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You are here: Home / Archives for Bill Hart

Featured Book Review: The Godfather of the Music Business: Morris Levy

April 27, 2016 by Bill Hart

        This book—an in-depth biography of Morris Levy, a legendary music business figure with reputed “mob ties” —is long overdue. We seem to have a collective fascination for scoundrels, thugs and gangsters. But Levy was no mere thug: from his Birdland, a midtown jazz club where Charlie Parker, Coltrane, Monk, Miles, Bud Powell and Count Basie played, to his mass marketing of pop music in the decades that followed, Levy had a keen sense of where the business was headed and capitalized on it. Yet Levy always remained a shadowy figure, even decades after his death.... Read More

Filed Under: Ephemera, Features

Interview with Richard Carlin, Author of The Godfather of the Music Business: Morris Levy

April 27, 2016 by Bill Hart

Interview with Richard Carlin, Author of The Godfather of the Music Business: Morris Levy    Why a book about Morris Levy? Was it the dearth of information about him, the shadowy reputation or something else that drove you to research and write this?   RC: The project did not start as a Morris Levy biography. I was doing some work on a broader project- about a generation of mostly Jewish men who were the children of first generation immigrants-all from the Bronx, who were successful in the music business. I was familiar with some of the published material on Levy- there was a... Read More

Filed Under: Ephemera, In Brief

From the Editor- Ian Anderson Interview

February 4, 2016 by Bill Hart

  I’m thrilled to publish an interview with Ian Anderson of Jethro Tull on TheVinylPress. Anderson is a deeply reflective, articulate man who was willing to share some of his thoughts on his extraordinary style of music-making- particularly the early, seminal albums during a period of dramatic change in popular music– a transformation in which Anderson played a vital role. Anderson gives us a first hand perspective on this watershed period that reshaped popular music forever. We owe a debt of gratitude to this gifted and deservedly legendary composer and artist.  Here is the... Read More

Filed Under: Editorials

Early Tull on Vinyl

February 4, 2016 by Bill Hart

  In connection with the Ian Anderson interview, I spent a fair amount of time listening to the early Jethro Tull albums. My focus was that transitional period when the band morphed from the blues into something that straddled hard rock, folk and then emerging “progressive” sounds – a path traced from This Was, to Stand Up, Benefit and Aqualung. Since I had already done an extensive vinyl shoot-out of different Aqualung pressings over the summer of 2015, I thought I might add my thoughts on some of the other early Tull pressings to coincide with the Anderson... Read More

Filed Under: Stickies

Ageless Troubadour: A Chat with Ian Anderson

February 4, 2016 by Bill Hart

    Few popular artists have remained as relevant or inventive as Ian Anderson over the course of nearly fifty years. Best known as the flamboyant front man of Jethro Tull, Anderson is a gifted songwriter, showman and performer. He is also someone who has repeatedly redefined himself throughout his professional career. Transitioning from electric blues to minstrel-tinged rock, Anderson established an identifiable sound that became uniquely associated with Tull: drawing on medieval motifs, hard rock, folk and other elements, Anderson and the band invested the troubadour’s ballad... Read More

Filed Under: Features

One Year of TheVinylPress

February 2, 2016 by Bill Hart

  One Year of TheVinylPress.com Self-congratulatory pieces are usually distasteful to me. But, I wanted to mark the first anniversary of TheVinylPress.com for several reasons. This all started rather innocuously- and for entirely selfish reasons. I got serious about hunting for the best sounding vinyl LPs-    “ordinary” records, not necessarily “audiophile” releases — of hard rock, folk, psychedelia and offbeat stuff that didn’t always make “best of” lists, wasn’t necessarily reissued or remastered and in many cases, might prove... Read More

Filed Under: Features

Ian Anderson and Jethro Tull

January 22, 2016 by Bill Hart

  The early recorded performances of Ian Anderson and Jethro Tull have not just weathered the passage of time; the songs and the band’s performances are as fresh and captivating today as they were at the time of their release in the late ‘60s and early ‘70s. As regular readers know, I’m enthralled by that period in the late ‘60s when popular music was transformed from radio-friendly pop tunes to more challenging compositions that defied conventions and redefined genres. Much of this transformation seemed to occur in England, and led to a number of profound changes in popular... Read More

Filed Under: In Brief

Jimmy Page & The Black Crowes- Live at the Greek

January 22, 2016 by Bill Hart

Led Zeppelin fans have long tolerated less than ideal recordings to enjoy moments from the band during its heyday. I’ve considered doing an extensive shoot-out of some of the original Zep albums in my quest to obtain the best sounding copies, but while I’m still pondering that, here’s one that is worth the coin- cheap, in fact, for what you get: Jimmy Page & The Black Crowes- Live at the Greek. These performances, recorded in the post-Zeppelin era, are well worth owning. Although touted as the first release of these recordings on vinyl (not true, a vinyl set was released in... Read More

Filed Under: Records

bad brains- i against i

January 7, 2016 by Bill Hart

  I was a young lawyer working in the business when this album was released. An older colleague, more buttoned down than me, was slated to speak on a panel at the then industry-important “New Music Seminar” (a sort of New York City version of SXSW). He asked me for a recommendation because, as a speaker, he got a free pass to hear a show. I urged him to see Bad Brains, who were performing at a club on the Lower East Side with the Circle Jerks and Vernon Reid and Living Colour. The next day, he told me what happened: “I showed up at the club early, wearing my suit and tie,... Read More

Filed Under: Records

Billy Joel- Songs in the Attic

January 7, 2016 by Bill Hart

  Billy Joel was unavoidable in the ‘70s- Piano Man and The Stranger were hugely popular in the era, and many of the tracks were (and remain) soft radio staples. Although Joels’ first album, Cold Spring Harbor, contained some eventual hits as well (“She’s Got a Way”), that album was sonically compromised and did not enjoy the commercial success of his later work. This album more than makes up for that- a live performance of some songs from “Harbor” album, along with other early, classic Billy Joel tracks performed by Joel’s then-regular touring band and recorded with... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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