This first album, by a band that represented the height of keyboard-heavy “prog”, has not aged well, but it is still an incredible piece of work that is great fun to listen to today. The track “Lucky Man” was a hit in the U.S. at the time of its release here and the album’s success led to a series of follow up albums, including Pictures at an Exhibition, a modern interpretation of Mussorgsky’s classical work which was a risky commercial proposition for young audiences at the time (it did well, though, as did the other albums following the band’s debut album). It also lent the... Read More

  I hadn’t planned to review this album, despite its considerable musical and sonic prowess. Why? Because I burned out on it long ago as an audiophile “demo” record. Despite, that, I’m reviewing it. Why? Because it is a really good record: great songs, powerful performances and a great recording.   Before we talk about the music, let’s talk about copies I’ve owned: I don’t remember the first copy I bought, but I suspect it was the standard issue A&M pressing available in the States at the time of release. For years, the MoFi UHQR took up space on my shelves too- an... Read More

I know, AC is hardly obscure. But this album, and these early pressings in particular, are worth searching out. Alice was signed to Zappa’s Straight label, distributed by Warner Bros. Records. The first two albums made no commercial impact but when Love it To Death, the band’s third album, charted they sold a lot of records. The earliest pressings of Love it to Death were still on the Straight label, not the later Warner label.  There were some quick changes made to the cover art shortly after the album’s release, necessitated by concerns whether that thing on the cover... Read More

  One of the fascinating and inexplicable things about the “arts” (whether the recorded arts, visual arts or other media) is why certain artists achieve commercial success and recognition during their most creative years and others seem to be forgotten or ignored- sometimes to be rediscovered years or decades later by new audiences with whom they resonate. The examples are almost endless; within the recorded music sphere, many of the albums I recently reviewed from the Vertigo Swirl catalog are enjoyed by collectors or those with an affinity for the time period and genre, but many... Read More

This is the “Ur” record of progressive rock. It is by turns jarring and aggressive, lush, gorgeous and ethereal, depending on the track. It is an essential album because, even if you don’t think you like “Prog Rock,” it has such a variety of sounds, styles and moods, there is bound to be something you’ll find appealing.   At the time of its release in the States, the track that seemed to get the most play was “21st Century Schizoid Man” a disturbing piece of sonic violence. But, there’s “I Talk to the Wind,” a guileless song with harmonies that remind me of... Read More