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You are here: Home / Archives for Bill Hart

Black Dub- self titled

April 20, 2015 by Bill Hart

The band that Daniel Lanois put together with Trixie Whitley showcases her voice and multi-instrumental talent. It may now be out of print on vinyl as a U.S. pressing  but sealed copies are still floating around online. Well worth the price of admission. Who said there is no good ‘new’ music? Three sides of vinyl bliss- “I Believe in You,” “Last Time” and “Silverado” are all catchy, kick-ass tunes that combine Trixie’s marvelous voice with a driving rhythm section- the ever versatile Brian Blade on drums, solid production values... Read More

Filed Under: Records

From the Editor:

April 20, 2015 by Bill Hart

This site started as a small, non-commercial site, with no advertising and no mission other than to provide readers with insightful articles, reviews of older records, the “back-story” behind some of the great recordings, including interviews with producers and people behind the scenes. We also provide those just entering the world of vinyl records, as well as more seasoned collectors, with practical advice on such things as record cleaning, buying and the like. The site is now gaining momentum and we thought it would be appropriate to spell out our policies on matters of privacy and... Read More

Filed Under: Editorials

Buying Used Records-A Primer

April 1, 2015 by Bill Hart

My interview with Robert Croydon of EIL-Esprit, a well-known UK record dealer inspired me to create a set of tips for buying used records. Some of this is common sense, basic knowledge to anybody who collects, so please accept this as nothing more than “blithering insights into the obvious” if you are already an experienced buyer of used vinyl. Consider The Source: Are you buying from a dealer or an individual? The level of knowledge among record sellers varies widely, regardless of whether they are established dealers, individuals trying to unload vinyl that they accumulated or... Read More

Filed Under: Features, In Brief

Some Additional Vertigo Swirl Reviews Just Posted; Buying Used Records- A Primer (Soon)

April 1, 2015 by Bill Hart

Lest you think this site is all Vertigo, all the time, well, it’s not. But given the significance of the label, I added a few more reviews- records that are in my estimation, some of the best of the catalog. These reviews are intended to be read together with the interview of Olav Wyper, the man Philips sought out to get them into the rock/psych/folk genre, posted here earlier this month. In addition, I am close to publishing a piece called “Buying Used Records-A Primer” which attempts to capture in one place, the basics: the significance of different pressings, deadwax... Read More

Filed Under: Editorials

Patto- “Hold Your Fire” Vertigo Swirl

April 1, 2015 by Bill Hart

I promised a review of this album even though I’m tempting you with an expensive record that has no easy, cheap substitute, like the band’s first, self-titled album on Vertigo. Unlike their first album, the U.S. Vertigo pressing of “Hold Your Fire” doesn’t come close to the sound of the UK pressing, which is unfortunate, as is the fact that there do not appear to be as many contemporaneous ex-UK pressings, which are often a cheaper alternative in Vertigo-land. Given the substantial difference in price, the U.S. pressing may be acceptable even though the U.S.... Read More

Filed Under: Records

Gracious! -self titled Vertigo Swirl

April 1, 2015 by Bill Hart

If you haven’t heard of this band, or this record, don’t feel bad. The best way I could describe it is early ELP meets King Crimson on the way to new age: tuneful pop, heavy on the keyboards and extremely high production values. This is apparently one of those records that was done with little overdubbing, and does have all the earmarks of what we now think of as “progressive” rock- elaborate, big, complex, Mellotron-infused,  classical music styled-soundscapes that morph into pop riffs, and merge back into larger motifs. It’s also not one of the cheaper... Read More

Filed Under: Records

Affinity- self titled Vertigo Swirl

April 1, 2015 by Bill Hart

I knew that this album, and Linda Hoyle’s later solo album on Vertigo, “Pieces of Me” were highly regarded. I did not know that the self-titled Affinity album would be so eclectic- ranging from a jazzy, almost Brazilian-influenced “lounge” act, to atonal vocal parts back by “prog” rock, to ballsy rock reminiscent of Grace Slick, with horns and a big Hammond B-3 organ sound. Hoyle has a great voice- and the diversity of styles of music allows her to shine. The album is a little uneven but overall, it’s compelling enough to make me go back to... Read More

Filed Under: Records

The True Adventures of Stanley Booth: Dancing with the Devil

March 29, 2015 by Bill Hart

Rock music has always been dangerous; its precursors, from secular black music and the blues in the decades before WWII, to rockabilly and rock and roll of the 1950’s- music that spoke to the travails of the world, of carnality, crime and pain, and all those indecent thoughts and pleasures of life- posed an obvious threat to social conventions.   It wasn’t just a battle between the sacred and profane; it was the fear that the sex, drugs, politics and other uncomfortable subjects would influence and seduce the young. That fear is certainly nothing new- it can be traced to the dawn... Read More

Filed Under: Features

From the Vault-a Chat with EIL, a Top Rare Record Dealer in the UK

March 29, 2015 by Bill Hart

I recently got the chance to talk with Robert Croydon, one of the founders of EIL-Esprit, a well known UK-based purveyor of rare records, memorabilia and older vinyl pressings that, while not necessarily “rare,” are often hard to come by in pristine condition. I thought readers might appreciate the insights of a long-established dealer:       Q: You’ve been in business since 1987- that seems to coincide with the death of vinyl as a mainstream audio medium. Can you tell us a little about how the business started? And what was the core inventory at the outset?   I... Read More

Filed Under: Features, In Brief

Cleaning Vinyl Records- My Personal Odyssey

March 20, 2015 by Bill Hart

  My current approach to record cleaning grew from the casual use of a basic vacuum record cleaning machine (a VPI) to more studied efforts to improve the sound quality of older vinyl records that suffered from various forms of contamination. See Record Cleaning- An Introduction.  I was cognizant of basic “good practices,” including those described by the U.S. Library of Congress website, which is a reasonable starting place, see Cleaning and Archival Standards of Care. But, in many ways, my more recent experience went beyond these basic practices. An Oversimplified History of... Read More

Filed Under: Cleaning - Care, In Brief

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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