by Bill Hart

    These guys were not on my radar during the ‘90s- and after two albums, the lead singer died of a drug overdose in the band’s tour bus outside a venue. Vinyl releases of the first album were extremely limited, and are now very costly. Music on Vinyl (“MOV”) has done a reissue worth buying. That label, which presses through the old CBS plant in the Netherlands, is a prolific reissue house, but source material is often digital files, making it less desirable than other, more “audiophile” reissue labels that promise full analog reissues. (Though astute readers are aware that... Read More

Filed Under: Records

Warps, Budget Ultrasonic Cleaning and Surface Dust: An Introduction

April 27, 2016 by Bill Hart

  Warps, Budget Ultrasonic Cleaning and Surface Dust: An Introduction   I buy a lot of used records and encounter some “challenged” copies in the process. This is hardly deliberate but comes with the territory: sometimes, the records are purchased in “lots” or more often, over the Internet, where physical inspection is impractical if not impossible. Even new, sealed records have problems. (Older “sealed” records can be the riskiest in my estimation- a complete unknown and if too tightly shrink-wrapped, are prone to warps over time). But, through a combination of... Read More

Filed Under: Cleaning - Care, Stickies

Opeth- Damnation Steve Wilson Remix

April 27, 2016 by Bill Hart

  Opeth- Damnation I had heard of Opeth and even had a couple of their albums- very heavy metal, of the death/speed/black metal variety, that is not my usual fare. An Internet colleague with an impeccable taste for avant-garde music of all types had recommended Damnation and another denizen of the Net, known for his depth of knowledge in all things progressive, clued me into the recent Steve Wilson remix. The album was, at the time, apparently an outlier for Opeth; the crunch and growling voices were replaced by natural vocals and far more melodic themes. Although Wilson had mixed the... Read More

Filed Under: Records

Blodwyn Pig- Ahead Rings Out

April 27, 2016 by Bill Hart

  Blodwyn Pig- Ahead Rings Out   On the heels of our recent look at early Jethro Tull, it is worth spending a little virtual ink on Blodwyn Pig’s first album. Tull’s debut, This Was, a blues-drenched mix of hard rock was, in many ways, a “one-off.” Mick Abrahams, Tull’s guitarist left, and the band’s direction on the next album–the seminal Stand Up—and thereafter, was shaped by Ian Anderson. Some Tull fans were disappointed that it didn’t continue as a blues-rock band. I’m not. The common wisdom was that Abrahams wanted to continue in a blues vein and Anderson... Read More

Filed Under: Records

Featured Book Review: The Godfather of the Music Business: Morris Levy

April 27, 2016 by Bill Hart

        This book—an in-depth biography of Morris Levy, a legendary music business figure with reputed “mob ties” —is long overdue. We seem to have a collective fascination for scoundrels, thugs and gangsters. But Levy was no mere thug: from his Birdland, a midtown jazz club where Charlie Parker, Coltrane, Monk, Miles, Bud Powell and Count Basie played, to his mass marketing of pop music in the decades that followed, Levy had a keen sense of where the business was headed and capitalized on it. Yet Levy always remained a shadowy figure, even decades after his death.... Read More

Filed Under: Ephemera, Features

Interview with Richard Carlin, Author of The Godfather of the Music Business: Morris Levy

April 27, 2016 by Bill Hart

Interview with Richard Carlin, Author of The Godfather of the Music Business: Morris Levy    Why a book about Morris Levy? Was it the dearth of information about him, the shadowy reputation or something else that drove you to research and write this?   RC: The project did not start as a Morris Levy biography. I was doing some work on a broader project- about a generation of mostly Jewish men who were the children of first generation immigrants-all from the Bronx, who were successful in the music business. I was familiar with some of the published material on Levy- there was a... Read More

Filed Under: Ephemera, In Brief

From the Editor- Ian Anderson Interview

February 4, 2016 by Bill Hart

  I’m thrilled to publish an interview with Ian Anderson of Jethro Tull on TheVinylPress. Anderson is a deeply reflective, articulate man who was willing to share some of his thoughts on his extraordinary style of music-making- particularly the early, seminal albums during a period of dramatic change in popular music– a transformation in which Anderson played a vital role. Anderson gives us a first hand perspective on this watershed period that reshaped popular music forever. We owe a debt of gratitude to this gifted and deservedly legendary composer and artist.  Here is the... Read More

Filed Under: Editorials

Early Tull on Vinyl

February 4, 2016 by Bill Hart

  In connection with the Ian Anderson interview, I spent a fair amount of time listening to the early Jethro Tull albums. My focus was that transitional period when the band morphed from the blues into something that straddled hard rock, folk and then emerging “progressive” sounds – a path traced from This Was, to Stand Up, Benefit and Aqualung. Since I had already done an extensive vinyl shoot-out of different Aqualung pressings over the summer of 2015, I thought I might add my thoughts on some of the other early Tull pressings to coincide with the Anderson... Read More

Filed Under: Stickies

Ageless Troubadour: A Chat with Ian Anderson

February 4, 2016 by Bill Hart

    Few popular artists have remained as relevant or inventive as Ian Anderson over the course of nearly fifty years. Best known as the flamboyant front man of Jethro Tull, Anderson is a gifted songwriter, showman and performer. He is also someone who has repeatedly redefined himself throughout his professional career. Transitioning from electric blues to minstrel-tinged rock, Anderson established an identifiable sound that became uniquely associated with Tull: drawing on medieval motifs, hard rock, folk and other elements, Anderson and the band invested the troubadour’s ballad... Read More

Filed Under: Features

One Year of TheVinylPress

February 2, 2016 by Bill Hart

  One Year of TheVinylPress.com Self-congratulatory pieces are usually distasteful to me. But, I wanted to mark the first anniversary of TheVinylPress.com for several reasons. This all started rather innocuously- and for entirely selfish reasons. I got serious about hunting for the best sounding vinyl LPs-    “ordinary” records, not necessarily “audiophile” releases — of hard rock, folk, psychedelia and offbeat stuff that didn’t always make “best of” lists, wasn’t necessarily reissued or remastered and in many cases, might prove... Read More

Filed Under: Features

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In Brief:

Retipper Redux

  Retipping phono cartridges seems to be even more popular today than when I published a list of retippers several years ago. It may be that the cost of better moving coil cartridges has gotten astronomical, that some great cartridges are no longer made or that enthusiasts are generally more value conscious even at the pricier end of the spectrum. I've always thought there was value in retipping, as long as it doesn't alter the fundamental character of the cartridge.  My list, linked above, is somewhat out of date. At some point, I will update it. In the meantime, a few additions:    Le Son - Shanghai, China   Worldwide send-in service   https://www.leson.org/moving-coil-cartridge-retipping/   This outfit, which wrote to me, does inspections, claims quick turn around time, and has a dedicated process for Denon 103 upgrades. (Long time readers will know that I use one such Franken-Denon … [Read More...]

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

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