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Strata-East Reissues from Pure Pleasure

November 20, 2017 by Bill Hart Leave a Comment

Strata-East Pure Pleasure Reissues     It’s no coincidence that my renewed interest in jazz came with my recent discovery of “spiritual jazz,” a form of avant-garde music that blossomed in the late ‘60s and early ‘70s. This was a period when, like other creators of music, jazz players and composers sought to push beyond the conventions of established genres. This shift also coincided with the emergence of Afro-centric music, the “Black Power movement” and a deeper exploration of the roots of the black experience in America. One of the most diverse and (at the time)... Read More

Filed Under: Features, Records

Tima’s DIY RCM

September 11, 2017 by Bill Hart Leave a Comment

Tima’s DIY RCM As a dedicated vinylista, I’ve been cleaning records for over thirty years. Sound familiar? Cleaning techniques and technologies evolved across that time and my approach changed with the times. I’ve been using a Loricraft RC3 point nozzle machine and more recently an Audio Desk System. After reading multiple threads on various audio forums about home made record cleaning kits built around larger volume ultrasonic cleaners, I decided to give that a try. Thanks to all who have gone before me, and especially to Bill at The Vinyl Press and Rob at Audionirvana.org, for... Read More

Filed Under: Cleaning - Care, Features, Stickies

A Tribute to Quad

August 26, 2017 by Bill Hart Leave a Comment

A Tribute to Quad   Much has been written over the years about Peter Walker’s electrostatic loudspeaker, including the wonderful book assembled by Ken Kessler, Quad: The Closest Approach. I bought my first pair of Quad ESLs in 1973 and learned much about listening in the process of living with them as my main system during the ‘70s and early-mid ‘80s. I never sold my original pair, but after all sorts of experiments with subwoofers and add-on tweeters, I put the original ESL to the side for what turned out to be decades. I switched to a pair of Crosby-modified Quad 63’s,... Read More

Filed Under: Features

Gone to Texas

August 26, 2017 by Bill Hart Leave a Comment

Gone to Texas I’m long overdue in publishing new material at The Vinyl Press. My mini-travelogue of our journey from New York through the Deep South was part of our transit, a road trip of relocation to Austin, Texas. We landed in Austin on February 1, and with a pretty good sense of the real estate market here (great for sellers, ugly for buyers), we set out with our broker to find a place that appealed. My original intention was to buy something in an international modern vein, but that didn’t happen for a number of reasons. Our “new” house in Austin is circa the 1880’s and... Read More

Filed Under: Features, In Brief

Songs in the Key of Life-Stevie Wonder National Recording Registry

January 3, 2017 by Bill Hart Leave a Comment

“Songs in the Key of Life”—Stevie Wonder (1976) Added to the National Recording Registry: 2005 Essay by Bill Hart (guest post)* How does one judge the importance of a work of recorded music? Stevie Wonder’s “Songs in the Key of Life” enjoyed enormous popularity and sales; had a profound influence on other musicians and garnered critical accolades from reviewers. Yet the musical significance of this album is still not fully explained by these conventional measures. The significance of “Songs” as a groundbreaking album seems only to have grown over the years. Its influence is... Read More

Filed Under: Features

Rob Stoner: A Life of Music

December 5, 2016 by Bill Hart Leave a Comment

Rob Stoner: A Life of Music Few musicians can claim to have opened for the original Jeff Beck Group in ‘68 (with Rod Stewart, Nicky Hopkins and Ronnie Wood), backed Don McLean on his perennial hit and album, American Pie and then helped Bob Dylan reinvent himself (again) in a series of albums and roadshows in the mid-‘70s—in what is now recognized as a peak of creativity for that mercurial troubadour. Rob Stoner did all that by the time he was 27 years old. Stoner didn’t stop there: he played with guitarists as legendary as Chuck Berry and Link Wray, as great as Mick Ronson and as... Read More

Filed Under: Features

The Congos- Heart of the Congos

November 3, 2016 by Bill Hart

The Congos- Heart of the Congos Dig into “reggae” or “roots reggae” and one album seems to stand out: The Congos: Heart of the Congos. This record enjoyed a following but was made far more accessible by subsequent reissues, the most notable being a re-master done in the ‘90s by the Blood & Fire label in the UK. Even if you don’t think you like reggae or Jamaican music, this one is worth owning. It combines beautiful vocal harmonies with a driving rhythm section and a production so in touch with the soul of the music that the recording is part of the performance itself.... Read More

Filed Under: Features

Caravan “In the Land of Grey and Pink”- The Canterbury Scene

October 12, 2016 by Bill Hart

Caravan “In the Land of Grey and Pink”   -The “Canterbury Scene” Caravan’s “In the Land of Grey and Pink,” released in 1971, is generally considered one of the best representations of the so-called “Canterbury Scene.” What, you may ask, is the “Canterbury Scene”? To me, it is a very imprecise label for an offshoot of progressive rock that had no specific style, and was not necessarily even linked to the cathedral city from which it drew its name. Commentators often point to the pastoral aspects of the music, or the peculiarly English sense of whimsy associated with... Read More

Filed Under: Features, Records

Never Say No To a Rock Star In the Studio With Dylan, Sinatra, Jagger and More by Glenn Berger

August 17, 2016 by Bill Hart

Inside A&R Studios in its Heyday-Glenn Berger Recounts the Golden Era Working with Phil Ramone   This is the rare “insider” book on the rock music business in its heyday: rare because unlike the name-dropping, image-burnishing autobiographies of many fabled artists and engineers, often told from the vantage point of age and (sometimes faded) celebrity, we are in the studio—Phil Ramone’s to be exact—witnessing the performances and engineering craft of the best in the business through the eyes (and ears) of a young intern/apprentice/assistant engineer. The author, Glenn... Read More

Filed Under: Features

Prog Rock Obscurities – by Ken Golden

August 17, 2016 by Bill Hart

  Prog Rock Obscurities – by Ken Golden   Any list of recommended albums is simply a snapshot representing a momentary state of mind. Here are 10 prog rock albums that will require some digging but if you are a fan of the genre you will be rewarded. Don’t think of this as a definitive “top 10” just 10 great ones in no particular order: Spring – same (RCA Neon). Neon was RCA’s answer to Philips Vertigo label. In fact they poached Vertigo founder Olav Wyper and he set up shop offering similar fare. Spring was from Leicester in the UK. Their sole album was released... Read More

Filed Under: Features, Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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