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You are here: Home / Archives for Bill Hart

Brian Davison’s every which way

January 5, 2016 by Bill Hart

  Brian Davison’s every which way is a monster album and, as far as I know, is under most people’s radar (at least it wasn’t on mine). Ken Golden, a consummate authority on progressive music who has reissued and produced an extensive catalog of new progressive albums as well as unearthing some rare and desirable obscurities, tipped me to it. Ken mentioned the album on http://avshowroomsforums.com, a new gear and music forum organized by a couple of long-time audio hands. Knowing Ken’s taste and sensibilities, I bought it based on the strength of his recommendation.... Read More

Filed Under: Records

Yuri Grishin- “The British Recording History”

January 2, 2016 by Bill Hart

          Yuri Grishin’s name should be familiar to some readers; he is the polymath who assembled the extensive labelographies of Island, Vertigo, Harvest and Charisma in a series entitled “The Famous British Collectable Record Labels. ” Those books–which include images of the releases, catalog numbers, details about cover art, mastering, matrix information and details on sleeves, variations in different countries, along with “inside” interviews—provide an invaluable resource to collectors, are now out of print and are themselves collectible. Grishin... Read More

Filed Under: Compendia, Ephemera

New Skynyrd Documentary: Gone with the Wind

January 2, 2016 by Bill Hart

  Not long after writing a retrospective on Lynyrd Skynyrd, I happened on this film documentary– Gone with the Wind– about the band. Without knowing much about the film, I was thoroughly surprised by its depth and the care that went into making it; not just talking heads, or jarring, badly filmed footage of concert excerpts, it tells the story of Lynyrd Skynyrd from the earliest days, and includes interviews with some of the surviving members. Drummer Burns, who is featured in a number of interview clips, died earlier this year. The film benefits from some pretty candid... Read More

Filed Under: Ephemera, In Brief

Captain Beyond –self-titled

January 2, 2016 by Bill Hart

    Not exactly under the radar, or forgotten, but Captain Beyond is a record that delivers far more than it promises- by a group of musicians assembled from members of other, more famous bands. This is unapologetically a hard rock album, but one that deftly moves into “progressive” territory by combining jazz and long form compositions that were a signature of label mates, the Allman Brothers. Unlike the Allmans, this album sounds more like a mix of UK and LA, thanks in part to the lead vocals of Rod Evans (who sang on the first three Deep Purple albums) and the guitar work... Read More

Filed Under: Records

The Art of Recording: A Conversation with Brooks Arthur

November 16, 2015 by Bill Hart

The Art of Recording: A Conversation with Brooks Arthur   Janis and Brooks at the board-Between the Lines sessions, courtesy Peter Cunningham   Brooks Arthur still dreams of the little studio he owned in Blauvelt, New York in the early ‘70s; a converted gas station on a suburban highway next to an all-night diner in “upstate” New York. 914 Studios (pronounced: “nine-one–four,” the telephone area code there at the time) may have been one of the best sounding rooms Arthur recorded in. He ought to know: a songwriter and performer with ties to the Brill Building era, Arthur... Read More

Filed Under: Features

Rebecca Davis on Hooker ‘n Heat

October 15, 2015 by Bill Hart

    The recent exploration of Canned Heat here on TheVinylPress generated some real enthusiasm among readers, one of whom turned out to be Rebecca Davis, the author of “Blind Owl Blues,” an authoritative biography of Alan Wilson. Several readers had asked for a follow up piece on “Hooker ‘n Heat” (which I mentioned only in passing). Rebecca and I  also had started to correspond. Who better, I thought, to write about this album than the biographer of Alan Wilson? The album came together in part because of the “Blind Owl’s” love for John Lee Hooker. It not only helped... Read More

Filed Under: In Brief

Hooker ‘n Heat by Rebecca Davis

October 15, 2015 by Bill Hart

  Hooker ‘n Heat by Rebecca Davis Known for their musical dedication to primal electric blues, 1960s stalwarts Canned Heat are also noteworthy for their support of actual blues men. In various settings, they frequently provided musical backing – and commercial connections – for the elders who had inspired them artistically. Canned Heat founder Alan “Blind Owl” Wilson had started his recording career this way, accompanying Delta legend Son House on his 1965 “comeback” for Columbia. Guitarist Henry Vestine had been involved in the rediscovery of Skip James, and... Read More

Filed Under: Stickies

LYNYRD SKYNYRD: Revisited

October 12, 2015 by Bill Hart

  Given the current cultural antipathy toward symbols of the “old South,” I admit to a moment’s pause before diving into a piece about Lynyrd Skynyrd. In popular culture, the band is often associated with the glory of the South and, perhaps unfairly, some of the pejoratives. Is it possible to enjoy the band without endorsing any negative symbolism? I don’t know about others, but I can. I’m not making any sort of cultural statement here. I just really dig their music– they were originals – superb players and well worth exploring beyond the stereotypes. Back in the... Read More

Filed Under: Features

Canned Heat: In Depth

September 28, 2015 by Bill Hart

  I’m very pleased to publish three interrelated articles about Canned Heat, a blues band with a roster of incredible talent, and deep and significant roots in the rediscovery of the blues in the early ‘60s: a band that played the Monterey Pop Festival, Woodstock and is still “on the road” after 50 years. So much of what the band did in the late ‘60s is now taken for granted: driving rock boogie, the mix of country or rural blues with rock, a serious effort to preserve the elements of long forgotten blues motifs (including many eclectic and more obscure blues styles that were... Read More

Filed Under: Editorials, In Brief

Essential “Heat”: Canned Heat: Four Albums; Conversation with Skip Taylor; Sidebar: Rediscovering the Blues

September 28, 2015 by Bill Hart

Introduction I’m fascinated by that “turning point” in popular music in the mid- ‘60s, when mainstream music was transformed from sonic pablum to electric rock, folk and blues. Of course, the Beatles (and others from the first British invasion) had a huge, irreversible influence, but other things were stirring Stateside, including a reconnection with rural blues. No band had more involvement in this transformation than Canned Heat. Members of Canned Heat were deep blues enthusiasts involved directly or indirectly in the rediscovery, with others, of such legendary, forgotten... Read More

Filed Under: Features

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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