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Flower Travellin’ Band- Satori

August 26, 2017 by Bill Hart Leave a Comment

Flower Travellin’ Band- Satori      I never delved deeply into the Japanese psych scene, and this album probably serves as good a gateway as any—it is amalgam of powerful vocals, deranged guitar licks and an unholy mix of metal and the occasional Eastern motif, blended with a blues riff or two, and a lot of aggression. Fronted by singer Akira Yamanka a/k/a “Joe,” who also had a career as a movie tough guy, it’s not easy to put a label on this creation.       It was apparently recorded quickly, and the version sold in North America is different, containing... Read More

Filed Under: Records

Caravan “In the Land of Grey and Pink”- The Canterbury Scene

October 12, 2016 by Bill Hart

Caravan “In the Land of Grey and Pink”   -The “Canterbury Scene” Caravan’s “In the Land of Grey and Pink,” released in 1971, is generally considered one of the best representations of the so-called “Canterbury Scene.” What, you may ask, is the “Canterbury Scene”? To me, it is a very imprecise label for an offshoot of progressive rock that had no specific style, and was not necessarily even linked to the cathedral city from which it drew its name. Commentators often point to the pastoral aspects of the music, or the peculiarly English sense of whimsy associated with... Read More

Filed Under: Features, Records

Still Life- s/t (Vertigo Swirl)

October 11, 2016 by Bill Hart

  Still Life- s/t (Vertigo Swirl) The scarcity of this record and mystery surrounding the band seem to overshadow its merits, which are considerable. It is a “one and done,” not unusual for the period, when bands were constantly morphing through different members, band names and styles. The band consisted of Graham Amos and Martin Cure, who had played together in a group called The Sabres. Terry Howells, the keyboard player, was recruited. The band, called Rainbows, became Still Life. They seemed to have difficulty keeping drummers (a problem not confined to fictional bands); UK... Read More

Filed Under: Records

MOUNTAIN CLIMBING!

October 11, 2016 by Bill Hart

  MOUNTAIN CLIMBING! Mountain, like a number of powerful hard rock acts in the immediate post-Woodstock era, has fallen between the cracks, if not into outright obscurity. Perhaps it’s a question of changing taste, but there are plenty of great hard rock albums from the era that can give you goose bumps. This is one of them. Mountain’s records are readily found in the used bins and finding a clean-playing copy can be a challenge. Why bother? The band benefitted enormously from the production, bass playing and vocal abilities of the late Felix Pappalardi, whose credentials at the... Read More

Filed Under: Records

JERRY LEE LEWIS- LIVE AT THE STAR CLUB, HAMBURG

October 9, 2016 by Bill Hart

  JERRY LEE LEWIS- LIVE AT THE STAR CLUB, HAMBURG   When the last words are written about “rock & roll,” Jerry Lee Lewis’s name will be first among them. He was a “rock star” before the concept existed, and delivered electrifying live performances in an era before The Beatles, when television was in its commercial infancy and the social and cultural upheavals of the ‘60s were still in the distant future. Riding the same crest of popularity that brought Elvis, Johnny Cash, Carl Perkins, Little Richard and Chuck Berry to fame, Lewis was among the first of a breed of... Read More

Filed Under: Records

Mott- Mad Shadows

October 7, 2016 by Bill Hart

Mott- Mad Shadows   Somewhere between rock and glam, between obscurity and fame, Mott the Hoople delivered an album—Mad Shadows— that was a commercial and critical failure. But its loose arrangements, odd juxtaposition of styles and “unfocused” quality give it a dark aspect that makes it worthwhile to listen today.   The record was produced for Island by Guy Stevens, a broken genius whose work spans some of the great pink label recordings (Free’s Tons of Sobs, certain tracks by Winwood and Traffic) and culminated in albums like The Clash’s London Calling. Stevens was a... Read More

