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You are here: Home / Archives for Bill Hart

Early Eagles- First Album and Desperado

June 8, 2015 by Bill Hart

Somewhere between “Dylan” and “Elvis” on my shelves rest quite a few albums by a band called “Eagles.” Though the song “Hotel California” from the album of the same name, an anthem of the excesses of modern West Coast life, is probably what comes to mind when you mention the band, the first two albums– Eagles, and Desperado, are something quite different. (I play Hotel California about as often as I play Stairway to Heaven. Neither represents the breadth of these bands or their roots, but those are the songs to which their legacy attaches).       The... Read More

Filed Under: Records

Jackson Browne- the first three albums

June 8, 2015 by Bill Hart

As a singer-songwriter, Jackson Browne had an impressive run in the early 70’s. Though his career extended long after that and included albums later in the decade that sold even better than these, the first three albums—Jackson Browne (a/k/a “Saturate Before Using”), For Everyman, and Late for the Sky captured something very essential. I’m going to focus on these early records, for now.   The first album is a goldmine of great songs that can be listened to, from front to back, as an “album” should. It has the hit “Doctor My Eyes,” as well as the Browne-penned... Read More

Filed Under: Records

LISTENING TO RECORDED MUSIC: A RUMINATION

June 7, 2015 by Bill Hart

The Internet has democratized many things, including the ready availability of music and information about it. It has also changed how we listen to music: from hardware to software to new formats and delivery platforms. Despite my preference for things analog, I support these changes if only because they give artists (performers and songwriters) the ability to reach more audiences and hopefully, in the process, to make some return on their work.   One of the chief complaints about mass-market music delivery is that as technology has improved, sound quality (and consumer’s... Read More

Filed Under: Editorials, Features

Little Feat-The Lowell George Era

June 1, 2015 by Bill Hart

Man, these guys really did it for me back in day. Hard driving boogie, with a Zappa-esque twist. Lowell George, Roy Estrada (on the first two albums) Richie Hayward and the incredibly funky keyboard chops of Bill Payne. There were few bands that could pull this off- a sort of unpolished, but “right in the groove” sound, any looser and it would fall apart but these guys were tight. The first album, with the Lowell George-penned “Willin’” may be the rawest of the bunch- not a fabulous recording, but lot’s of good songs: “Truck Stop Girl” takes the standard big rig lament to... Read More

Filed Under: Records

Van Morrison- The Early Albums

June 1, 2015 by Bill Hart

Van Morrison is a quixotic character, even by the standards usually applied to artists- a mercurial personality who has had some huge radio hit songs, but performs publicly with great reluctance; a man who created new paths for “soul” music and R & B who hails from Belfast and revels in his Celtic roots; an artist whose most critically acclaimed work was, for decades, far less commercially successful than the “pop” tunes for which he is most often recognized. My introduction to Van Morrison’s work began with four albums released between 1970-72: Moondance, His Band and the... Read More

Filed Under: Records

Bonnie Raitt- The Early Albums

June 1, 2015 by Bill Hart

I was first introduced to Bonnie Raitt’s music through her second album, Give It Up at the time of its release in 1972. I still consider this to be one of her great ones: It has a diverse range of songs, from soul searching laments over lost love (“Nothing Seems to Matter”; If You Gotta Make a Fool of Somebody”; “Love Has No Pride”) to 1920’s style blues (“You Gotta Know How”), to bouncing rockers, (“Give It Up or Let Me Go”; “You Told Me Baby”) as well as a cover of Jackson Browne’s “Under the Falling Sky.” Bonnie’s voice was clear and sweet, and this... Read More

Filed Under: Records

From the U.K. to L.A.

June 1, 2015 by Bill Hart

  I’ve been dwelling on records made in the UK in the 60’s and early 70’s- especially the Vertigo Swirls and Island “pink labels.”  (Additional pieces on Island and Vertigo will be added along the way). But, given the “label” approach I’ve been taking here for some of the features, related reviews and essays, I thought it might be interesting to shift focus, from the UK to LA. This shift parallels what I perceive to be a shift in epicenter of the music business that took place from the late 60’s to the 70’s and beyond, as popular musical styles changed. And no... Read More

Filed Under: Editorials

Warner Records-The “Green Label” Era (and Beyond)

June 1, 2015 by Bill Hart

Although it did not have the historical legacy of Columbia or RCA, by the late 60’s and early 70’s, Warner was a significant force in popular music. Its roster of talent was impressive and many of the recordings sound great. This “golden era” seemed to coalesce around several key figures and events: Mo Ostin, once Frank Sinatra’s executive and numbers guy at Reprise (Ostin majored in economics at UCLA), was put into place after Warner acquired Reprise Records in the early 60’s; Ostin, who developed the reputation of being very artist “friendly,” brought Lenny Waronker on... Read More

Filed Under: Features

Further Reading and Reference Materials: Island Pink Label (and early pink rim) Era

June 1, 2015 by Bill Hart

The story of Island Records extends far back, and well beyond, the “pink label” era addressed here. Even within the “pink label” era there were soul, blues, and Caribbean records that I have not mentioned. I have not attempted to cover the breadth of the Island catalog within even this limited time period (roughly 1967- 1970). Instead, the focus is on Island’s tectonic shift to the “new” music emerging out of the UK: psych/folk rock/blues rock/progressive and other genres in which Island Records was at the vanguard. I have thus used the “pink label era” as synonymous... Read More

Filed Under: In Brief

Emerson Lake & Palmer self-titled

May 27, 2015 by Bill Hart

This first album, by a band that represented the height of keyboard-heavy “prog”, has not aged well, but it is still an incredible piece of work that is great fun to listen to today. The track “Lucky Man” was a hit in the U.S. at the time of its release here and the album’s success led to a series of follow up albums, including Pictures at an Exhibition, a modern interpretation of Mussorgsky’s classical work which was a risky commercial proposition for young audiences at the time (it did well, though, as did the other albums following the band’s debut album). It also lent the... Read More

Filed Under: Records

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In Brief:

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

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