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You are here: Home / Archives for Bill Hart

bad brains- i against i

January 7, 2016 by Bill Hart

  I was a young lawyer working in the business when this album was released. An older colleague, more buttoned down than me, was slated to speak on a panel at the then industry-important “New Music Seminar” (a sort of New York City version of SXSW). He asked me for a recommendation because, as a speaker, he got a free pass to hear a show. I urged him to see Bad Brains, who were performing at a club on the Lower East Side with the Circle Jerks and Vernon Reid and Living Colour. The next day, he told me what happened: “I showed up at the club early, wearing my suit and tie,... Read More

Filed Under: Records

Billy Joel- Songs in the Attic

January 7, 2016 by Bill Hart

  Billy Joel was unavoidable in the ‘70s- Piano Man and The Stranger were hugely popular in the era, and many of the tracks were (and remain) soft radio staples. Although Joels’ first album, Cold Spring Harbor, contained some eventual hits as well (“She’s Got a Way”), that album was sonically compromised and did not enjoy the commercial success of his later work. This album more than makes up for that- a live performance of some songs from “Harbor” album, along with other early, classic Billy Joel tracks performed by Joel’s then-regular touring band and recorded with... Read More

Filed Under: Records

Brian Davison’s every which way

January 5, 2016 by Bill Hart

  Brian Davison’s every which way is a monster album and, as far as I know, is under most people’s radar (at least it wasn’t on mine). Ken Golden, a consummate authority on progressive music who has reissued and produced an extensive catalog of new progressive albums as well as unearthing some rare and desirable obscurities, tipped me to it. Ken mentioned the album on http://avshowroomsforums.com, a new gear and music forum organized by a couple of long-time audio hands. Knowing Ken’s taste and sensibilities, I bought it based on the strength of his recommendation.... Read More

Filed Under: Records

Yuri Grishin- “The British Recording History”

January 2, 2016 by Bill Hart

          Yuri Grishin’s name should be familiar to some readers; he is the polymath who assembled the extensive labelographies of Island, Vertigo, Harvest and Charisma in a series entitled “The Famous British Collectable Record Labels. ” Those books–which include images of the releases, catalog numbers, details about cover art, mastering, matrix information and details on sleeves, variations in different countries, along with “inside” interviews—provide an invaluable resource to collectors, are now out of print and are themselves collectible. Grishin... Read More

Filed Under: Compendia, Ephemera

New Skynyrd Documentary: Gone with the Wind

January 2, 2016 by Bill Hart

  Not long after writing a retrospective on Lynyrd Skynyrd, I happened on this film documentary– Gone with the Wind– about the band. Without knowing much about the film, I was thoroughly surprised by its depth and the care that went into making it; not just talking heads, or jarring, badly filmed footage of concert excerpts, it tells the story of Lynyrd Skynyrd from the earliest days, and includes interviews with some of the surviving members. Drummer Burns, who is featured in a number of interview clips, died earlier this year. The film benefits from some pretty candid... Read More

Filed Under: Ephemera, In Brief

Captain Beyond –self-titled

January 2, 2016 by Bill Hart

    Not exactly under the radar, or forgotten, but Captain Beyond is a record that delivers far more than it promises- by a group of musicians assembled from members of other, more famous bands. This is unapologetically a hard rock album, but one that deftly moves into “progressive” territory by combining jazz and long form compositions that were a signature of label mates, the Allman Brothers. Unlike the Allmans, this album sounds more like a mix of UK and LA, thanks in part to the lead vocals of Rod Evans (who sang on the first three Deep Purple albums) and the guitar work... Read More

Filed Under: Records

The Art of Recording: A Conversation with Brooks Arthur

November 16, 2015 by Bill Hart

The Art of Recording: A Conversation with Brooks Arthur   Janis and Brooks at the board-Between the Lines sessions, courtesy Peter Cunningham   Brooks Arthur still dreams of the little studio he owned in Blauvelt, New York in the early ‘70s; a converted gas station on a suburban highway next to an all-night diner in “upstate” New York. 914 Studios (pronounced: “nine-one–four,” the telephone area code there at the time) may have been one of the best sounding rooms Arthur recorded in. He ought to know: a songwriter and performer with ties to the Brill Building era, Arthur... Read More

Filed Under: Features

Rebecca Davis on Hooker ‘n Heat

October 15, 2015 by Bill Hart

    The recent exploration of Canned Heat here on TheVinylPress generated some real enthusiasm among readers, one of whom turned out to be Rebecca Davis, the author of “Blind Owl Blues,” an authoritative biography of Alan Wilson. Several readers had asked for a follow up piece on “Hooker ‘n Heat” (which I mentioned only in passing). Rebecca and I  also had started to correspond. Who better, I thought, to write about this album than the biographer of Alan Wilson? The album came together in part because of the “Blind Owl’s” love for John Lee Hooker. It not only helped... Read More

Filed Under: In Brief

Hooker ‘n Heat by Rebecca Davis

October 15, 2015 by Bill Hart

  Hooker ‘n Heat by Rebecca Davis Known for their musical dedication to primal electric blues, 1960s stalwarts Canned Heat are also noteworthy for their support of actual blues men. In various settings, they frequently provided musical backing – and commercial connections – for the elders who had inspired them artistically. Canned Heat founder Alan “Blind Owl” Wilson had started his recording career this way, accompanying Delta legend Son House on his 1965 “comeback” for Columbia. Guitarist Henry Vestine had been involved in the rediscovery of Skip James, and... Read More

Filed Under: Stickies

LYNYRD SKYNYRD: Revisited

October 12, 2015 by Bill Hart

  Given the current cultural antipathy toward symbols of the “old South,” I admit to a moment’s pause before diving into a piece about Lynyrd Skynyrd. In popular culture, the band is often associated with the glory of the South and, perhaps unfairly, some of the pejoratives. Is it possible to enjoy the band without endorsing any negative symbolism? I don’t know about others, but I can. I’m not making any sort of cultural statement here. I just really dig their music– they were originals – superb players and well worth exploring beyond the stereotypes. Back in the... Read More

Filed Under: Features

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In Brief:

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

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