Filed Under: Records

Bachdenkel- Lemmings, Staligrad

October 7, 2016 by Bill Hart

Bachdenkel- Lemmings, Staligrad  Anybody who was into this band back in the day was probably a pretty deep “head”—it’s one thing to find some long lost album that has been forgotten in the crush of time, but these guys seemed to be pretty obscure even when they were at their peak. Their first album—Lemmings—was released by Philips France. I have yet to see a copy in the flesh. Most of the old pressings in circulation are somewhat later issues by the Initial Recording Company. My copy of Lemmings is “numbered” but has no “bonus EP”- the reissue on Initial was sold... Read More

Filed Under: Records

Prog Rock Obscurities – by Ken Golden

August 17, 2016 by Bill Hart

  Prog Rock Obscurities – by Ken Golden   Any list of recommended albums is simply a snapshot representing a momentary state of mind. Here are 10 prog rock albums that will require some digging but if you are a fan of the genre you will be rewarded. Don’t think of this as a definitive “top 10” just 10 great ones in no particular order: Spring – same (RCA Neon). Neon was RCA’s answer to Philips Vertigo label. In fact they poached Vertigo founder Olav Wyper and he set up shop offering similar fare. Spring was from Leicester in the UK. Their sole album was released... Read More

Filed Under: Features, Records

JOSH WHITE: JOSH AT MIDNIGHT REMASTERED (Ramseur Records Ram 1-811)

August 10, 2016 by Bill Hart

  Blues is both some of the simplest and hardest music to play: I don’t care if it’s played on a Les Paul pumped through a stack of Marshalls or a beat down acoustic guitar from an old ’78—it isn’t the notes, it’s the feeling, the tone and rhythm that convey the emotion, not pyrotechnics. Josh White is somewhat of an enigma to me- he was around in the earliest days of the rural blues, learning his chops from street performers in the South where he grew up. White helped popularize a regional style of “Piedmont blues,” known for its distinctive fingerpicking and alternating... Read More

Filed Under: Features, Records

Lucifer’s Friend self-titled

July 14, 2016 by Bill Hart

If you mixed Zep riffs with Uriah Heep vocal parts, played by Black Sabbath and added in some organ parts ala Deep Purple, you’d be describing the debut album of Lucifer’s Friend. No surprise about the vocals- John Lawton later went on to sing for Heep, but already had that full-throated wail on this record. The band is essentially a German heavy rock band that has been labeled, after the fact, as “proto-heavy metal.” That’s fair, in the same sense that early Sabbath and Deep Purple (and even the Iron Butterfly) anticipate some of the “heavy” rock that followed, before speed... Read More

Filed Under: Records

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In Brief:

Retipper Redux

  Retipping phono cartridges seems to be even more popular today than when I published a list of retippers several years ago. It may be that the cost of better moving coil cartridges has gotten astronomical, that some great cartridges are no longer made or that enthusiasts are generally more value conscious even at the pricier end of the spectrum. I've always thought there was value in retipping, as long as it doesn't alter the fundamental character of the cartridge.  My list, linked above, is somewhat out of date. At some point, I will update it. In the meantime, a few additions:    Le Son - Shanghai, China   Worldwide send-in service   https://www.leson.org/moving-coil-cartridge-retipping/   This outfit, which wrote to me, does inspections, claims quick turn around time, and has a dedicated process for Denon 103 upgrades. (Long time readers will know that I use one such Franken-Denon … [Read More...]

An Interview-Back Notes

  The interview with Cecil McBee has been a long time coming. He is not an outspoken individual but one who found expression in his music. And wonderful it is; he found the hidden lines in compositions that created unexpected melodies that never detracted from the main theme- while staying in his “lane” he created something unexpected in so many recordings. I’m honored to be able to publish this interview, which I did in April of 2025.  Mr. McBee was gracious, soft spoken and articulate. At the same time, he seemed somewhat surprised that his body of work (which is considerable) is as highly prized today as it is.  I offer this as an unvarnished take from a long conversation with the man, who I feel blessed to have encountered directly and unabridged. Any mistakes are mine. I feel honored to have encountered the man, first hand, in his own words. I hope you find the same joy in reading … [Read More...]

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

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