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You are here: Home / Archives for Bill Hart

Gone to Texas

August 26, 2017 by Bill Hart Leave a Comment

Gone to Texas I’m long overdue in publishing new material at The Vinyl Press. My mini-travelogue of our journey from New York through the Deep South was part of our transit, a road trip of relocation to Austin, Texas. We landed in Austin on February 1, and with a pretty good sense of the real estate market here (great for sellers, ugly for buyers), we set out with our broker to find a place that appealed. My original intention was to buy something in an international modern vein, but that didn’t happen for a number of reasons. Our “new” house in Austin is circa the 1880’s and... Read More

Filed Under: Features, In Brief

Spiritual Jazz- Three Picks

August 26, 2017 by Bill Hart Leave a Comment

Spiritual Jazz- Three Picks       Exploring “new to me” music often forces me to confront my own biases if not outright ignorance. If you asked me how much jazz I listen to, I’d say very little these days. Sure, I’ve gone through many of the highly regarded “audiophile” favorites and warhorses, usually in the form of reissues from the likes of Analogue Productions (Sonny Rollins “Way Out West” cut at 45rpm is spectacular despite the hard panning characteristic of many early stereo recordings), or other labels, e.g. Music Matters. I have quite a pile of traditional jazz,... Read More

Filed Under: Stickies

Flower Travellin’ Band- Satori

August 26, 2017 by Bill Hart Leave a Comment

Flower Travellin’ Band- Satori      I never delved deeply into the Japanese psych scene, and this album probably serves as good a gateway as any—it is amalgam of powerful vocals, deranged guitar licks and an unholy mix of metal and the occasional Eastern motif, blended with a blues riff or two, and a lot of aggression. Fronted by singer Akira Yamanka a/k/a “Joe,” who also had a career as a movie tough guy, it’s not easy to put a label on this creation.       It was apparently recorded quickly, and the version sold in North America is different, containing... Read More

Filed Under: Records

From the Gulch to the Delta

January 29, 2017 by Bill Hart Leave a Comment

From the Gulch to the Delta- On Pawn~ in Asheville, N.C. We are down in the Gulch, Nashville’s newest “hot” urban enclave, bubbling with fashionable boutiques and trendy nightspots. Our trip from Virginia was uneventful, if wet; the views along the higher ridges were hampered by fog. With a brief stay-over in Winston-Salem, a quiet town of old architectural gems (and one of the best café lattes ever, at a place called “The Hive”), we landed in Asheville. This is a vibrant city nestled into the Blue Ridge Mountains with the charm of the south but a distinct culture all its own.... Read More

Filed Under: Ephemera, In Brief

The War of Fog

January 20, 2017 by Bill Hart Leave a Comment

The War of Fog -Adventures in Audiophile Moving.   For forty days and nights, we’ve been packing boxes and squaring away our Hudson River home for sale to the new owners: roughly 12,000 records have gone through my hands recently; a few thousand left a while ago, and are now in the hands of a friend who returned to vinyl; as many were handed off to a wholesaler who dealt with the listings and shipping (none of the really rare stuff got sold, so you didn’t miss a thing). The wholesaler came back a couple weeks ago to take another 2,000 records out of here. That left me with about 6,000... Read More

Filed Under: Ephemera, In Brief

Songs in the Key of Wonder

January 3, 2017 by Bill Hart Leave a Comment

Stevie Wonder’s Songs in the Key of Life In spite of his considerable talents, a vast body of commercially successful recordings spanning the decades and enduring recognition from the time he first appeared on Motown’s Tamla roster as “Little Stevie Wonder” at the age of 11,  I still think Stevie Wonder is vastly underrated as a composer and performer. His maturation as a gifted writer and musician not only helped redefine the sound of “soul” and popular music in the ’60s, but led to a period of deeper, more introspective music in the ’70s... Read More

Filed Under: In Brief

Songs in the Key of Life-Stevie Wonder National Recording Registry

January 3, 2017 by Bill Hart Leave a Comment

“Songs in the Key of Life”—Stevie Wonder (1976) Added to the National Recording Registry: 2005 Essay by Bill Hart (guest post)* How does one judge the importance of a work of recorded music? Stevie Wonder’s “Songs in the Key of Life” enjoyed enormous popularity and sales; had a profound influence on other musicians and garnered critical accolades from reviewers. Yet the musical significance of this album is still not fully explained by these conventional measures. The significance of “Songs” as a groundbreaking album seems only to have grown over the years. Its influence is... Read More

Filed Under: Features

Rob Stoner: A Life of Music

December 5, 2016 by Bill Hart Leave a Comment

Rob Stoner: A Life of Music Few musicians can claim to have opened for the original Jeff Beck Group in ‘68 (with Rod Stewart, Nicky Hopkins and Ronnie Wood), backed Don McLean on his perennial hit and album, American Pie and then helped Bob Dylan reinvent himself (again) in a series of albums and roadshows in the mid-‘70s—in what is now recognized as a peak of creativity for that mercurial troubadour. Rob Stoner did all that by the time he was 27 years old. Stoner didn’t stop there: he played with guitarists as legendary as Chuck Berry and Link Wray, as great as Mick Ronson and as... Read More

Filed Under: Features

Opening the Door to Comments!

December 1, 2016 by Bill Hart 2 Comments

Opening the Door to Comments!   When this site launched, it did not include any facility for user comments. I didn’t want to bother moderating comments, and had enough work just assembling content. But now, almost two years into publishing TheVinylPress, I’m willing to experiment a bit, so some articles will now include a comments feature. If you want to post a comment, you will have to register. (Registration and login links are at the bottom of the page in the “black bar”).  Initial comments may be put into a queue until you are validated as a user. And, at least... Read More

Filed Under: Editorials, In Brief

The Congos- Heart of the Congos

November 3, 2016 by Bill Hart

The Congos- Heart of the Congos Dig into “reggae” or “roots reggae” and one album seems to stand out: The Congos: Heart of the Congos. This record enjoyed a following but was made far more accessible by subsequent reissues, the most notable being a re-master done in the ‘90s by the Blood & Fire label in the UK. Even if you don’t think you like reggae or Jamaican music, this one is worth owning. It combines beautiful vocal harmonies with a driving rhythm section and a production so in touch with the soul of the music that the recording is part of the performance itself.... Read More

Filed Under: Features

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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