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Atomic Rooster- Death Walks Behind You– Two Pressings

August 13, 2018 by Bill Hart 5 Comments

Atomic Rooster- Death Walks Behind You Two pressings: US and UK   An interesting heavy rock record by an oft-overlooked band, this album—which was probably their best and most commercially successful– has gotten some play here lately. I decided to buy both early US and UK pressings—the price difference can be considerable for those of us in the States—to see how they compared. The UK clearly wins on artwork, with its disturbing William Blake image (above).   The band grew out of The Crazy World of Arthur Brown—a strange piece of wackiness that resulted in a radio... Read More

Filed Under: Records

The National Reserve- Motel La Grange

August 8, 2018 by Bill Hart Leave a Comment

The National Reserve- Motel La Grange   You can listen to Sean Walsh and The National Reserve’s Motel La Grange and be reminded of so many different strands of music from the past without being quite able to put your finger on what memories are being tickled. There are elements of the old Bob Seger in the vocal parts, of The Band in their roots Americana vibe, of Little Feat in sheer funk but it’s nowise derivative of any of these; it stands on its own, even if it does bring back memories of something else.   If I were a musician, I’d hate to be compared to someone else, even if... Read More

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Comus: First Utterance + Interview with Members of Comus

August 8, 2018 by Bill Hart Leave a Comment

  Comus: First Utterance    The folk music revival of the ‘60s not only revitalized interest in traditional music but also sparked the creation of more contemporary sounds that were influenced by the cultural tides and musical shifts of a turbulent decade. Although it was not released until 1971, First Utterance stands today as a “Ur” album of the psychedelic folk movement; it is a wild ride even by “modern” standards, inured to a post-punk, industrial, hip-hop, noise rock sensibility. It must have been shattering to listen to at the time of its release.   Roger Wootton... Read More

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Josefus-Dead Man & SXSW

July 31, 2018 by Bill Hart Leave a Comment

  Josefus-Dead Man & SXSW   Before we get to Josefus, and their classic, Dead Man, a precursor album of hard rock that was seemingly lost except to an informed group of fans and enthusiasts, I have a story to tell. As full time resident of Austin, I am now entitled to complain about SXSW.The first few years we were living here during the winter-spring season (and returning to New York for the remainder of the year), we’d “do” SX—take in some shows, go to a few panel discussions and just walk the scene. I’m told, like everything else here, that it was “way better”... Read More

Filed Under: Records

Sabbath’s Heaven and Hell: Your Choice

July 31, 2018 by Bill Hart Leave a Comment

Sabbath’s Heaven and Hell: Your Choice   One of the greatest Black Sabbath albums was delivered after the early albums on Vertigo Swirland subsequent to Ozzy Osbourne’s departure: Heaven and Hell, released in 1980, featuring Ronnie James Dio as vocalist. This album represents a high water mark in the band’s recorded performances, not only for its two sides chockful of rhythmic, driving songs with the heavy riffage characteristic of the best of Sabbath; the album was a fresh take on the classic Sabbath sound that breathed new life into the band. Dio’s involvement didn’t... Read More

Filed Under: Features, Records

GRANICUS –s/t; Interview with Woody Leffel

March 12, 2018 by Bill Hart Leave a Comment

GRANICUS –s/t; Interview with Woody Leffel  Hailing from Cleveland, Ohio, Granicus recorded one self-titled album for RCA in 1973 that received little support from the label before the band called it quits. Even today, the album remains relatively obscure among aficionados of hard rock for reasons that remain a mystery: unlike many early hard rock records that have achieved cult status (often, with prices to match), it contains consistent, powerful performances and sounds neither derivative nor dated. I was sufficiently intrigued by the record to reach out to the re-formed band, which... Read More

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Blackwater Park- Dirt Box

March 12, 2018 by Bill Hart Leave a Comment

Blackwater Park- Dirt Box  An early hard rock release from Germany featuring an English singer, Blackwater Park is familiar to Opeth fans because it is also the title of an album that may represent Opeth’s peak as a metal band (before Opeth eventually turned to more naturally voiced, progressive rock sounds). Beyond name-checking this early band, I don’t recall much similarity to the Opeth album but admittedly, it’s been a while since I played Opeth’s Blackwater Park. This record, by contrast, is more straight ahead hard rock of the heavy variety; original pressings on BASF are... Read More

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Orne –Tree of Life

March 12, 2018 by Bill Hart Leave a Comment

Orne –Tree of Life   Ever listen to “doom prog”?  Tree of Life by Orne is a beautiful, dark journey that manages to avoid some of the clichés of the genre but shines in unexpected ways. Orne is an offshoot of the doom metal band Reverend Bizarre and started life as Mesmer. By the time of this release in 2011 (on Black Widow Records of Italy), Orne seems to have captured their muse, delivering a moody, delicate brooding sound without too much sameness. The album is very atmospheric—you let it play, rather than “listen” to it. The spoken word bit at the beginning of the album... Read More

