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You are here: Home / Archives for Bill Hart

LLOYD MCNEILL-ASHA AND BEYOND

March 12, 2018 by Bill Hart 2 Comments

LLOYD MCNEILL-ASHA AND BEYOND I’ve recently developed this thing for Lloyd McNeill, which started when a dealer friend of mine, Tosca Records, mentioned McNeill’s Washington Suite. What he failed to tell me was that the record was scarce, and good copies are not only hard to find, but quite pricey. I’ve been listening to a lot of spiritual jazz lately but Washington Suite is one of the finest pieces of music I’ve heard. It was composed by McNeill for a ballet in Washington, D.C. and released on McNeill’s private label, Asha. Original copies are truly scarce- not that this has... Read More

Filed Under: Features

Blackwater Park- Dirt Box

March 12, 2018 by Bill Hart Leave a Comment

Blackwater Park- Dirt Box  An early hard rock release from Germany featuring an English singer, Blackwater Park is familiar to Opeth fans because it is also the title of an album that may represent Opeth’s peak as a metal band (before Opeth eventually turned to more naturally voiced, progressive rock sounds). Beyond name-checking this early band, I don’t recall much similarity to the Opeth album but admittedly, it’s been a while since I played Opeth’s Blackwater Park. This record, by contrast, is more straight ahead hard rock of the heavy variety; original pressings on BASF are... Read More

Filed Under: Records

Orne –Tree of Life

March 12, 2018 by Bill Hart Leave a Comment

Orne –Tree of Life   Ever listen to “doom prog”?  Tree of Life by Orne is a beautiful, dark journey that manages to avoid some of the clichés of the genre but shines in unexpected ways. Orne is an offshoot of the doom metal band Reverend Bizarre and started life as Mesmer. By the time of this release in 2011 (on Black Widow Records of Italy), Orne seems to have captured their muse, delivering a moody, delicate brooding sound without too much sameness. The album is very atmospheric—you let it play, rather than “listen” to it. The spoken word bit at the beginning of the album... Read More

Filed Under: Records

Cargo a/k/a September

March 12, 2018 by Bill Hart Leave a Comment

Cargo    This Dutch hard rock outing was originally released in 1972 on Harvest in the Netherlands as Cargo and consisted of four tracks. At the time of recording, the band was originally known as September. Various reissues have included “bonus” tracks. The most current reissue on vinyl (2017) is on the Pseudonym label (which appears to be identical to that label’s 2012 reissue); it contains the original four tracks, with a handful of demo tracks that were allegedly unreleased, spread over two LPs.   Although the original album is a known collectible, and priced accordingly,... Read More

Filed Under: Records

SEDUCED BY SOUND: AUSTIN, 100 Musicians on Why They Make Music

January 12, 2018 by Bill Hart Leave a Comment

SEDUCED BY SOUND: AUSTIN, 100 Musicians on Why They Make Music    Even if you hung out in every bar, dive and dance hall in a town for the last 40 years, you wouldn’t capture the musical influences, history and “feel” of a place as well as this book tells it. Part history, part interviews with music makers, SEDUCED BY SOUND: AUSTIN is far more than a cheat sheet for the vast array of talent that inhabits this “live music capital of the world.” It tells the story of the Austin music scene, in the words of the people who lived and made it, in a way no narrative history... Read More

Filed Under: Ephemera, In Brief

Krokodil ‎– An Invisible World Revealed

January 8, 2018 by Bill Hart Leave a Comment

Krokodil ‎– An Invisible World Revealed If any album defies categorization, it is this one: an early psych driven effort by a Swiss band sporting a British bassist/guitarist/vocalist that is categorized as “Krautrock” but often dismissed by progressive rock enthusiasts as blues-driven hard rock. Who cares? It’s a wonderful record, starting with the first track, “Lady of Attraction,” with its swirling, phasey vocals and psychedelic atmospherics. You can detect the blues-rock elements in some tracks, but they are so effectively combined with other, more exotic motifs that the... Read More

Filed Under: Records

Blues Creation ‎– Demon & Eleven Children

January 8, 2018 by Bill Hart Leave a Comment

Blues Creation ‎– Demon & Eleven Children   This album is no secret to aficionados of the early Japanese psych rock scene—it is usually on “best of” lists for that genre and era. The band followed the typical evolution of the late ‘60s UK blues-rock sound, but broke ground with this album in 1971. It owes much of its power to guitarist Kazuo Takeda who, as of this writing, is still revered as major influence in the sound of the era and has enjoyed a long career as a session player, both in the United States and Japan. Interestingly, subsequent to the release of Demon... Read More

Filed Under: Records

Atlantis Philharmonic-s/t

January 8, 2018 by Bill Hart Leave a Comment

Atlantis Philharmonic-s/t     Here’s another one that completely escaped my notice at the time. In fact, I hadn’t heard (of) it until it came in a box of records from the East Coast- Ken was already texting me- “did you listen to Atlantis Philharmonic yet?” “Uh, no, the box got here like five minutes ago.”   Well, it took me a couple days to get around to it for reasons that aren’t worth explaining. Whoa!   Heavy, prog, hard rock with the drive and brutality of early Sabbath, mellowed by keyboards and those “soundscapes” characteristic of period prog. But,... Read More

Filed Under: Records

John Fahey- Blind Joe Death

January 8, 2018 by Bill Hart Leave a Comment

John Fahey- Blind Joe Death     John Fahey is remembered as seminal figure in the original blues revival movement that flourished in the early-mid ‘60s. His efforts, along with those of others, led to seismic change in popular music, when more traditional rock and roll was replaced by blues-driven harder rock in the later ‘60s. (I think the impact on folk/acoustic scene was more limited, commercially, for a variety of reasons). Fahey was part of the effort to locate still living rural blues performers – including Skip James–who had been all but forgotten in the era from the... Read More

Filed Under: Records

Steep Canyon Rangers- Out in the Open

January 8, 2018 by Bill Hart Leave a Comment

Steep Canyon Rangers- Out in the Open There is something very satisfying about the new album Out In The Open by the Steep Canyon Rangers. Whether it is ease with which they harmonize or their mastery of traditional bluegrass instruments including the mandolin and fiddle, these gentlemen cast a spell of homespun warmth that is both authentic and fresh. The band was an unknown quantity to me, though they’ve won a Grammy and have collaborated with Steve Martin over the years. When I saw an announcement from Ramseur Records about Out In The Open, I was intrigued and asked for a copy. I’m... Read More

Filed Under: Features, Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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