Still Life- s/t (Vertigo Swirl) The scarcity of this record and mystery surrounding the band seem to overshadow its merits, which are considerable. It is a “one and done,” not unusual for the period, when bands were constantly morphing through different members, band names and styles. The band consisted of Graham Amos and Martin Cure, who had played together in a group called The Sabres. Terry Howells, the keyboard player, was recruited. The band, called Rainbows, became Still Life. They seemed to have difficulty keeping drummers (a problem not confined to fictional bands); UK... Read More
MOUNTAIN CLIMBING!
MOUNTAIN CLIMBING! Mountain, like a number of powerful hard rock acts in the immediate post-Woodstock era, has fallen between the cracks, if not into outright obscurity. Perhaps it’s a question of changing taste, but there are plenty of great hard rock albums from the era that can give you goose bumps. This is one of them. Mountain’s records are readily found in the used bins and finding a clean-playing copy can be a challenge. Why bother? The band benefitted enormously from the production, bass playing and vocal abilities of the late Felix Pappalardi, whose credentials at the... Read More
JERRY LEE LEWIS- LIVE AT THE STAR CLUB, HAMBURG
JERRY LEE LEWIS- LIVE AT THE STAR CLUB, HAMBURG When the last words are written about “rock & roll,” Jerry Lee Lewis’s name will be first among them. He was a “rock star” before the concept existed, and delivered electrifying live performances in an era before The Beatles, when television was in its commercial infancy and the social and cultural upheavals of the ‘60s were still in the distant future. Riding the same crest of popularity that brought Elvis, Johnny Cash, Carl Perkins, Little Richard and Chuck Berry to fame, Lewis was among the first of a breed of... Read More
Mott- Mad Shadows
Mott- Mad Shadows Somewhere between rock and glam, between obscurity and fame, Mott the Hoople delivered an album—Mad Shadows— that was a commercial and critical failure. But its loose arrangements, odd juxtaposition of styles and “unfocused” quality give it a dark aspect that makes it worthwhile to listen today. The record was produced for Island by Guy Stevens, a broken genius whose work spans some of the great pink label recordings (Free’s Tons of Sobs, certain tracks by Winwood and Traffic) and culminated in albums like The Clash’s London Calling. Stevens was a... Read More
Bachdenkel- Lemmings, Staligrad
Bachdenkel- Lemmings, Staligrad Anybody who was into this band back in the day was probably a pretty deep “head”—it’s one thing to find some long lost album that has been forgotten in the crush of time, but these guys seemed to be pretty obscure even when they were at their peak. Their first album—Lemmings—was released by Philips France. I have yet to see a copy in the flesh. Most of the old pressings in circulation are somewhat later issues by the Initial Recording Company. My copy of Lemmings is “numbered” but has no “bonus EP”- the reissue on Initial was sold... Read More
Prog Rock Obscurities – by Ken Golden
Prog Rock Obscurities – by Ken Golden Any list of recommended albums is simply a snapshot representing a momentary state of mind. Here are 10 prog rock albums that will require some digging but if you are a fan of the genre you will be rewarded. Don’t think of this as a definitive “top 10” just 10 great ones in no particular order: Spring – same (RCA Neon). Neon was RCA’s answer to Philips Vertigo label. In fact they poached Vertigo founder Olav Wyper and he set up shop offering similar fare. Spring was from Leicester in the UK. Their sole album was released... Read More
JOSH WHITE: JOSH AT MIDNIGHT REMASTERED (Ramseur Records Ram 1-811)
Blues is both some of the simplest and hardest music to play: I don’t care if it’s played on a Les Paul pumped through a stack of Marshalls or a beat down acoustic guitar from an old ’78—it isn’t the notes, it’s the feeling, the tone and rhythm that convey the emotion, not pyrotechnics. Josh White is somewhat of an enigma to me- he was around in the earliest days of the rural blues, learning his chops from street performers in the South where he grew up. White helped popularize a regional style of “Piedmont blues,” known for its distinctive fingerpicking and alternating... Read More
Lucifer’s Friend self-titled
If you mixed Zep riffs with Uriah Heep vocal parts, played by Black Sabbath and added in some organ parts ala Deep Purple, you’d be describing the debut album of Lucifer’s Friend. No surprise about the vocals- John Lawton later went on to sing for Heep, but already had that full-throated wail on this record. The band is essentially a German heavy rock band that has been labeled, after the fact, as “proto-heavy metal.” That’s fair, in the same sense that early Sabbath and Deep Purple (and even the Iron Butterfly) anticipate some of the “heavy” rock that followed, before speed... Read More
Dead Can Dance’s INTO THE LABYRINTH: A COMPARISON OF PRESSINGS
Into the Labyrinth: Comparing Three Vinyl Pressings Dead Can Dance’s Into the Labyrinth is probably the most accessible and well-known album by the group/duo of Lisa Gerrard and Brendan Perry. For those familiar with the album, it is a striking blend of aboriginal polyrhythms, Celtic spiritualism, with mid-Eastern influences, medieval chants and powerful electronica/ rock, all pulled together and made coherent by the haunting sing song of Gerrard’s ethereal voice and the contrasts of Brendan Perry’s more conventional, but distinctive, vocal style. For those unfamiliar with Dead... Read More
BLIND MELON Self-Titled
These guys were not on my radar during the ‘90s- and after two albums, the lead singer died of a drug overdose in the band’s tour bus outside a venue. Vinyl releases of the first album were extremely limited, and are now very costly. Music on Vinyl (“MOV”) has done a reissue worth buying. That label, which presses through the old CBS plant in the Netherlands, is a prolific reissue house, but source material is often digital files, making it less desirable than other, more “audiophile” reissue labels that promise full analog reissues. (Though astute readers are aware that... Read More
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