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Cargo a/k/a September

March 12, 2018 by Bill Hart Leave a Comment

Cargo    This Dutch hard rock outing was originally released in 1972 on Harvest in the Netherlands as Cargo and consisted of four tracks. At the time of recording, the band was originally known as September. Various reissues have included “bonus” tracks. The most current reissue on vinyl (2017) is on the Pseudonym label (which appears to be identical to that label’s 2012 reissue); it contains the original four tracks, with a handful of demo tracks that were allegedly unreleased, spread over two LPs.   Although the original album is a known collectible, and priced accordingly,... Read More

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Krokodil ‎– An Invisible World Revealed

January 8, 2018 by Bill Hart Leave a Comment

Krokodil ‎– An Invisible World Revealed If any album defies categorization, it is this one: an early psych driven effort by a Swiss band sporting a British bassist/guitarist/vocalist that is categorized as “Krautrock” but often dismissed by progressive rock enthusiasts as blues-driven hard rock. Who cares? It’s a wonderful record, starting with the first track, “Lady of Attraction,” with its swirling, phasey vocals and psychedelic atmospherics. You can detect the blues-rock elements in some tracks, but they are so effectively combined with other, more exotic motifs that the... Read More

Filed Under: Records

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In Brief:

Incoming- Mrs. Henry Keep on Rising

Mrs. Henry Keep on Rising   A 21st century rock opera? Recorded to tape? And mastered at Bernie Grundman’s shop? I’ve started to explore this box (3 LPs, 2 CDs and a substantial book) in more depth and plan on interviewing the producer in an upcoming piece. … [Read More...]

Power to the People-Back Up Generator

    Shortly after the Texas "big freeze" in February 2021, I contacted various vendors of back up generators. Some did not bother to respond, a few came out, ostensibly to give me a quote and I never heard from them again. One vendor did send me a blank form with a very high total price, without completing the cost analysis for running gas lines, electrical wiring and the other things that are "adds" to the cost of the generator itself.  I kicked this around for a while-- given the heat in Central Texas during the summer--110F for days on end, we got constant warnings last summer (2023) to reduce power consumption, lest we suffer rolling blackouts. And then there's the fact that Austin really isn't "built" for freezing temperatures. Black ice with no road crews, downed power lines, and demand that teeters off the edge of power failure catastrophe. I do not want to go into the power grid … [Read More...]

Incoming-Know what I mean?

Cannonball Adderley's "Know what I mean? is a warhorse, to be sure,but one that deserves its reputation. I was prompted to explore a few different pressings as a result of a thread on the Hoffman forum: https://forums.stevehoffman.tv/threads/do-you-have-cannonball-adderley-bill-evans-know-what-i-mean-the-best-sounding-vintage-jazz-lp.1175660/  I used to shop these OJCs as bargains back in the day when Tower Records was thriving. They were a solid entry point into some very good sounding jazz--some of it "straight ahead" but well made, taken from analog masters for the most part and did I say cheap? Back in the day, these were bargain records when they were released, and until the more recent surge in prices of older LPs, could be readily found for little money.  The recent Craft reissue cut by Kevin Gray has brought renewed attention to the record. I thought it might be fun to do a … [Read More...]

We’re Back!

We’re Back! Some fresh content for your consideration. Neil Antin did some modest updates to his seminal book on Precision Aqueous Cleaning of Vinyl Records. Neil did not regard these changes as a “new version” so the download is now 3.1 with a “Record of Changes” at the end. I’ve talked to Peter Ulrich, the drummer from Dead Can Dance a few times over the years because I was fascinated by the group. They hit it big in audiophile circles with “Into the Labyrinth” which became a “demo” record with the MoFi release. I got that, but also sought out an original 4AD pressing, and as I delved into their music, bought more original copies- they were not crazy expensive at the time. When Peter told me he was doing a book on the history of his involvement with the band, I was eager to read it. It offers some great insight into a period when this band was inventing new sounds in the post-punk … [Read More...]

Drumming with Dead Can Dance: and Parallel Adventures- Peter Ulrich

  Drumming with Dead Can Dance: and Parallel Adventures Peter Ulrich   I didn’t really get on to Dead Can Dance until “Into the Labyrinth,” their most popular LP that made the audiophile rounds here in the States. 4AD, their label, wasn’t well distributed in the US when the band was first developing, it wasn’t exactly mainstream stuff here, even in the audiophile community. Yet the band had a following, starting in Australia, where Lisa Gerrard and Brendan Perry had a band and moved to a council flat in London where the two met our narrator, a soon to be jobless publicist for a theatrical/live show venue. Ulrich had the time, interest, musical background, and chops as a drummer to become part of their band. So we get the story of DCD from the outset of their adventures in England, playing local venues and developing a following. The scene was a sort of post-punk, … [Read More...]

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