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SPIN CYCLE-Rare, Overlooked and Worthwhile Records to Explore

November 21, 2018 by Bill Hart Leave a Comment

SPIN CYCLE- Rare, Overlooked and Worthwhile Records to Explore  I cycle through a lot of records here—some are rare or obscure and many are deserving of further attention, but most don’t get covered simply due to time constraints. Many are overlooked and all are worthwhile, depending on your taste and sense of adventure.  Thus, this piece, highlighting records worthy of further exploration; some will get more in-depth reviews as time permits.   Nate Morgan- Journey into Nigritia This comes from Nimbus West, another great label with an interesting mix of spiritual jazz... Read More

Filed Under: Features, Records

A MESSAGE FROM THE TRIBE- WENDELL HARRISON

September 26, 2018 by Bill Hart Leave a Comment

A MESSAGE FROM THE TRIBE- WENDELL HARRISON  Wendell Harrison, Image by Noah Morrison, courtesy The Kresge Foundation. Talking with Wendell Harrison is like jazz itself—a free flow of information, filled with nuance and detail, marked by contrasts and the occasional surprise, all connected when you stand back and get the shape of things.  Wendell is a kind, warm man whose joy of life is evident in his words, music and all that he does: now an elder statesman of the Detroit jazz scene, Wendell is a teacher, a keeper of the legacy and an active musician and producer.   The years have... Read More

Filed Under: Features

The Talking Blues-Doug MacLeod’s Break the Chain

September 18, 2018 by Bill Hart Leave a Comment

  The Talking Blues-Doug MacLeod’s Break the Chain I’ve always liked the blues. In some ways the simplest, yet often the most difficult music to play: the changes are easy, and while many players stun with instrumental virtuosity, what really sticks (for me) is the raw, emotional outpouring, not the flashiness. Sometimes it just falls flat because it seems like you’ve heard it a million times, and it is being played by rote. Doug MacLeod’s Break the Chain, recently released on the audiophile label, Reference Recordings (more about the label and production below), is in some... Read More

Filed Under: Features, Records

Randy Holden- Guitar God (Interview)

September 6, 2018 by Bill Hart 1 Comment

Randy Holden- Guitar God   For those of you with an appreciation for hard, heavy guitar-centric rock from the period, it doesn’t get any better than Randy Holden. His solo album, Population II, is now a highly collectible rarity for good reason: it’s a monster album. If you only have passing knowledge of the man, or look him up on the Internet, the accepted wisdom recites that Holden is “best known for” his work on Blue Cheer’s New, Improved! But that album doesn’t even scratch the surface. In fact, it is partly a Blue Cheer album and partly a Randy Holden album; the dividing... Read More

Filed Under: Features, Records

The Curious Case Of Record Cleaning In The Quest For Sonic Perfection

September 5, 2018 by Bill Hart 1 Comment

  The Curious Case Of Record Cleaning In The Quest For Sonic Perfection  Michael Bodell, September 1, 2018   “If there exists a more effective, easy, reliable, and utterly transformative way of cleaning LPs, I have yet to hear it.”  Art Dudley, Stereophile March 2015   In 1952, Bendix Corporation of Davenport, Iowa took ultrasonic cleaning from the laboratory and into production for the first time.  The company experimented with ultrasonic applications through the 1950s to find tank cleaning in a fluid an optimal use, especially in industrial applications. ... Read More

Filed Under: Cleaning - Care, Features, Stickies

Comus: First Utterance + Interview with Members of Comus

August 8, 2018 by Bill Hart Leave a Comment

  Comus: First Utterance    The folk music revival of the ‘60s not only revitalized interest in traditional music but also sparked the creation of more contemporary sounds that were influenced by the cultural tides and musical shifts of a turbulent decade. Although it was not released until 1971, First Utterance stands today as a “Ur” album of the psychedelic folk movement; it is a wild ride even by “modern” standards, inured to a post-punk, industrial, hip-hop, noise rock sensibility. It must have been shattering to listen to at the time of its release.   Roger Wootton... Read More

Filed Under: Features, Records

Sabbath’s Heaven and Hell: Your Choice

July 31, 2018 by Bill Hart Leave a Comment

Sabbath’s Heaven and Hell: Your Choice   One of the greatest Black Sabbath albums was delivered after the early albums on Vertigo Swirland subsequent to Ozzy Osbourne’s departure: Heaven and Hell, released in 1980, featuring Ronnie James Dio as vocalist. This album represents a high water mark in the band’s recorded performances, not only for its two sides chockful of rhythmic, driving songs with the heavy riffage characteristic of the best of Sabbath; the album was a fresh take on the classic Sabbath sound that breathed new life into the band. Dio’s involvement didn’t... Read More

Filed Under: Features, Records

GRANICUS –s/t; Interview with Woody Leffel

March 12, 2018 by Bill Hart Leave a Comment

GRANICUS –s/t; Interview with Woody Leffel  Hailing from Cleveland, Ohio, Granicus recorded one self-titled album for RCA in 1973 that received little support from the label before the band called it quits. Even today, the album remains relatively obscure among aficionados of hard rock for reasons that remain a mystery: unlike many early hard rock records that have achieved cult status (often, with prices to match), it contains consistent, powerful performances and sounds neither derivative nor dated. I was sufficiently intrigued by the record to reach out to the re-formed band, which... Read More

Filed Under: Features, Records

LLOYD MCNEILL-ASHA AND BEYOND

March 12, 2018 by Bill Hart 2 Comments

LLOYD MCNEILL-ASHA AND BEYOND I’ve recently developed this thing for Lloyd McNeill, which started when a dealer friend of mine, Tosca Records, mentioned McNeill’s Washington Suite. What he failed to tell me was that the record was scarce, and good copies are not only hard to find, but quite pricey. I’ve been listening to a lot of spiritual jazz lately but Washington Suite is one of the finest pieces of music I’ve heard. It was composed by McNeill for a ballet in Washington, D.C. and released on McNeill’s private label, Asha. Original copies are truly scarce- not that this has... Read More

Filed Under: Features

Steep Canyon Rangers- Out in the Open

January 8, 2018 by Bill Hart Leave a Comment

Steep Canyon Rangers- Out in the Open There is something very satisfying about the new album Out In The Open by the Steep Canyon Rangers. Whether it is ease with which they harmonize or their mastery of traditional bluegrass instruments including the mandolin and fiddle, these gentlemen cast a spell of homespun warmth that is both authentic and fresh. The band was an unknown quantity to me, though they’ve won a Grammy and have collaborated with Steve Martin over the years. When I saw an announcement from Ramseur Records about Out In The Open, I was intrigued and asked for a copy. I’m... Read More

Filed Under: Features, Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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