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Stylus Life- StylusTimer

May 20, 2020 by Bill Hart Leave a Comment

Stylus Life- StylusTimer Stylus life is a recurring question in audio discussions. Some serious attention was devoted to the subject here, in Mike Bodell’s “The Finish Line for Your Phono Stylus.” That article examined the issue from a number of perspectives, including early studies, claims by cartridge manufacturers and real-life experiences by users. It also generated a long, interesting thread on the Steve Hoffman forum that is worthwhile to read. The Hoffman thread also generated an experiment by Ray Parkhurst who documented the wear of a new stylus under certain controlled... Read More

Filed Under: In Brief

Incoming! (More Interesting Records)

October 16, 2019 by Bill Hart Leave a Comment

Incoming! (More Interesting Records)  An “interesting record” to me offers something unexpected, whether it is a fresh take on a recognized genre, or something that opens a new way of experiencing instruments in combination. It does not have to be “strange” or challenging to listen to; in fact, I’m a sucker for a good melodic hook and enjoy technical prowess as much as anybody, but there has got to be something “more”– an intangible that differentiates the record from the millions of others to which we all have access.   As mentioned in a... Read More

Filed Under: In Brief

More on Milt Ward and Virgo Spectrum

October 16, 2019 by Bill Hart Leave a Comment

More on Milt Ward and Virgo Spectrum Courtesy of Bill Pierce, the former Chair of Woodwinds at Berklee. Pierce worked with Milt Ward in the late ‘60s, including a stint as part of the horn section for Stevie Wonder. Pierce figures prominently on the album, Milt Ward and Virgo Spectrum; I have added his recollections to the feature article.   (Scroll down to the bottom of the article). My thanks to Bill Pierce, whose band, the Ralph Peterson Messenger Legacy, is currently active and touring.     ... Read More

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A Phono Bargain or Three

September 30, 2019 by Bill Hart Leave a Comment

A Phono Bargain or Three The ever-resourceful Steve Leung (VAS) built me a Franken-Denon 103, repotted in a wooden body with a micro-ridge stylus. In my estimation, it’s a phono bargain, given its performance. Wonderful tone and an advanced stylus shape. I have zero experience with stock Denon 103 cartridges, a perennial favorite among budgeteers and tweakers. This Franken-cartridge took advantage of various tweaks that have been performed by DIY’ers and retipping shops over the years– rebodying the cartridge, using elastomers to ‘pot’ the cartridge motor... Read More

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A Running Experiment on Stylus Wear

September 30, 2019 by Bill Hart Leave a Comment

A Running Experiment on Stylus Wear The Finish Line article by Mike Bodell has generated a fair amount of attention on various audio chat boards, including the Hoffman forum where I posted the article.  One outgrowth of that thread was Ray Parkhurst’s decision to do a bit of informal testing, using a fresh stylus and examining wear at different time intervals.  (Ray, as you may remember, helped Mike with the macrophotography in his piece). Here’s where that part of the discussion and Ray’s reports begin:... Read More

Filed Under: In Brief, Phono

Change is Good- From Proto-Metal to Spiritual Jazz

September 30, 2019 by Bill Hart Leave a Comment

Change is Good- From Proto-Metal to Spiritual Jazz Spiritual jazz is something I started to focus on in just the last couple years. More recently, I’ve been writing pieces about obscure private or small label offbeat jazz- the material fits under various genre headings, including soul jazz, free jazz and other categories that aren’t always fully descriptive of the music.  This isn’t as much an editorial choice as it is a reflection of my recent listening interests: the level of musicianship is high, and the production quality is often good, in part because the performances... Read More

Filed Under: Editorials, In Brief

Stylus Wear – Mike Bodell’s “The Finish Line for Your Phonograph Stylus”

May 23, 2019 by Bill Hart Leave a Comment

Stylus Wear in Vinyl LP Playback- Mike Bodell’s “The Finish Line for Your Phonograph Stylus”    One thing all of us who play vinyl LPs share, no matter how basic or esoteric the turntable/tonearm and phono stage, is our reliance on the phono cartridge. These intriguing little devices not only make a significant contribution to the sound quality we experience, but are the first interface with the record, functioning as a transducer to convert tiny inscriptions in the groove into an electrical signal that eventually gets equalized, amplified and re-transduced from an... Read More

Filed Under: In Brief, Phono

The Biggest Record Show in Texas (and the United States)- The Austin Record Convention 2019

May 23, 2019 by Bill Hart Leave a Comment

The Biggest Record Show in Texas (and the United States)- The Austin Record Convention 2019 Yep, stuff is big here- trucks, some people (fit, not fat), buildings, hair, BBQ, hell the entire state is big. And the Austin Record Convention, which has been operating since 1981, was pretty great this year. Lots of dealers (over 300, according to the website) occupying 40,000 sq feet of clean, well air-conditioned modern space. The show takes place in South Austin, just a stone’s throw from the river in the middle of downtown Austin. It claims to be the biggest record show in the United... Read More

Filed Under: Ephemera, In Brief

Editor’s Note: Turntable Set Up Issues and a Forum?

April 18, 2019 by Bill Hart Leave a Comment

Editor’s Note:  Turntable Set Up Issues and a Forum? Turntable Set-Up Issues With the arrival of a new tonearm and tone arm pod, I’ve been juggling two tone arms, with the added mass of the arm support pods (each of which weighs about 30 lbs). Balancing this weight on the Minus K isolation platform is a little tricky. One basic step is optimizing arm position for ease of use and pivot to spindle distance. Other, more routine set up steps—alignment, null points, and anti-skate are par for the course. However, the lateral tracker doesn’t involve null points or anti-skate... Read More

Filed Under: Editorials, In Brief

The Grizzly Works Record Tote-Bespoke Luxury for Bin Divers

April 15, 2019 by Bill Hart 1 Comment

The Grizzly Works Record Tote I don’t do vinyl as a “lifestyle” and usually don’t offer fashion advice. But this luxe quality record tote–from “Grizzly Works”– is the sort of thing you’ll want if you attend record shows, take records with you for listening purposes to someone else’s home, a store or hi-fi show or you simply want an easy, well-made way to carry some albums. It comes from a vendor in Australia, Anthony Sawyer, a very nice guy whose specialty is custom hi-fi racks and speaker stands. According to Anthony, the conception, fabrication and... Read More

Filed Under: In Brief

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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