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You are here: Home / Archives for Bill Hart

Too Much-s/t

December 1, 2017 by Bill Hart Leave a Comment

TOO MUCH- s/t     Too Much, by the band of the same name, is a pretty rare Japanese psych record with English lyrics issued in Japan by Atlantic in 1971. Critics have rightly dismissed it because it contains some tracks that should never have been included: a cover of Dylan’s “I Shall Be Released” and some long form prog that winds up the end of side two. But for heavy rock fans, the other tracks, including “Grease it Out” more than make up for those transgressions.   Original pressings are scarce; Warner Japan reissued the album in 2011, and again in 2016. I recently... Read More

Filed Under: Records

Winter in America- Gil Scott-Heron (Strata-East)

November 30, 2017 by Bill Hart Leave a Comment

Winter in America- Gil Scott-Heron (Strata-East)   Exploring the Strata-East catalog, you’ll no doubt see Winter in America by Gil Scott-Heron (and Brian Jackson). Even if you aren’t hunting down Strata-East records, you inevitably see older copies in stores and online because it was the most popular of the original Strata-East records. And for good reason—it’s a killer.   Most people know of Gil Scott-Heron (“GSH”) through his famous “The Revolution will not Be Televised.” That piece- a spoken word poem capturing the domestic turmoil and... Read More

Filed Under: Records

Record Cleaning: Tima’s DIY (Ultrasonic) RCM – followup #1

November 30, 2017 by Bill Hart Leave a Comment

Record Cleaning: Tima’s DIY (Ultrasonic) RCM – followup #1 I am very pleased with tima’s DIY RCM thus far.  See Tima’s DIY RCM.  The USC tank and filter system continue to operate nominally. I’ve settled on a cycle that clean five or six records at a time. That includes: i) warming up the tank water to 34° C (93.2° F) which takes about 40 minutes, ii) running a stack of records through the cleaner for 15 minutes at roughly 60% power, then running for 6 minutes at roughly 80% power, iii) and lastly letting the records air dry. The Beijing Ultrasonics 10L unit is much... Read More

Filed Under: Cleaning - Care, In Brief

Strata-East Reissues from Pure Pleasure

November 20, 2017 by Bill Hart Leave a Comment

Strata-East Pure Pleasure Reissues     It’s no coincidence that my renewed interest in jazz came with my recent discovery of “spiritual jazz,” a form of avant-garde music that blossomed in the late ‘60s and early ‘70s. This was a period when, like other creators of music, jazz players and composers sought to push beyond the conventions of established genres. This shift also coincided with the emergence of Afro-centric music, the “Black Power movement” and a deeper exploration of the roots of the black experience in America. One of the most diverse and (at the time)... Read More

Filed Under: Features, Records

SIDEBAR ON DIY ULTRASONIC LP CLEANING

September 11, 2017 by Bill Hart Leave a Comment

SIDEBAR ON DIY ULTRASONIC LP CLEANING    I’m delighted that a “pro” reviewer, Tim Aucremann, (better known as “Tima” in audio circles) agreed to address the topic of DIY ultrasonic LP cleaning in a new featured article on TheVinylPress.com.   For those of you with long memories, I had published an introduction to DIY ultrasonic cleaning some time ago, with the promise of a more in-depth look. Although I had done a fair amount of research preparing to set up a DIY ultrasonic cleaning system here at TheVinylPress, the project was waylaid by our move to Austin. Tim’s piece... Read More

Filed Under: Cleaning - Care, In Brief

Tima’s DIY RCM

September 11, 2017 by Bill Hart Leave a Comment

Tima’s DIY RCM As a dedicated vinylista, I’ve been cleaning records for over thirty years. Sound familiar? Cleaning techniques and technologies evolved across that time and my approach changed with the times. I’ve been using a Loricraft RC3 point nozzle machine and more recently an Audio Desk System. After reading multiple threads on various audio forums about home made record cleaning kits built around larger volume ultrasonic cleaners, I decided to give that a try. Thanks to all who have gone before me, and especially to Bill at The Vinyl Press and Rob at Audionirvana.org, for... Read More

Filed Under: Cleaning - Care, Features, Stickies

Herbie Hancock: Crossings (Speakers Corner)

September 5, 2017 by Bill Hart Leave a Comment

Herbie Hancock: Crossings (Speakers Corner)     There are so many good reasons to own a copy of this record, not the least being that it is a sonic treat. But there are other just as compelling reasons: it is jazz tinged fusion mixed with psych, funk and spacy sounds that reflect a unique, and perhaps most adventurous period in Hancock’s growth as an artist; it is highly experimental but embraces so much of what came before that it is a virtual primer of jazz sounds that are both eerily strange and strangely familiar; it is performed by a stellar band that includes Buster Williams on... Read More

Filed Under: Records

Sonics vs. Music on LPs

August 26, 2017 by Bill Hart Leave a Comment

Sonics vs. Music on LPs     With apologies for the “click bait” title, I had an epiphany the other day playing the main system for a visitor. I usually try to find music that is both interesting and well recorded. There is no shortage of such records, but as I find myself plunging deeper down the rabbit hole of obscurities, lost bands and forgotten albums, I realized how much of a gap there in sound quality between some of these musical gems and the spectacular sound you get on the great audiophile quality records. Ideally, you’d get both— interesting music and lifelike... Read More

Filed Under: Editorials, In Brief

BLAST FURNACE- Self Titled

August 26, 2017 by Bill Hart Leave a Comment

BLAST FURNACE- Self Titled   Unlike Satori, this Danish hard rock album is very accessible musically and there is a decent reissue available from Polydor that is far cheaper than an original pressing. The album mixes psychedelia with unmistakable traces of a Broadway show tune—in between, the mix of strings, woodwinds and keyboards earns it a place in “prog rock” circles. It is a highly enjoyable album to crank up—it doesn’t require repeated listening to “get it”—it is very straightforward in the way hard rock sounded as it grew to maturity, but there’s enough unique... Read More

Filed Under: Records

A Tribute to Quad

August 26, 2017 by Bill Hart Leave a Comment

A Tribute to Quad   Much has been written over the years about Peter Walker’s electrostatic loudspeaker, including the wonderful book assembled by Ken Kessler, Quad: The Closest Approach. I bought my first pair of Quad ESLs in 1973 and learned much about listening in the process of living with them as my main system during the ‘70s and early-mid ‘80s. I never sold my original pair, but after all sorts of experiments with subwoofers and add-on tweeters, I put the original ESL to the side for what turned out to be decades. I switched to a pair of Crosby-modified Quad 63’s,... Read More

Filed Under: Features

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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