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Nathan Davis- Makatuka

April 15, 2019 by Bill Hart 1 Comment

Nathan Davis- Makatuka This album, released a year before the recently reviewed “6thSense in the 11thHouse,” was recorded in the same Pittsburgh studio, by the same engineer, with a different band, the Nathan Davis Sextet. It also features a vocalist, Wheeler R. Winstead, whose soulful groove adds another dimension to an album chock full of surprises. This is a record of virtuoso horn playing, from the range of saxes and clarinet played by Davis (who could wring out just about every sound imaginable from those instruments) to some glorious trombone work by Nelson Harrison. These players... Read More

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Jim Hoke –The Floating Zone

March 7, 2019 by Bill Hart 3 Comments

Jim Hoke –The Floating Zone Jim Hoke is one of those unsung, working musicians who often remain under the radar of the general public, but are well-known and respected by other musicians: Paul McCartney included Jim on four tracks of his latest album; Jim has worked with pretty much everybody: Billy Joel, Dolly Parton, Boz Scaggs, Buddy Guy, Steve Earle, Joan Baez and a long, long list of others. He has toured with Emmylou Harris and NRBQ; George Jones recorded one of Jim’s songs. Jim’s latest album, “The Floating Zone” calls upon some of the notable performers with whom Jim has... Read More

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Peter Ledermann’s Direct Grace Records

February 21, 2019 by Bill Hart 1 Comment

Peter Ledermann’s Direct Grace Records Most of us know of Peter Ledermann through his Soundsmith company, one of the small handful of companies that “retips” phono cartridges. In more recent years, Peter has proven to be a prolific innovator of a range of phono cartridges and accessories. But, did you know Peter also had a record label? One that produces and distributes direct to disc records? It’s called Direct Grace Records. http://www.directgrace.org/Home.html Direct to disc records have, in my experience, been some of the best sounding LPs I have heard. Sadly, many are... Read More

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David Lindley- El Rayo-X Speakers Corner Re-Master

February 14, 2019 by Bill Hart 1 Comment

David Lindley- El Rayo-X Speakers Corner Re-Master  David Lindley is a national treasure. He’s been doing this a long time, and has appeared on a lot of famous records, including a number of the big hit albums starting in the ‘70s, many from musicians based or recorded in Los Angeles: Linda Ronstadt, Jackson Browne, James Taylor, Terry Reid, Graham Nash, Little Feat and hundreds of other records (and as many live appearances) as a sideman wielding a variety of stringed instruments. He’s had bands (Kaleidiscope; El Rayo-X) and still tours, often as a one-man show. I’ve... Read More

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Nathan Davis- The 6th Sense in the 11th House

February 6, 2019 by Bill Hart 3 Comments

Nathan Davis- The 6th Sense in the 11th House Life is a wonderfully strange thing sometimes, small worlds and hidden treasures in plain sight: I had been hunting for copy of Nathan Davis’ The 6th Sense in the 11thHouse, released in 1972. The record, if not rare, doesn’t seem to be all that common or well-known in the audiophile community. There was a promo copy on Discogs for stupid money, and I kept my eye out.  One night, sleepless, I hit e-Bay to set up a search/alert for the record when up popped a “New Listing” for a sealed promo copy for very reasonable... Read More

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Black Cat Bones-Barbed Wire Sandwich

December 4, 2018 by Bill Hart Leave a Comment

Black Cat Bones-Barbed Wire Sandwich   An important album by a short-lived band known for the association of various members with a number of other early heavy rock and blues rock bands, among them, Leaf Hound, Atomic Rooster, Cactus, Foghat and Free. Kossoff and Simon Kirke, of Free, left the band before this–– the band’s sole release––was recorded but a number of the tracks have same raw swagger and unpolished sound as Tons of Sobs, Free’s first album (and, to me, Free’s best). Admittedly, there’s no Paul Rodgers here. But what is here is very, very good at times if... Read More

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SPIN CYCLE-Rare, Overlooked and Worthwhile Records to Explore

November 21, 2018 by Bill Hart Leave a Comment

SPIN CYCLE- Rare, Overlooked and Worthwhile Records to Explore  I cycle through a lot of records here—some are rare or obscure and many are deserving of further attention, but most don’t get covered simply due to time constraints. Many are overlooked and all are worthwhile, depending on your taste and sense of adventure.  Thus, this piece, highlighting records worthy of further exploration; some will get more in-depth reviews as time permits.   Nate Morgan- Journey into Nigritia This comes from Nimbus West, another great label with an interesting mix of spiritual jazz... Read More

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Air-Air

September 18, 2018 by Bill Hart Leave a Comment

Air-Air    This is a stunning record. Composed and performed by a band with a long working relationship with Herbie Mann (who produced the album), its vocal parts shine with soulful beauty thanks to Googie Coppola, the professional moniker of Carol Brooks, whose writing, performance and voice are central to the magic of this album. The rest of the band—Tom Coppola (Googie’s partner), John Siegler and Mark Rosengarden achieve something remarkable—a jazz album that has soul but is not trapped by either genre; there is an ethereal quality to this record that is both uplifting and... Read More

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The Talking Blues-Doug MacLeod’s Break the Chain

September 18, 2018 by Bill Hart Leave a Comment

  The Talking Blues-Doug MacLeod’s Break the Chain I’ve always liked the blues. In some ways the simplest, yet often the most difficult music to play: the changes are easy, and while many players stun with instrumental virtuosity, what really sticks (for me) is the raw, emotional outpouring, not the flashiness. Sometimes it just falls flat because it seems like you’ve heard it a million times, and it is being played by rote. Doug MacLeod’s Break the Chain, recently released on the audiophile label, Reference Recordings (more about the label and production below), is in some... Read More

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Randy Holden- Guitar God (Interview)

September 6, 2018 by Bill Hart 1 Comment

Randy Holden- Guitar God   For those of you with an appreciation for hard, heavy guitar-centric rock from the period, it doesn’t get any better than Randy Holden. His solo album, Population II, is now a highly collectible rarity for good reason: it’s a monster album. If you only have passing knowledge of the man, or look him up on the Internet, the accepted wisdom recites that Holden is “best known for” his work on Blue Cheer’s New, Improved! But that album doesn’t even scratch the surface. In fact, it is partly a Blue Cheer album and partly a Randy Holden album; the dividing... Read More

Filed Under: Features, Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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