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You are here: Home / Archives for Bill Hart

Clifford Jordan- Glass Bead Games Shoot-Out

March 2, 2021 by Bill Hart Leave a Comment

Clifford Jordan- Glass Bead Games Shoot-Out  By Ken Golden I’ve been asked by Fearless Leader to do a “shoot out” comparison between an original Strata-East pressing of Clifford Jordan Quartet “Glass Bead Games” (SES 19737/8) and the recent reissue from Pure Pleasure Records out of the UK. Some brief background – Strata-East Records was co-founded by Charles Tolliver and Stanley Cowell.  The name was taken in tribute to the Detroit based Strata Records label.  The exclusive focus of the label was black jazz musicians.  The range of music touched on post-bop, hard bop,... Read More

Filed Under: Stickies

Lou Bond- self-titled

March 2, 2021 by Bill Hart Leave a Comment

Lou Bond- self-titled  Lou Bond is an under the radar soul man whose self- titled album is a mixture of deep period soul with tinges of pop, folk and more than a few surprise covers—not exactly a mainstream soul sound. The Lou Bond album apparently got lost in the house of Stax, overshadowed by the bigger name crooners who fit more into the mold. But with the passage of time, and a sample from the album on an Outkast record, among others who tapped into the soul of this album, Lou Bond can now be appreciated for what it is. Reissued by Light in the Attic (LITA) in 2010, I found a sealed... Read More

Filed Under: Records

Precision Aqueous Cleaning of Vinyl Records-2nd Edition

March 2, 2021 by Bill Hart 6 Comments

Neil Antin’s Precision Aqueous Cleaning of Vinyl Records-2nd Edition (Now superseded by Third Edition which can be downloaded below) Neil Antin’s Precision Aqueous Cleaning of Vinyl Records received considerable attention on the web when it was first published in May, 2020. Now, less than a year after its first publication, Precision Aqueous Cleaning of Vinyl Records has undergone a substantial revision. This, the Second Edition, is not merely a “fluff and buff” update but a serious, extensive reexamination of the premises with which Mr. Antin started: that record cleaning is not a... Read More

Filed Under: Cleaning - Care

DRIFTGLASS by Seed Ensemble

March 2, 2021 by Bill Hart Leave a Comment

DRIFTGLASS by Seed Ensemble There is something very special about Driftglass by Seed Ensemble. For starters, it’s a hell of a lot of fun to listen to; when did you last experience that?  The album and ensemble are the brainchild of Cassie Kinoshi, a gifted performer, composer and arranger who leads a big band with a big sound and an eclectic, and sometimes unexpected, array of influences. What starts as a thrumming bass solo soon morphs into a stage full of instruments that mixes the avant-garde with something that resembles a James Bond film theme from the ‘60s—it’s cool stuff,... Read More

Filed Under: Features

Milt Ward Virgo Reissue Coming from Frederiksberg

January 12, 2021 by Bill Hart Leave a Comment

Although I don’t have all the details yet, I have learned that Frederiksberg Records, a small, eclectic label from New York, is in the process of reissuing the hard to find (and even harder to pay for) jazz obscurity, Milt Ward and Virgo Spectrum. You can find out more by keeping tabs on Frederiksberg’s Bandcamp page, https://frederiksbergrecords.bandcamp.com   I’m told there is a bootleg out there so be careful. Frederiksberg is doing this project with the participation of the family of Milt Ward, which is to be applauded. Hopefully, this will give more access to a... Read More

Filed Under: In Brief

Woody Shaw- Blackstone Legacy

November 22, 2020 by Bill Hart Leave a Comment

Woody Shaw- Blackstone Legacy Woody Shaw’s Blackstone Legacy, his first as a featured artist released in 1971, may be one of his best. Shaw had a steady career as a sideman, working with some of the greats in Paris, including Nathan Davis (whose work after he returned to the States has been covered here), followed by a stint with Blue Note before embarking on a career as a bandleader. After release of Blackstone Legacy, Shaw continued to work as a sideman at the same time he released a succession of albums as a featured artist. Shaw was prolific and died tragically at the age of 44,... Read More

Filed Under: Records

Charles Tolliver-Connect

November 22, 2020 by Bill Hart Leave a Comment

Charles Tolliver-Connect  Charles Tolliver has just released a new album—Connect.  Tolliver is a gifted composer, instrumentalist, producer and co-founder of the legendary Strata-East label. Unlike some of the Strata-East albums, which are now in serious collector territory, pricewise, Connect is readily available, sounds wonderful and won’t cost more than a standard issue record, though it is sourced from tape and wonderfully presented by Gearbox Records. Connect consists of four tracks- starting with “Blue Soul” which begins with urgent war drums and the horns, piano and drums... Read More

Filed Under: Records

An Experiment with Platter Mats- the MyMat

November 22, 2020 by Bill Hart 1 Comment

An Experiment with Platter Mats- the MyMat Introduction Until I performed some recent experiments with a product called the MyMat, offered by a long-time member of the Audiogon community, I rarely thought about changing out platter mats. I’ve owned a number of good turntables over the years and figured: (a) that the manufacturer knew what was best, and (b) going down this rabbit hole was yet another potential morass—that the results would vary considerably based on a number of factors, including the particular turntable design and platter. How “projectable” would anyone’s... Read More

Filed Under: Phono

Fuzzy Duck- self titled (Be With Reissue)

November 14, 2020 by Bill Hart Leave a Comment

Fuzzy Duck- self titled (Be With Reissue)   Fuzzy Duck’s eponymous album is relatively obscure- it didn’t sell much at the time of release, with a limited pressing run and the group disbanded. But instead of fading into complete obscurity, the album enjoys a cult following with prices to match. Be With Records, the same outfit that did such a good job reissuing the Air album with Googie Coppola, just released this reissue, attainable by mere mortals for the cost of 4 lattes.  It’s well worth the cost. What you’ll hear is a UK psych hard rock band in top form circa 1971, with... Read More

Filed Under: Features

Gary Bartz and Maisha-Direct to Disc

July 3, 2020 by Bill Hart Leave a Comment

Gary Bartz and Maisha-Direct to Disc Gary Bartz and Maisha eloquently answer the question about the direction of modern jazz today. Bartz is a heavyweight player whose credentials take us back to the roots of post-war modern jazz; the list of notables with whom he performed as a sideman is long and impressive, from Blakey and Miles to Eric Dolphy, Max Roach and McCoy Tyner. His album, Another Earth, with Strata-East co-founders Charles Tolliver and Stanley Cowell and the great Pharaoh Sanders, is a classic. Bartz has kept moving through the years, exploring jazz, funk and fusion. As I was... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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