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You are here: Home / Archives for Bill Hart

Alice Coltrane, Ptah, the El Daoud and the Coltrane Home Studio (Part I)

June 16, 2020 by Bill Hart Leave a Comment

Alice Coltrane, Ptah, the El Daoud and the Coltrane Home Studio (Part I) Alice Coltrane’s Ptah, the El Daoud, has an inner luminosity that transcends its performances and composition; it is the rare album that captures not just brief moments of brilliance, but entire passages that transport the listener. The album is all the more remarkable for being out of print on vinyl since 1974. It was recorded in a studio built by the Coltranes in their Dix Hills home that was slated for demolition until a group of preservationists and family members stepped in to rescue it. This is the story of an... Read More

Filed Under: Features

Collocutor-Continuation

June 16, 2020 by Bill Hart Leave a Comment

Collocutor-Continuation  Collocutor’s Continuation is a modern jazz album in the same sense that King Crimson is a “rock group”—the elements are there but it’s put together in a way that makes the experience altogether unique. The brainchild of Tamar Osborn, who composed all the tracks and plays various saxophones and flute, the album is highly atmospheric and charged with a different energy than most modern jazz— it seeks out the dark corners and brings light to unexpected places. Osborn’s interests seem eclectic—from African to classical to soul and pop; she has her... Read More

Filed Under: Records

Clem Snide- Forever Just Beyond

June 16, 2020 by Bill Hart Leave a Comment

Clem Snide- Forever Just Beyond With a name derived from a character in the same literary work as the band name so famously identified with the Walter Becker-Donald Fagen duo, Clem Snide has an extensive discography, typically cataloged as “alt country.” This latest release is the work of one of its founding members, Eef Barzelay, who was responsible for much of the songwriting and singing. According to his bio, Barzelay suffered some serious bumps in the road during the last decade, including a failing marriage and financial ruin. At the same time, he learned that Scott Avett was a... Read More

Filed Under: In Brief

Muriel Grossmann- Reverence

May 20, 2020 by Bill Hart Leave a Comment

Muriel Grossmann- Reverence Muriel Grossmann continues her quest for musical ascension on Reverence, which was released on vinyl in early December, 2019 on the RR Gems label as a 2 LP set. The compositions are Grossmann’s, and the band is much the same as the group of seasoned musicians with whom she has worked for some time (and detailed in the review of her Golden Rule), but for one notable exception: the addition of a keyboard player who brings that rich, woody Hammond B-3 sound to a series of compositions devoted to Africa. In some ways, Ms. Grossmann’s exploration of the roots of... Read More

Filed Under: In Brief

Stylus Life- StylusTimer

May 20, 2020 by Bill Hart Leave a Comment

Stylus Life- StylusTimer Stylus life is a recurring question in audio discussions. Some serious attention was devoted to the subject here, in Mike Bodell’s “The Finish Line for Your Phono Stylus.” That article examined the issue from a number of perspectives, including early studies, claims by cartridge manufacturers and real-life experiences by users. It also generated a long, interesting thread on the Steve Hoffman forum that is worthwhile to read. The Hoffman thread also generated an experiment by Ray Parkhurst who documented the wear of a new stylus under certain controlled... Read More

Filed Under: In Brief

Nate Morgan-Retribution, Reparation

May 20, 2020 by Bill Hart 1 Comment

Nate Morgan- Retribution, Reparation Nate Morgan’s Retribution, Reparation follows his Journey Into Nigritia (covered here) and should be regarded in some ways a part of a continuum—Morgan was exploring a world that still remains undiscovered today—driven by love, not tyranny and inspired by the voices of the past to lead new generations toward a brighter future. The God of the Old Testament is called upon, and the archaic term for the land of blacks in Africa- “Nigritia” still figures into the liner notes, which are inspired by Marcus Garvey. Both albums were released on Nimbus... Read More

Filed Under: Records

Pharoah Sanders Live at the East

May 20, 2020 by Bill Hart Leave a Comment

Pharoah Sanders Live at the East Pharoah Sanders Live at the East was released after Sanders had already come into his own with the album Karma, released on Impulse in 1969. Sanders was well recognized within the modern jazz community, having been mentored by the likes of  Coltrane and Sun Ra. Sanders appears on one of my favorite Alice Coltrane records, Ptah, the El Daoud, released in 1970. In 1972, Sanders released this live album, which can be found at reasonable prices despite the increasing market value of the older Impulse pressings. The line up on this album is stellar, from Cecil... Read More

Filed Under: Records

Azar Lawrence- Prayer for My Ancestors

May 20, 2020 by Bill Hart Leave a Comment

Azar Lawrence- Prayer for My Ancestors Azar Lawrence, whose work as a sideman (including with McCoy Tyner after Coltrane’s death) is well recognized, has been enjoying a recent resurgence -two of his albums from the mid-‘70s as a featured performer have been reissued by the Jazz Dispensary. This album seems to have been neglected so far and is worth seeking out, though I have only found it on CD (and even that has not been so easy to find). Released in 2008, Prayer for my Ancestors has a killer roster of players: Nate Morgan on piano, Henry Franklin (whose album, “The Skipper,” is... Read More

Filed Under: Records

Two Rarities Reissued- Far Out and Stonewall

May 20, 2020 by Bill Hart Leave a Comment

Two Rarities Reissued- Far Out and Stonewall You’ll be forgiven if neither of these albums– Far Out and Stonewall– was on your “pre-buy” list; both are somewhat obscure and highly collectible for different reasons. There is serious market for obscure psych and early hard rock that never made a commercial impact- the more obscure the better. Some of it is good, but the tariff is high, leading to all sorts of unlicensed reissues over the years. These two releases cover two important albums that, for the first time, purport to be licensed, authorized product.  Far... Read More

Filed Under: Records

Peace & Quiet

May 20, 2020 by Bill Hart Leave a Comment

Peace & Quiet-self-titled Peace & Quiet is a period hard rock album that is not, as far as know, on anybody’s radar. It’s got great vocals, a guitar driven, heavy sound soaked with organ and is the perfect alternative to those classic hard rock favorites. The vocal parts here are just outstanding—think about how big the band Three Dog Night was back in the day; they cranked out a huge number of hits based on the strength of their harmonies. Today, almost nobody knows the band, let alone the musicians that played with them, but those harmonies? Ask somebody who qualifies for... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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