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Precision Aqueous Cleaning of Vinyl Records-3rd Edition

January 21, 2022 by Bill Hart Leave a Comment

The first edition of Precision Aqueous Cleaning of Vinyl Records appeared in The Vinyl Press in May 2020. It was subsequently revised by its author, Neil Antin, in March 2021 to reflect Neil’s experience in working with a range of users all over the world, who were applying his methodologies and formulas to particular situations. Apart from the fact that some of the basic chemistry available in the States was not readily available in other countries, there were myriad challenges presented by users who employed manual cleaning or the use of record cleaning machines, both vacuum and... Read More

Filed Under: Stickies

Roots- (Barney Rachabane)

March 5, 2021 by Bill Hart Leave a Comment

Roots- (Barney Rachabane)   Roots self-titled album, featuring Barney Rachabane, is somewhat obscure here in the States despite the international recognition accorded Mr. Rachabane for his work with Paul Simon and his legendary status in South Africa as a horn player of the first order.  Roots was a group formed by Rachabane and treated as a one and done, although the group did issue one other album under the Roots moniker. Rachabane is probably best known for his touring in support of the Graceland album for two decades. Yet his musical roots extend far deeper, as one of the living... Read More

Filed Under: Records

Clifford Jordan- Glass Bead Games Shoot-Out

March 2, 2021 by Bill Hart Leave a Comment

Clifford Jordan- Glass Bead Games Shoot-Out  By Ken Golden I’ve been asked by Fearless Leader to do a “shoot out” comparison between an original Strata-East pressing of Clifford Jordan Quartet “Glass Bead Games” (SES 19737/8) and the recent reissue from Pure Pleasure Records out of the UK. Some brief background – Strata-East Records was co-founded by Charles Tolliver and Stanley Cowell.  The name was taken in tribute to the Detroit based Strata Records label.  The exclusive focus of the label was black jazz musicians.  The range of music touched on post-bop, hard bop,... Read More

Filed Under: Stickies

Lou Bond- self-titled

March 2, 2021 by Bill Hart Leave a Comment

Lou Bond- self-titled  Lou Bond is an under the radar soul man whose self- titled album is a mixture of deep period soul with tinges of pop, folk and more than a few surprise covers—not exactly a mainstream soul sound. The Lou Bond album apparently got lost in the house of Stax, overshadowed by the bigger name crooners who fit more into the mold. But with the passage of time, and a sample from the album on an Outkast record, among others who tapped into the soul of this album, Lou Bond can now be appreciated for what it is. Reissued by Light in the Attic (LITA) in 2010, I found a sealed... Read More

Filed Under: Records

Precision Aqueous Cleaning of Vinyl Records-2nd Edition

March 2, 2021 by Bill Hart 6 Comments

Neil Antin’s Precision Aqueous Cleaning of Vinyl Records-2nd Edition (Now superseded by Third Edition which can be downloaded below) Neil Antin’s Precision Aqueous Cleaning of Vinyl Records received considerable attention on the web when it was first published in May, 2020. Now, less than a year after its first publication, Precision Aqueous Cleaning of Vinyl Records has undergone a substantial revision. This, the Second Edition, is not merely a “fluff and buff” update but a serious, extensive reexamination of the premises with which Mr. Antin started: that record cleaning is not a... Read More

Filed Under: Cleaning - Care

DRIFTGLASS by Seed Ensemble

March 2, 2021 by Bill Hart Leave a Comment

DRIFTGLASS by Seed Ensemble There is something very special about Driftglass by Seed Ensemble. For starters, it’s a hell of a lot of fun to listen to; when did you last experience that?  The album and ensemble are the brainchild of Cassie Kinoshi, a gifted performer, composer and arranger who leads a big band with a big sound and an eclectic, and sometimes unexpected, array of influences. What starts as a thrumming bass solo soon morphs into a stage full of instruments that mixes the avant-garde with something that resembles a James Bond film theme from the ‘60s—it’s cool stuff,... Read More

Filed Under: Features

Milt Ward Virgo Reissue Coming from Frederiksberg

January 12, 2021 by Bill Hart Leave a Comment

Although I don’t have all the details yet, I have learned that Frederiksberg Records, a small, eclectic label from New York, is in the process of reissuing the hard to find (and even harder to pay for) jazz obscurity, Milt Ward and Virgo Spectrum. You can find out more by keeping tabs on Frederiksberg’s Bandcamp page, https://frederiksbergrecords.bandcamp.com   I’m told there is a bootleg out there so be careful. Frederiksberg is doing this project with the participation of the family of Milt Ward, which is to be applauded. Hopefully, this will give more access to a... Read More

Filed Under: In Brief

Woody Shaw- Blackstone Legacy

November 22, 2020 by Bill Hart Leave a Comment

Woody Shaw- Blackstone Legacy Woody Shaw’s Blackstone Legacy, his first as a featured artist released in 1971, may be one of his best. Shaw had a steady career as a sideman, working with some of the greats in Paris, including Nathan Davis (whose work after he returned to the States has been covered here), followed by a stint with Blue Note before embarking on a career as a bandleader. After release of Blackstone Legacy, Shaw continued to work as a sideman at the same time he released a succession of albums as a featured artist. Shaw was prolific and died tragically at the age of 44,... Read More

Filed Under: Records

Charles Tolliver-Connect

November 22, 2020 by Bill Hart Leave a Comment

Charles Tolliver-Connect  Charles Tolliver has just released a new album—Connect.  Tolliver is a gifted composer, instrumentalist, producer and co-founder of the legendary Strata-East label. Unlike some of the Strata-East albums, which are now in serious collector territory, pricewise, Connect is readily available, sounds wonderful and won’t cost more than a standard issue record, though it is sourced from tape and wonderfully presented by Gearbox Records. Connect consists of four tracks- starting with “Blue Soul” which begins with urgent war drums and the horns, piano and drums... Read More

Filed Under: Records

An Experiment with Platter Mats- the MyMat

November 22, 2020 by Bill Hart 1 Comment

An Experiment with Platter Mats- the MyMat Introduction Until I performed some recent experiments with a product called the MyMat, offered by a long-time member of the Audiogon community, I rarely thought about changing out platter mats. I’ve owned a number of good turntables over the years and figured: (a) that the manufacturer knew what was best, and (b) going down this rabbit hole was yet another potential morass—that the results would vary considerably based on a number of factors, including the particular turntable design and platter. How “projectable” would anyone’s... Read More

Filed Under: Phono

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In Brief:

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

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